Too many fans seem to be blown away

Slow pace in the most part of the movie.

everything you have heard about this movie is true.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

When wisecracking Pat Carroll quips that she doesn't understand why the parents are never the ones who run away, she probably gave a lot of mommies and daddies a good idea. You see, her pal (construction company boss Doris Day) has just eloped with Brian Keith, and the four kids in the mix have mixed ideas, particularly Day's oldest son and Keith's daughter. Sexual tension is sure to develop between these two 18 year olds, but the two youngest rambunctious pre-pubescents are cool with their new daddy.Sound like "The Brady Bunch", "The Partridge Family" and "Yours, Mine, and Ours" with a touch of "Please Don't Eat the Daisies" thrown in? Yes, it's sitcom-ish, but fun. Day goes off on stepdaughter Barbara Hershey like you've never seen her go off before, showing some huevos as she hands over the lady of the house duties to the spoiled teen not used to sharing daddy with another woman, let alone one he's sleeping with. She's also slightly bitchy, giving it to the flirtatious neighbor of Keith's who openly flirts with him, saying she was just taking a walk. "Nice night for street walking", Day tells her, to which I spit out my soda, not expecting something like that from the all-American good girl.Heading out of motion pictures into TV, Day was in a transitional stage of her life, but retains her likability that kept her as queen of the Box Office for 15 years. Keith suits Day as a screen partner, then involved in his own sitcom ("Family Affair"), and well remembered as a dad with two perplexing teenagers in "The Parent Trap". As the newlywed couple face crisis after crisis (switching between each of their houses to suit the four kids not ready for total change), the film is realistic in its identification with the structures of 60's families. Alice Ghostley, Jamie Farr and the family dog (who is first seen eating Day's wig, certain it is a possum) offer amusing scenes. The comedy bits are prevented from too much silliness, and are not very far fetched. It is guaranteed to leave you with a smile. After disasters like "Caprice" and "Where Were You Where the Lights Went Out?", Day could be happy that her film career concluded on a nice note.

Unless someone persuades the 84 year old Doris Day to do an appearance in a Gloria Stuart like Titanic role, With Six You Get Eggroll will be her farewell big screen appearance. Not exactly the greatest film to go out on.Anticipating The Brady Bunch by a year, With Six You Get Eggroll is a pleasant enough family comedy about another lovely lady only she's the one with three boys of her own. Doris is a widow with sons Jimmy Bracken, Richard Steele, and John Findlater who's getting a lot of static from her sister Pat Carroll about her social life or lack thereof. Going through the Rolodex Brian Keith's name comes up. He's an old friend of Day's late husband who wouldn't you know it, is now a widower with a teenage daughter, Barbara Hershey. The inevitable romance blooms and they get married.Getting the respective families adjusted to step relations is a whole other matter. If you've seen episodes of The Brady Bunch, Step By Step, and Life With Derek, I think you'll get the idea where the rest of this film is going. Keith and Day look so comfortable together you do kind of wonder what their respective late spouses were like. Look for George Carlin to make his big screen debut as an obnoxious fast food stand owner and Vic Tayback as the poultry truck driver whose repeated run-ins with both sides of the family brings them finally together. And in that rather anarchistic climax note the presence of Jamie Farr and William Christopher as a pair of hippies who help the course of true love.With Six You Get Eggroll is an average screen comedy, but with all the blended family TV shows that have come and gone since, it's nothing no one hasn't seen before.

Along with "Yours, Mine and Ours" (Lucille Ball, Henry Fonda) this film marked the start of the "let's-create-a-family-by combining-each-of-ours" genre and soon several variations of the theme plowed their ways into theaters (including the much forgotten "Mulligan's Stew" where childless parents adopt a variety of ethnic representatives). It was a way to have "modern" family dramas survive in the ever changing marketplace. Looking like situation comedies found on television it was no surprise that they influenced what TV families of the 70's would look like. There was a chance to examine the ever increasing reality of divorce (disguised as widowship), yet still have a complete family unit. Of those that survived on television, "The Brady Bunch" and "Eight is Enough" are perhaps the most well known. No wonder abortion became popular! Soon these shows would be replaced by the examination of same sex parents (disguised as "good heterosexual friends") in such shows as "My Two Dads," and "Kate and Allie." Shows such as "The Cosby Show," "Home Improvement," and "Family Matters" brought television full circle so perhaps the 21st Century will see more single parent television and in another ten years a remake of "With Six You Get Eggroll." Of course the title would have to change for political correctness. How about "With Sex You Get Kids?" No wait, the pro-life groups won't like that. Ahhh, the sixties.

I wanted to like this film (and I did in some parts), but the plot is a little cluttered and mismatched. The humor comes, but not enough to keep me laughing (even though it was made in 1968). However, it is interesting to see the irony (or is it a coincidence). And it is this- while this is Doris Day's last film, it is also comedian George Carlin's first film and breakthrough into acting in movies (even though he was in a episode of That Girl). B