Thanks for the memories!

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

I have always thought that the producers of "Hooper" did an injustice to Jock Mahoney nee Jacques Mahoney in not having him play the Brian Keith part. After all, the character's name was Jocko and Mahoney was called that by his co-workers. While Brian Keith may have been a better actor and known to younger audiences as "Uncle Bill" from TV's Family Affair (still playing cable TV somehere I'm sure), Mahoney was a great stuntman and early TV western star (Range Rider, Yancey Derringer) and even played Tarzan in a couple of films. His stepdaughter is Sally Field and his daughter Princess Mahoney played a bit part of one of the girls in the bar. It would have made it more of a family affair and younger audiences would have had the chance to see Jocko at work. He was president of the Stuntman's Union and had the reputation of doing dangerous stunts nobody else would touch. The saying around Hollywood was that "if Jocko walked away (refused) from a stunt, it was much too dangerous." Brian Keith's character comments on how he wished he hadn't spent so much time on the set and more time at home, helping to raise his daughter, played by Sally Field. It was a nice, warm touch which gave a little more realistic depth to the character.

For those who prefer their entertainment on the mindless side, check out the 1978 comedy HOOPER, which stars Burt Reynolds as an over the hill stuntman having his thunder stolen by a young up and coming stuntman (Jan-Michael Vincent). There are crazy car stunts, a good bar fight, and some funny dialogue. Sally Field is decorative window dressing and there are wonderful supporting performances from Robert Klein as an egomaniacal film director, John Marley as an aggravated studio head, and best of all, Brian Keith as a retired stuntman and Field's father. Check your brain at the door and just have a good old time with the life of a Hollywood stuntman.

Seems like people either loved or hated old Burt back in the 70s. He was huge. Funny thing about his career was the fact that his early B movies in the 60s were serious little numbers on the whole and he never seemed to get anywhere. Then in a supporting role in Borman's "Deliverance" he exploded on the movie scene like an atomic bomb. Even his longtime fans from his "Gunsmoke" days like myself were stunned. Then, again he seemed to be stalling. Then he did something most of us where not expecting...he went pedal-to-the-metal comedy. Burt Reynolds was funny...very funny. His arrogant demeanor evenly tempered by a twinkle in his eye, he could charm a cornered rattlesnake. His fans were in on the joke the whole time while the others just plain hated him. It was their loss. He would go back to the serious movies after his tenure as the top box office dog, and he would finally get the much deserved respect from the Hollywood Mafia he had earned, but Burt at his best for most of us is still Burt being funny. Hooper, for me is still his best film while at the top. It was his poke in the eye at Hollywood and the crap so many actors have to endure. In a nutshell- Director is an ass, doesn't care about anyone but himself and his movie. Producer has no spine. Writer is treated like hired hand. Certain actors are treated like royalty while the stunt doubles do all the real (and dangerous) work the actors will no doubt get rave reviews for. Hooper's the best because like all the great stuntmen and daredevil types, he's a thrill junkie. Everyone knows he can't turn down a challenge to attempt the next bigger and better stunt. But he's getting old and the pounding his body has taken is catching up. His girlfriend wants him to stop and raise horses with her. Her father was a stuntman and when Hooper was a snot nosed wannabe he hounded the older man until he took him in and became his mentor. Now a new snot nosed wannabe is hounding Hooper. He sees what he's becoming in the old man, now just another Hollywood relic, and he sees what he once was in the new kid, the promise of becoming the best. Brian Kieth as the old man is outstanding. He was an underrated actor his entire career. Jan Michael Vincent is almost as good as the new kid hot on the heels of Hooper's King-of-the-Stuntmen Crown. As with all these Reynolds' comedies in-jokes and silliness abound, and action is top notch. Unlike the others this film also has good dramatic moments. Reynolds was never a great actor, but by the time this film was made he had become a damn good one. Supported by Sally Field and Brian Kieth and Robert Klien and many others, it's one of the best films he has made so far. Ex-NFL great Terry Bradshaw and several other off the wall cameos are peppered throughout. The twinkle never goes away and at the end Burt looks us straight in the eye and throws the final punch just for us. It may not be great "film" but it's great "Movie" making, just plain popcorn munching fun. If you like Burt, this could be the ultimate Burt Reynolds movie. If you like movies about Hollywood or just like to laugh or thrill to fantastic stuntwork this movie is a must.

"Hooper" is yet another example of Burt Reynolds at the top of his game. Burt was a superstar who enjoyed making these action comedies for the summer drive-in crowd. The films usually made bundles of money and were usually pretty enjoyable. "Hooper" is one of Burt's better comedies of the 70's. He plays the title character, an aging Hollywood stuntman looking to make that last great stunt for the money and retire before his body gives out on him and serious damage occurs. Sally Field yet again plays Burt's girlfriend and, yet again, isn't given a whole lot to do. Jan Michael Vincent plays the new, young, hot shot stuntman that worries Burt. Brian Keith has a nice turn as Sally's father who happens to be a veteran stuntman himself.The characters are not the important thing though. You go to see "Hooper" to laugh and enjoy the action scenes. The filmmakers deliver the goods on both counts. One standout scene involves a bar fight involving such tough guys as Terry Bradshaw. Burt confronts Terry one on one and it's the comic highlight of the film. The stunts are sensational and the final stunt is, thematically, totally ridiculous. But it's so well filmed we forgive the obvious silliness."Hooper" is a fun film to watch but make sure to see it uncut. It seems that many of Burt's PG-rated movies of the 70's stretched the limits to get as close to the R-rating as possible without going over the line. "Hooper" is no exception.