An Exercise In Nonsense

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

My brother gave me this movie in DVD-R by internet download in nearly fine footage quality,the plot is absolute predicable as said in the title,even had been directed by Mario Bava the picture didn't have great atractive,worth to see by the gorgeous Yvonne Bastien with several sexy scenes showing a plenty twins mellons actually she looks like Susan Hayward.....Ringo Nebraska is an usual western from spaghetti's land...but watchable!!!Resume:First watch: 2018 / How many: 1 / Source: DVD-R / Rating: 5.5

I managed to acquire this rare Spaghetti Western just in time for my ongoing Bava retrospective: in fact, I opted to start with it since this was one of only three titles I had never watched before. I wish I had the time to read through Tim Lucas' chapter on the film in his long-in-coming (and, thus, appropriately massive) Bava biography – especially given his uncredited contribution here when, reportedly, he actually replaced Roman quite early into shooting! Anyway, this is one of four Spaghetti Westerns made by this cult figure and, having now checked out all of them, I can safely say it is the most satisfying (if still far from a key work for either director or genre); obviously, while Bava tried his hand at most any type of film within the "Euro-Cult" stable, he was clearly at his most comfortable (or, if you like, inspired) when handling fantasy/horror/thriller elements! Apart from the trademark inventive camera-work, one thing which alerts one to Bava's involvement is the presence of both hero and villain: one is the star of his previous Spaghetti Western entry, THE ROAD TO FORT ALAMO (1964; which was pretty decent in itself), i.e. brawny Ken Clark (hence, the U.S. moniker for this is more than a bit misleading!) and the other, Piero Lulli, would play a major role in one of the director's best films – KILL, BABY…KILL! (1966). Though usually one of the main assets, the score for this one is no great shakes – nor is there a particular emphasis on violence (nevertheless, the action set-pieces are above-par for the course); what we do get is a reasonably engaging (if thoroughly unsurprising, even in making the heroine out to be something of a conniver) plot which keeps moving, thus allowing one little time to ponder on its potential shortcomings!

This review is of the pan-and-scan AIP-TV version of this film, called SAVAGE GRINGO. I taped it off TV about 20 years ago. I liked it then, and I like it now just having re-watched it. The few references to this film I've seen note that Mario Bava took over the direction from Antonio Roman, who is solely credited on the copy I have of this film, and then fault the film because it has few if any distinctively Bava touches in it. If you are looking for an Italian western that is to the genre what HERCULES IN THE HAUNTED WORLD is to sword-and-sandal films, look elsewhere, as you won't get it here. With so many Italian westerns having so many odd cinematic techniques used in them, SAVAGE GRINGO is actually quite conventional. Perhaps Bava simply just did a professional job on this and did NOT see it as an auteur piece on which he would put his personal stamp or with which he would make some statement about life and art. He had already worked with Ken Clark previously in ROAD TO FORT ALAMO/ ARIZONA BILL (a film which DID have a number of Bava touches to it)--perhaps that was one reason he was asked to complete this film? In any event, Clark is fantastic in this role. He is tall and athletic and one of the better American actors to work in the spaghetti western genre--it's a shame he only made two. His character NEBRASKA is fascinating although enigmatic, and creates a warmth and passion in the role. He's also VERY quick with a gun and it's exciting to see him come out of the woodwork in the blink of an eye and blow someone away. Personally, I don't have a problem with his motivations never being clearly stated--isn't that a little bit like real life? While we have a feeling that Nebraska will win in the end, we don't really know HOW he will get to that point or what barriers he will face along the way, so I don't see that as causing any lack of suspense. The suspense is caused by wondering how the situation got to the point it did--who exactly is Kay? Why does she point out that she's not married to Marty, and if not, what exactly is going on here? How did this Bill Carter get to be running things? What's Nebraska's perspective on this? In a way, the film plays against our expectations of what we expect from other films. Judged solely as a spaghetti western, NOT as a Mario Bava film, I've got to give this an above average rating. It's not wildly original, but like an old genre western with Johnny Mack Brown or Charles Starrett (we always know the ending of one of their films in advance, don't we?), it moves quickly, has a lot of fistfights and gunplay, and has the right attitude. And Ken Clark is superb in a rare Western appearance. I have a French language version of the previous Bava-Clark western, Arizona Bill. I'll have to watch it again now (got it 10+ years ago) after seeing this one, and I've got the DVD of ROY COLT... (Bava's 3rd and final western) on order.

Stranger Clark helps a rancher and his beautiful wife (Bastien) against a ruthless bunch of cowboys. Cardboard western with little action and suspense and a leisurely paced plot. Still not that bad. Legendary Mario Bava's direction is utterly conventional (he replaced film's original director Antonio Román), he obviously made this without much ambition. Score by Nino Oliviero dominates this tame spaghetti western. Román was credited with the direction for more than twenty years until Bava's involvement was made known. Still, some believe this to be Bava's best western (his ROY COLT wasn't much better anyway).