Let's be realistic.

While it doesn't offer any answers, it both thrills and makes you think.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Blistering performances.

The weight of expectation for City Heat was massive, two iconic Hollywood actors together in a buddy buddy cop movie, one with nods and homages to film noir and old school gangster movies, it wasn't unreasonable to expect a movie to sit with the best on Clint Eastwood and Burt Reynold's then CV's circa 1984. Unfortunately it's no masterpiece or close to being in the upper echelon's of each actor's respective works. But that doesn't make it a bad film.A change of director saw Blake Edwards replaced by Richard Benjamin after Eastwood and Edwards, ahem, couldn't see eye to eye, so that immediately put the film on the back foot in many critic's eyes. Ironically Benjamin does OK - working from Edwards' script (there's a whole bunch of back stories and tittle-tattle assigned to this film if you care to search for it). Lots of fun here, though, as Clint and Burt, one a cop, the other an ex-cop turned PI, reluctantly team up to cut a swathe through the gangsters ruling the roost in prohibition era Kansas City.Eastwood does his straight backed machismo act, throwing awesome punches along the way, while Reynolds is wonderfully cheerful as a tough guy who all things considered, would rather not get hurt! The script is full of zingers, delivered with customary sardonic self parody by the stars, while the roll call of supporting actors is not to be sniffed at. Period detail is high end, with Nick McLean's photography carrying the requisite neo-noir impact, while the music tracking is pleasingly nostalgic.It's over the top of course and needlessly convoluted as per its yearning to be noirish, yet if you can cut back your expectation levels? And you can simply enjoy the sight of Eastwood and Reynolds having fun romping in this period? Then you just might enjoy this more than you dared to believe. 7/10

This doesn't deserve all the hate it gets.If the finished film doesn't quite come together as it should,it comes down to the fact that the shooting was a troubled production.Two actresses quitting their roles,a director been replaced and Burt Reynolds suffering an injury that caused him to become addicted to painkillers and becoming increasingly difficult to work with,and forcing Clint Eastwood to handle a lot of the tension amongst the cast and director.Bearing all that in mind,this is still far from been the worst of it's kind.Set in the 30's,former police partners Eastwood and Reynolds are caught in the crossfire between two rival gangs when Reynolds' sidekick Richard Roundtree (Shaft)tries to con the local Mr.Big.The plot is a little confusing at first but by the halfway point everything makes sense and sets up the film's action-packed second half.There's plenty to enjoy here.Eastwood and Reynolds' banter (despite his difficulties during,Reynolds still does quite well)the settings,and the shootouts.One of the best things about the shootouts is the lack of intrusive music on the soundtrack which for me ruins a lot of movies.This is a surprisingly pleasing combination of comedy and film noir thriller,with Eastwood in particular sending up his own macho image at every opportunity.

City Heat casts two of Hollywood's biggest box office draws of the past forty years in the same film as different types. The film is set in Kansas City of 1933 which richly earned the reputation it had back in the day of a wide open town. This was in fact the Kansas City of Tom Pendergast. Clint Eastwood is a by the book and honest city detective, not an easy thing to be in Kansas City of that era. Burt Reynolds is a former cop who's now a roguish private eye. The two of them have a history, they like each other well enough, but they also grate on each other's nerves.As all good private eyes have, Burt has a cool and efficient Effie like secretary in Jane Alexander and a partner in Richard Roundtree. Burt's one of the few back in the day who would even consider going into business with a black person. But Roundtree's playing a lone hand involving a runaway bookkeeper and a war between two rival mobs headed by Rip Torn and Tony LoBianco. For his troubles Roundtree winds up dead and in the same tradition of Sam Spade, when your partner's killed you do something about it.But it's also Eastwood's homicide case and like it or not the two are forced into an alliance of inconvenience, kicking and screaming right up to the end of the picture. The plot also calls for rescuing Alexander who Eastwood fancies, Madeline Kahn who's Burt's girlfriend and chanteuse Irene Cara.City Heat is not at the top of the list of films by Eastwood and Reynolds. But they've got nothing to be ashamed of here. The film glides effortlessly from comedy to drama and both guys get their innings to show why they're the superstars they are. You could do a lot worse than City Heat for your viewing pleasure.

This movie is part of a 3-for-1 DVD set of Clint Eastwood movies. None of them arise above the "B" movie genre.Set in the 1930s, here Clint Eastwood is Lieutenant Speer, normally very laid back, to the point where he can watch others beating each other up with no involvement, until ... they cause his coffee or drink to spill. Then he becomes a fighting machine.Burt Reynolds is his friend and investigator Mike Murphy, who is constantly the butt of "short" jokes next to Eastwood.Other notables include Jane Alexander, Madeline Kahn, and Rip Torn. Plus, the singer Irene Cara of "Flashdance" fame plays a singer Ginny Lee.As a movie, overall, it isn't very good. The story is confusing, almost impossible to figure out who is doing what and for what reason. There are lots of fights and lots of shooting, but hardly anyone gets hit with bullets. But as a dark comedy it works pretty well, for the actors in it.