Amateur movie with Big budget

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

This is a very scary movie. It has a great story line. It also has great acting. It also has great special effects. 5.1 is a good ratting. But this is such a great film that 5.1 is underrating it. I give this an 8. It is a great movie. It is very scary. It is scarier then The silences of the lambs could ever be. If this does not scary you no movie. This is scarier then A Nightmare on elm street and that is not easy to do. This is scarier then Friday the 13th V a new beginning and that is not easy to do. See this movie. It is very scary. It is one of the best horror movies I have seen.

As the story begins, we watch a woman that appears to be a bit disoriented, walking with a baby in her arms singing a lullaby. A narrator informs us that it is her baby, but the woman carrying the infant is not really her mother. The action changes to a highway where a young woman, Dina, is seen trying to hitch a ride. A station wagon stops and she enters. The driver, Peter, appears to be a kind man that takes a big chance in giving this woman a ride. Dina begins to warm up to the older man. His demeanor elicits confidence in her, as she begins to tell him her story, that on the surface appears to be something, but is it really what happened? The viewer better pay attention because there are clues along the way that explains the situation.Dina and Ron are white trash lovers. Ron is a petty thief that has not amounted to much. His ambition is to get enough money to buy a boat and sail out of Florida. When Dina becomes pregnant, Ron is upset. Since they have nothing to do legally, they decide to capitalize in an unexpected asset: Dina's baby. The couple realizes there are desperate women that will do everything in their power, and will spend an incredible amount of money in getting a baby by whatever means.Maria, is such a woman. She's a doctor, apparently successful. She and Paul, her husband, live in a dream house. They have bought the model home in a new rich development. Paul is a lawyer and he wants to get Maria the baby she cannot have otherwise after a few trials and miscarriages. When Ron and Dina arrive at their place, they have already figured in their minds what they really want to do with this couple.Paul gets wise to their guests' real intentions. He tries to tell his wife, but she is too intent in buying it from Dina. There are indications early on that the couple is up to no good. Ron gets aggressive, never expecting that Paul is a formidable opponent. Maria, a diabetic, suffers a seizure. After all the fighting, there are only two people standing, Dina and Maria. Being a doctor, Maria figures out a way to get what she really wants, but cannot have otherwise.The premise for this film is deceptive. Director Paul Holohan, who has worked in television, was trying his hand in films. Working with Brooke Purdy's first screenplay, he created a horror drama in which what is real and what is not interplay in the story. We are surprised by Dina's frankness with a total stranger. Not only that, Peter sits in judgment, although his own take on what Dina has been telling him during the trip does not become known until the last part of the story. Then, it makes sense what we saw at the start and what is really happening at the end.Leonor Varela, the Chilean actress, has some good moments as Maria. We did not care much for Miranda Bailey's Dina. Jeffrey Donovan, Waylon Payne, and veteran actor Richard Riehle complete the cast.

I watched this movie and totally enjoyed the premise. I have not seen to many movies about pregnant women fighting off the would be baby snatcher. But I was left hanging at the end. No way she could have survived this onslaught to her body without immediate medical help. So flash to what is happening between her and the old guy in car. He picks her up and the story is told to him. He advises her and gives her some guidance as to rationale of both sides involved etc. We never know who he is or where he is taking her. Could the reality of the film be that he is a spiritual envoy taking her soul somewhere because she in actuality died? This is just a thought because otherwise how the heck did she get out of that situation alive. I really deplore movies that have no ending explanation.

Totally violates suspense writing 101. You already know she survives the ordeal in the beginning of the movie.. duh ???And having seen the scenes in the trailer and the poster,, there was NO surprises whatsoever..The actors did okay with the material before them and I could look at Miranda Bailey anytime. (smile)Why is it that almost every movie with a pregnant heroine always seem to fall into a sense of her unavoidable doom. From "Rosemary's Baby" to last year's bloodbath "Inside". Just once I would love to see a different approach. ( I don't count "Cord/Hide and Seek" or "Hush" as I never even bought the premise that the heroine was even pregnant, they acted more like a pillow was stuffed under her shirt") At least in this film, you do feel she is due any second.. Maybe someone will make a movie about a 9 month pregnant Sarah Brady who fought a knife-wielding female maniac for 20 minutes and won. :)