SERIOUSLY. This is what the crap Hollywood still puts out?

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Exactly the movie you think it is, but not the movie you want it to be.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Kim Basinger made her feature film debut as a woman in a small town in a small town in Texas questioning her relationship with her redneck boyfriend. "Hard Country" strikes me as an attempt to look at the feminist movement. The movie DOES feature a lot of Texas stereotypes, although they're probably accurate. In the end, I thought that it did a good job showing the main character's desperation with her irresponsible boyfriend and lack of opportunities in this small town. And the soundtrack proves what should be well known by now: a lot of good music comes from the Lone Star State (it almost makes you forget that Texas is full of, well, Texans). And it should go without saying that Basinger looks mighty fine throughout the movie (as she always does).Also starring are Jan-Michael Vincent, Michael Parks, Tanya Tucker, Daryl Hannah and Ted Neeley (Jesus in "Jesus Christ Superstar" and more recently a tracker in "Django Unchained").

Ambitious young Jodie (an excellent and appealing performance by the gorgeous Kim Basinger in her film debut) wants more out of life than her small Texas country town has to offer. Jodie realizes that in order to pursue her dreams she will have to leave Texas and move to the big city. However, her shiftless factory worker boyfriend Kyle (a fine portrayal by Jan-Michael Vincent) wants to stay in Texas. Director David Greene, working from a thoughtful and perceptive script by Michael Kanes, firmly grounds the compelling story in a totally plausible gritty blue collar reality and delivers a flavorsome evocation of the colorful downhome Texas setting. Moreover, Greene and Kane show genuine compassion and sensitivity towards the everyday characters and their wants and desires; the narrative makes a pertinent point about the compromises and sacrifices one has to make in order to get ahead in life, but thankfully never gets too sappy or melodramatic. This film further benefits from sturdy acting by a sound cast: Basinger and Vincent do sterling work in the lead roles, Tanya Tucker contributes a vibrant turn as sweet and successful country singer Caroline, plus there's able support from Michael Parks as Kyle's slick'n'sleazy well-to-do brother Royce, Gailard Sartain as rowdy good ol' boy Johnny Bob, Sierra Pecheur as Jodie's doting religious fanatic mother, Lewis Van Bergen as smarmy heel music producer Ransom, and Daryl Hannah as Jodie's brash and restless kid sister Loretta. Richard Moll has a neat bit part as a belligerent beer-guzzling redneck. Jimmie Haskell's twangy score hits the harmonic spot. The country music soundtrack is likewise quite tasty. Dennis Dalzell's polished cinematography also does the trick. A good little movie.

I remember seeing this movie for the first time when I was in high school and wondering who that good looking cowboy was. This film evokes the whole feel of the '80's when Dallas was popular and a lot of people I knew wanted to move to Texas. Jan-Michael Vincent delivers a great performance as a back to the grindstone everyday blue-collar worker. Kim Bassinger does a great job in an early film role for her as Jodie, the disenchanted girlfriend of Kyle's. The film does have some great funny parts and lines. One of my favorite funny scenes is when Kyle asks the manager if he would like a pair of socks. I enjoyed Darryl Hannah's character as Jodie's inquisitive little sister. I think the plot hits home for a lot of people who fall into a mundane routine each day going to work and then try to bring some fun to their lives on Friday and Saturday nights. Even the scene when Kyle asks Jodie if she is on her period after they argue, probably is familiar to a lot of women out there. The fight scene between Kyle and his brother is a great scene and a bit touching when you see the tears in Kyle's eyes. It seemed the fight not only affected him physically but emotionally as well. OK and being a Jan-Michael Vincent fan I enjoyed seeing Jan's backside too. There is a lot of music, but maybe because Michael Martin Murphy was the screen writer.

This is one of the best movies I've had the pleasure of watching. It sorta reminds me of "Urban Cowboy" because a lot of the movie takes place at a honky tonk and the main characters in the movie likes to go there a lot. I liked the part where they pulled Johnny Bob's mobile home/worm farm out onto the highway and left it. Later on Johnny Bob does a belly whopper off the barroom table and winds up hurt. And that was one heckuva fight that Vicent got into with his mobile home selling brother. Vincent sure did have one sleazy brother when he was sitting in his office watching porno and then tried to seduce Vincent's girlfriend played by Kim Basinger. I don't know if Vincent got into that fight with his brother cause he was jealous of all the money that his brother had, or because he was messing with his girlfriend. I think Vincent's brother musta been greedy or something because his wife sure was gorgeous. So why woulda he wanta hit on Jodie(Basinger)? If this movie was made today and Vincent woulda tried to run outta on the runway to beg his girlfriend from leaving, he mighta got shot! Seriously, this was a good movie and I hope to get it on DVD!