Best movie of this year hands down!

Good start, but then it gets ruined

A lot of fun.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Neither good nor bad. Amazing acting, but completely unrealistic ending.

Looks like we're staying in Canada for another day, thanks to this 1981 slasher, directed by J. Lee Thompson (the original Cape Fear, Conquest for the Planet of the Apes, Battle for the Planet of the Apes, The Reincarnation of Peter Proud, 10 to Midnight, Kinjite: Forbidden Subjects...man, J. Lee, what a resume!).Virginia "Ginny" Wainwright (Melissa Sue Anderson, TV's House on the Prarie) is popular, rich and pretty. She's a member of the biggest clique at the fancy pants Crawford Academy - the Top Ten. These snobbish, rich and rude assholes rule the school and - if you're anything like me - you'll celebrate their brutal deaths. Just look at how they act at their local pub, the Silent Woman. Total dicks.One night, Top Ten member Bernadette (Canadian scream queen Lesleh Donaldson, who has been in several films we've featured recently) is attacked in her car by someone without a face. She plays dead, then finds someone she knows. As she explains what has just happened, the real killer slices her throat.The rest of the gang? They could give a crap. They're all at the bar, putting mice into old men's beer. It's enough to make you want to be the killer and wipe them out. But it gets worse. They play chicken on a drawbridge and are all nearly killed. Ginny even yells "mother!" as the car goes over the opening bridge. Everyone survives, but Ginny runs away, all the way to the cemetery where she tells her mother that she's been accepted by all of the rich kids.When she gets home, her father yells about how she's out past curfew. And while that's happening, Etienne, one of the Top Ten, sneaks out a pair of her underwear.The next day, Ginny and Ann arrive late to class, leading principal Mrs. Patterson to put the entire Top Ten on notice, threatening a ban on their favorite bar. Soon, a frog dissection leads to Ginny having flashbacks that she shares with Dr. David Faraday (Glenn Ford, slumming it after a career in films like Superman, Gilda and Pocketful of Miracles), her psychiatrist.This is where Happy Birthday to Me pulls the rug out from under us - thirty minutes or more into the film. After the accident at the drawbridge, she underwent an experimental medical procedure to restore her brain tissue.Meanwhile, the Top Ten are thankfully getting bumped off, one by one. Etienne dies like Isadora Duncan, his scarf caught in the wheels of his motorcycle. Greg gets killed lifting weights. Here's where the film has a bit of a giallo feel - all of the murders are done by black-gloved hands, until Alfred (Jack Blum, Meatballs) follows Ginny to her mother's grave, only for our heroine to stab him with garden shears. What?!?During Ginny's 18th birthday weekend, her father leaves town, so she goes to a school dance. There, she invites Steve (Matt Craven, Meatballs) home to smoke weed, drink wine and eat kabobs, as you do. However, while feeding Steve, she stabs him in the mouth, a murder so memorable it ended up on the poster and box cover.The next morning, Ann comes over while Ginny takes a shower and has a major flashback. Four years ago, she was having a birthday party but none of the Top Ten would come. Her mother flipped out, got drunk and tried to take her to Ann's competing party, where a groundskeeper told her that she would never be anything more than the town whore. Her mother gets drunker and drives off the bbridgefrom earlier in the film, where she drowns and Ginny barely survives.Ginny begins to think that she has killed all of her friends, including Ann who she finds in the tub. Dr. Faraday has no answers, so she kills him with a fireplace poker.Whew! What happens next? Well, Ginny's dad gets home and sees blood all over the place, as well as Amelia (Lisa Langlois, Phobia, The Nest) outside in shock. Running to the cemetery, he sees his wife's grave has been opened and Dr. Faraday's body is in it. Then, entering the guest quarters, every one of the Top Ten members' bodies are arranged around a table, celebrating a birthday.Ginny arrives with a cake, singing to herself, when she slices her father's throat. He never sees that his daughter is really there, the only living guest at the party. The second Ginny, the killer, screams about having done all of this for Ginny, but it turns out that she is Ann! The girls are half-sisters, sharing a father! What?!?Ginny escapes and stabs Ann, just as the police arrive to ask, "What have you done?" The film fades to black - never letting us know if Ginny will be jailed or proven innocent. Then the film closes with a goofy - yet awesome - closing song by Stevie Wonder's ex-wife Syreeta.Columbia Pictures went full William Castle promoting this movie, suggesting theaters re-create the film's closing scene in their lobby, inviting people to celebrate their birthday party while watching the movie, preventing anyone from entering the film during its last ten minutes and scream contest for radio stations.Happy Birthday to Me arrived in theaters at the height of the slasher boom, but it defies expectations. At times, it's a giallo. At other times, it's supernatural. And others, it's a teen comedy. It's also crazy that such a directorial talent - albeit one who was rumored to spray blood all over the set to make the film even gorier - and Glenn Ford are in a slasher!

