A very feeble attempt at affirmatie action

The movie is wonderful and true, an act of love in all its contradictions and complexity

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

This is a dark and sometimes deeply uncomfortable drama

Aldo Ray's gorra problem, and that is that some crazy maniac carved up a kid and dump the corpse on his turf. He's also got the problem of a crazy resident who insists that the local bad boy is putting the moves on her while having serious religious issues. Then there's the booze problem.Luckily he's not the main focus of the film! That'll be the religious lady who keeps having constant flashbacks, thinks God will sort everything out and can't stand people touching her. She's also being stalked by the guy who killed the girl at the start of the film. Or is she? Maybe her Uncle Cameron Mitchell can explain things? It would be unfair to go on with the plot. I thought this one would be crap but in fact it played out a lot like a giallo, what with the plot zigging and zagging all over the place and the possibility of the viewer being fed misinformation. It's a slow film, but I enjoyed it and the appearance of two b-movie icons in Ray and Mitchell really helps.

Ingrid (May Britt, a long way from Sweden) lives on a small farm with her Uncle (Cameron Mitchell) in a small coastal California town. The town gets turned upside down when a small child is murdered and then a series of rapes take place. Ingrid suspects it is the work of local butcher Frankie (William Gray Espy) and tells the sheriff (Aldo Ray) her suspicions. Naturally, she soon becomes the attacker's latest prey. Chances are you will figure out this psychological horror flick before the film's revelation, but that doesn't deter from this interesting film by Herb Freed (GRADUATION DAY). Britt, the former Mrs. Sammy Davis, Jr., looks pretty rough but having her in this role is pretty clever casting for the stranger in a strange town. The film benefits from the small town location shooting, reminding me a bit of THE TOWN THAT DREADED SUNDOWN (1976). Perhaps the best element of the film is a wonderful score by Pino Donaggio. It really adds to the film's final haunting shot. It should be noted the end credits have a 1975 copyright date for both the film and the score.

I voted 10 because i had a small part in the film (the bartender) and having been a big fan of Aldo Ray - younger gen's won't know that in his time Ray created the same kind of electricity in the film world for his unique approach to acting as did the likes of Dean & Brando (however short lived that electricity may have been)- I was thrilled to be able to chat and hang with him on set. Herb Freed & Anne Marisse were extremely kind and lovely people to work for and with. This was the second film I worked on in Mendocino, CA - the first one still has ghosts attached to it. Many LA film companies used Mendocino, CA as their location. Perhaps the most notable (and certainly the funniest) was "The Russians Are Coming/The Russians Are Coming". Many years later, TV came to town to shoot exteriors for "Murder She Wrote".

This film has only one downside for me and that is being very slow in spots, particularly towards the end. About 15 minutes of this flick could, honestly, have been sacrificed to the cutting room floor with no real loss. Other than that its really pretty good. Cameron Mitchell plays his part very well. Aldo ray does his job as sheriff and lends quality to a well developed character. William Gray Espy does very well in his role, and both Kendal Jackson and Susan Nohr deserve recognition. But the real star is, fittingly enough, the lead, May Britt. She does a wonderful job in portraying a very troubled woman with deep seated emotional problems. The part I liked the best? It was so easy to figure out, until I figured out that I was wrong. Three times in a row. And then? SURPRISE!