One of my all time favorites.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The governmental powers that be are concerned that a man known as Hammerhead (Peter Vaughn) will try to steal NATO secrets at an upcoming meeting. They also know that Hammerhead is an avid collector of pornography. To learn more about his plans and to get close to him, Agent Charles Hood (Vince Edwards) poses as a dealer with a large collection for sale. Complicating matters for Hood, he's picked up something of a hanger-on in the form of swinging Sue Trenton (Judy Geeson).Hammerhead is another of those movie that I really wanted to love. It's not that the whole movie is a complete waste, but it only comes close to fulfilling its promise in the final 30 minutes. The ending is really enjoyable, fast-paced, and exciting. The chase scenes through the crowded Lisbon (I'm assuming it was Lisbon) streets is nicely filmed. Had the whole thing been that entertaining, Hammerhead might have launched another spy series. Unfortunately, Hammerhead is a 90+ minute movie. You have to sit through 60 lifeless, boring minutes to get to the good stuff. There are a couple of problems I'll cite. First, the plot is unnecessarily muddy at the beginning of the film. I'm guessing the filmmakers wanted to save a surprise or two, but how about giving the viewer a clue as to what's going on? Second, Vince Edwards might have been a decent enough actor, but he's not my image of a secret agent. His Hood is just too dull to pull off the lead.Despite the flaws, overall, I enjoyed Hammerhead. Other than the exciting third act I've already written about, there are a couple of performances worth mentioning. Vaughn makes a wonderful villain. Like all good baddies, he's ruthless when he has a henchman or two around, but turns coward when he's alone. I also got a kick out of the white glove idiosyncrasy. Nice touch. Unlike some other comments I've read on Hammerhead, I really enjoyed Judy Geeson's performance. Yeah, she's annoying at times, but she's meant to be. Her character gives the film a nice 60s vibe that always appeals to me.

MASTER PLAN: obtain the info on some secret papers. By this point in the late sixties, some filmmakers were getting a little carried away with all the psychedelia and decadence of the decade, including a few who jumped on the James Bond bandwagon. The first scenes seem to say that the director & his crew were dropping acid during the filming, though it turns out to be some bizarre performance art depiction. We're also introduced to Mr. Hood here (Edwards), the secret agent of the story, looking on bemused. He fits the profile - an American but working well within the British & other European locales as a handsome man of adventure. He's not all that impressive, however: though able to handle himself well in a fight, he does get knocked out a couple of times quite easily (one of these fights, in a dark garage, recalls a similar scene in "Deadlier Than the Male" of the previous year). As the very British girl who keeps popping up unexpectedly throughout the movie, Judy Geeson is an acquired taste and can be a bit annoying; I didn't blame Hood for wincing the 3rd time she reappears. I also kept thinking, what is she doing in this movie? This sense didn't change much for me by the end of the film. Much of the action at the forefront of this film takes place against the backdrop of the youthful generation doing their thing during those swinging sixties.The plot involves the machinations of the very Bondian uber-villain Hammerhead (Vaughan), complete with peculiar eccentricities, such as white gloves to keep the germs away and especially sadistic tendencies towards females. The actress Adams plays the more interesting female character, in a brief role. Oh, and, to make sure we understand that this bad guy is a sleaze, he also has interests in pornography. His dastardly plans are hinted at during Hood's briefing in a train cabin; there will be a special meeting of top men from NATO nations and one of these men has papers that Hammerhead wants a gander at, involving defense plans. This offers a good dual role for versatile actor Bates, who plays the target and one of Hammerhead's key henchmen. The film meanders a bit in the first half, even with the intriguing scenes on the villain's huge yacht, with everything moving at an easygoing pace, as if the filmmakers were unsure of themselves or the story. But, it does all come together in the final half-hour, when the details of the villain's subterfuge are played out (though why Hood and his girl aren't simply shot instead of that protracted scene in the coffin...never mind). Watch for Dave Prowse, soon to be in "A Clockwork Orange" and future Darth Vader, as the huge henchman - the strongest man Hammerhead knows. The climactic action, especially the unexpected end of the villain, will either irritate or enthrall you, depending on how much you like darkly ironic, satirical endings. I thought it was a bit out of left field. Hero:5 Villains:5 Femme Fatales:5 Henchmen:6 Fights:6 Stunts/Chases:5 Gadgets:4 Auto:5 Locations:6 Pace:5 overall:5+

Like the first commenter, I discovered "Hammerhead" via the score LP in the 1970s. CBS-TV in the US used to show a heavily-edited version regularly; later, an uncut print was seen locally. (It was also spotted on cable during the 1980s.) It's a neat movie, with some good chase scenes (one involving a large hearse). The "Chelsea Happening" music accompanies an interesting performance-art show that was typical of the era. Judy Geeson's character manages to be both kooky and sexy as she and Vince Edwards scoot all over Europe in search of Hammerhead.Note: the music on the LP is a different recording from that in the movie; the arrangements are, however, pretty much identical. The score rather predictably conforms to visual action: for example, those five rhythmic "hits" near the end of "Villa Fight" are cut to Charles Hood slamming a car door on someone's hand! This actually bolsters the charm of this picture.Any chance to see "Hammerhead" should be seized upon!!

i loved this when i saw it on tv umpteen years ago. as i remember it, it was among the more stylish of Bond ripoffs; & of course, tres-60's. but the only image that sticks with me (SPOILER ALERT) is a scene of mass dancing on the beach, while the timer ticks down that will destroy the world. and it does...