Gathering up Horror related items to list on Ebay,I stumbled up on a pre-cert Video for a Slasher title that I had picked up earlier this year.Being in the mood to view a Slasher,I decided that this would be the perfect time to blow out all the candles.The plot:Jumping in a car to drive down to a pub where her friends are partying, Bernadette O'Hara is gripped by a stranger sitting on the back of O'Hara's car,who ends up killing her.Since having survived a horrific accident that left her mum dead and her needing emergency brain surgery, Virginia "Ginny" Wainwright has been making real progress with psychologist Dr. David Faraday in dealing with the scars from her mums death.Along with the progress made with Faraday,Wainwright has become a popular student at high school,with Wainwright joining a group which contains the most popular high-school kids.After her dad goes away on a business trip,Wainwright starts to make plans for her upcoming 18th birthday.As Wainwright's birthday approaches,each of her friends begin to mysteriously disappear.View on the film:Backed by an icy score from Bo Harwood,Lance Rubin and the former Mrs Stevie Wonder: Syreeta, (which got completely wiped for a "modern" score to be featured on the DVD) J. Lee Thompson gives the movie a strong Giallo cut,thanks to Thompson wrapping the killers (who looks far more built than the person its revealed to be!) hands in black gloves,and also displaying each of the creative killings (from a scarf to a kebab!) with splashes of burning reds.Along with the Giallo elements,Thompson uses Wainwright's brain surgery to give the title some unexpected Sci-Fi notes,with Thompson casting Wainwright's fragmented memories in startling,over-saturated colours,which create an uneasy mood over Wainwright's not being able to fully recognise reality.Completely re-writing the title just before production began (with special make-up effects artist Tom Burman also being rushed in for the films deadly set pieces,after Stéphan Dupuis had left just 3 weeks before filming) ,the screenplay by Timothy Bond and Peter Jobin strikes a fine (mostly cohesive) balance between tense teens in terror Slasher peril,with a bubbling psychological chiller.Coming up with the ending whilst the filming was near completion (talk about a troubled production!) the writers take the rather daring decision to keep away from any feel-good ending,by instead making the final candle one which is lit by a sinister flame.

Now, I LOVE twists. Try the one at the end of Arlington Road, or for a more popular example The Sixth Sense. A good twist can turn an average movie-going experience into a satisfying one, and cause you reevaluate the whole film. On the other hand, there are the obvious ones, the endings you see coming from a mile off that expect you to be shocked by a revelation you saw half an hour in. This is bad, but nowhere near as damaging as the conclusions where everything is a complex and convoluted mess, where the abrupt slapdashery of everything makes the feeling of dissatisfaction palpable.Which brings me neatly to Happy Birthday To Me, a perfectly serviceable slasher for the most part, but will forever be remembered by the reviewer for one of the stupidly complicated last scene explanations in history. It's not so much I didn't understand what was happening, it was more down to everything seemingly being forced into a 'big reveal' when one really wasn't necessary. Was the director contractly obliged to shoehorn in this daft finale? Sometimes, it's best to go for the easy route, rather than attempt to be clever and fall flat on your face.There are some nice deaths, that'll make you wince, and the standard of acting is better than usual for the genre. The air of mystery that permeates the air keeps you watching, the atmosphere is tense and you hold your breath... only for you to be rewarded by a load of cobblers. I'm sorry, I'm trying to change the subject, but I keep returning to an image in my head of some dumb writers, high-fiving each other about how cool and clever they are, when really all they've done is painted a moustache on the Mona Lisa. It would have been a lot better with 5 minutes chopped off before the credits... trust me. 4/10