Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Amazing worth wacthing. So good. Biased but well made with many good points.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The governmental powers that be are concerned that a man known as Hammerhead (Peter Vaughn) will try to steal NATO secrets at an upcoming meeting. They also know that Hammerhead is an avid collector of pornography. To learn more about his plans and to get close to him, Agent Charles Hood (Vince Edwards) poses as a dealer with a large collection for sale. Complicating matters for Hood, he's picked up something of a hanger-on in the form of swinging Sue Trenton (Judy Geeson).Hammerhead is another of those movie that I really wanted to love. It's not that the whole movie is a complete waste, but it only comes close to fulfilling its promise in the final 30 minutes. The ending is really enjoyable, fast-paced, and exciting. The chase scenes through the crowded Lisbon (I'm assuming it was Lisbon) streets is nicely filmed. Had the whole thing been that entertaining, Hammerhead might have launched another spy series. Unfortunately, Hammerhead is a 90+ minute movie. You have to sit through 60 lifeless, boring minutes to get to the good stuff. There are a couple of problems I'll cite. First, the plot is unnecessarily muddy at the beginning of the film. I'm guessing the filmmakers wanted to save a surprise or two, but how about giving the viewer a clue as to what's going on? Second, Vince Edwards might have been a decent enough actor, but he's not my image of a secret agent. His Hood is just too dull to pull off the lead.Despite the flaws, overall, I enjoyed Hammerhead. Other than the exciting third act I've already written about, there are a couple of performances worth mentioning. Vaughn makes a wonderful villain. Like all good baddies, he's ruthless when he has a henchman or two around, but turns coward when he's alone. I also got a kick out of the white glove idiosyncrasy. Nice touch. Unlike some other comments I've read on Hammerhead, I really enjoyed Judy Geeson's performance. Yeah, she's annoying at times, but she's meant to be. Her character gives the film a nice 60s vibe that always appeals to me.

For years I thought Victor Mature was the most uncharismatic, untalented actor to have ever managed to succeed in Hollywood, but now, ladies and gents, I stand corrected. That dishonor must go to the, er, "star" of Hammerhead, Mr Vince Edwards. In short, he's an utter bore. As is the movie. But my God, is he dreadful. His face is like a catcher's mitt, just expressionless throughout the whole movie. His voice is one note of droning monotony and as for his physical presence, well, I suspect most of the action was performed by a double as they consisted mostly of suspicious close ups of legs and arms being thrust in the direction of bad guys without ol' Vince's hammerface in the shot.Won't bother with the plot, critique the direction or soundtrack ... sufficed to say it all pretty much stinks.I'm a massive spy movie fan - seen 'em all pretty much - especially the 60s adventure ones, and I must say this movie is easily one of the worst. Even the mostly incomprehensible Italian stuff of the same era is a lot more fun and watchable than this rubbish. The only good thing from Hammerhead are the girls. Plenty of them and all pretty.

MASTER PLAN: obtain the info on some secret papers. By this point in the late sixties, some filmmakers were getting a little carried away with all the psychedelia and decadence of the decade, including a few who jumped on the James Bond bandwagon. The first scenes seem to say that the director & his crew were dropping acid during the filming, though it turns out to be some bizarre performance art depiction. We're also introduced to Mr. Hood here (Edwards), the secret agent of the story, looking on bemused. He fits the profile - an American but working well within the British & other European locales as a handsome man of adventure. He's not all that impressive, however: though able to handle himself well in a fight, he does get knocked out a couple of times quite easily (one of these fights, in a dark garage, recalls a similar scene in "Deadlier Than the Male" of the previous year). As the very British girl who keeps popping up unexpectedly throughout the movie, Judy Geeson is an acquired taste and can be a bit annoying; I didn't blame Hood for wincing the 3rd time she reappears. I also kept thinking, what is she doing in this movie? This sense didn't change much for me by the end of the film. Much of the action at the forefront of this film takes place against the backdrop of the youthful generation doing their thing during those swinging sixties.The plot involves the machinations of the very Bondian uber-villain Hammerhead (Vaughan), complete with peculiar eccentricities, such as white gloves to keep the germs away and especially sadistic tendencies towards females. The actress Adams plays the more interesting female character, in a brief role. Oh, and, to make sure we understand that this bad guy is a sleaze, he also has interests in pornography. His dastardly plans are hinted at during Hood's briefing in a train cabin; there will be a special meeting of top men from NATO nations and one of these men has papers that Hammerhead wants a gander at, involving defense plans. This offers a good dual role for versatile actor Bates, who plays the target and one of Hammerhead's key henchmen. The film meanders a bit in the first half, even with the intriguing scenes on the villain's huge yacht, with everything moving at an easygoing pace, as if the filmmakers were unsure of themselves or the story. But, it does all come together in the final half-hour, when the details of the villain's subterfuge are played out (though why Hood and his girl aren't simply shot instead of that protracted scene in the coffin...never mind). Watch for Dave Prowse, soon to be in "A Clockwork Orange" and future Darth Vader, as the huge henchman - the strongest man Hammerhead knows. The climactic action, especially the unexpected end of the villain, will either irritate or enthrall you, depending on how much you like darkly ironic, satirical endings. I thought it was a bit out of left field. Hero:5 Villains:5 Femme Fatales:5 Henchmen:6 Fights:6 Stunts/Chases:5 Gadgets:4 Auto:5 Locations:6 Pace:5 overall:5+

While I have not seen the Hammerhead movie, I do have the soundtrack album. I ended up ordering it by mistake about 25 years ago, and when I got it, I opened it anyway as I collect soundtracks, and had never heard of the movie Hammerhead.There is a catchy theme song, and some cool chase music, as well as other tunes, and even a Hammerhead 'concerto' on the record.If this movie ever comes out on video, I would like to see it in order to associate the music with the scenes.The music is typical of the 60s and is very light-hearted and fun to listen to.