Grizzly
Grizzly
PG | 21 May 1976 (USA)
Grizzly Trailers

An eighteen-foot grizzly bear figures out that humans make for a tasty treat. As a park ranger tries rallying his men to bring about the bear's capture or destruction, his efforts are thwarted by the introduction of dozens of drunken hunters into the area.

Reviews
Fairaher

The film makes a home in your brain and the only cure is to see it again.

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BelSports

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Philippa

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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sddavis63

"Grizzly" is kind of cheesy, but it's all right. It's quite watchable and has a few exciting moments. It's the story of a huge, 18 foot tall grizzly bear roaming a state park that has started to feast on campers. The bear is explained to be some sort of evolutionary holdout - so, in a way, it's kind of a sasquatch-type movie as well. When I first came across it I had the impression that it was one of those made for TV movies that were all the rage in the 1970's, but it's far too graphic and the language is too harsh for that. It was, though, made on a show string budget of $750,000, which sometimes does show through. In particular, some of the more graphic aspects of the bear attacks do seem cheap. They're graphic - limbs and heads are torn off of victims - but somehow the limbs and heads always looked to me like something off a mannequin. But that can be forgiven on a low budget movie.The performances were all right. The biggest name (for me anyway) was Richard Jaeckel, and somehow he seemed totally miscast as the big name bear hunter. It just didn't seem to be a part that worked for him.This movie is often considered a bit of a rip off of "Jaws," and there are similarities - the authorities refuse to close the park, just as they refused to close the beach in Jaws. But even if it was a rip-off of Jaws - well, it wasn't the only rip-off of the basic themes of "Jaws." Imitation is the greatest form of flattery. "Jaws" worked, so of course others tried to copy the format. For a low budget movie, this was OK. (5/10)

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Wuchak

Okay, I think everyone going in knows that this is another one of those "nature-runs-amok" flicks. If you're a fan of these types of movies you'll enjoy "Grizzly;" you won't be blown away or anything, but it's a nice little time-waster."Grizzly" was made one year after the hugely-successful "Jaws." It's obvious that the creators wanted to profit from that film's popularity because the plot is basically the same, albeit with a different animal, land instead of ocean, etc. The main difference, however, is that "Jaws" was a first-rate film, whereas "Grizzly" is strictly Grade B.How can one tell? Well, First rate films like "Jaws," "Raiders of the Lost Ark" or "The Bridge on the River Kwai" stand the test of time -- although you can tell they're older films for obvious reasons, they're so well done on all levels that you hardly even notice. Grade B films like "Grizzly," however, do not pulsate with creative originality, they lack that certain pizazz to set them apart.This is not to say that "Grizzly" isn't entertaining; it is, as long as you understand going in that you're seeing a Grade B Jaws-on-land type flick. We're not talking "Apocalypse Now" here.WHAT WORKS: The Northern Georgia location -- Black Rock Mountain State Park -- is a pleasant surprise. If you enjoy deep forest adventure type movies, then this film's for you.The scene wherein the bruin destroys a fire outlook post is good.WHAT DOESN'T WORK: aside from the obvious "Jaws" rip-off and Grade B film problems mentioned above, the grizzly in the picture doesn't look as big as they say it is. In the movie the bear is supposed to be a prehistoric survivor, some 15 feet tall or so. Don't get me wrong here, the thought of running into a grizzly is frightening enough, ask my wife who had a nervous breakdown on a trail in Glacier National Park, Montana (one of only two areas where grizzlies still dwell in the lower 48). It's just that the bear doesn't look as big as they SAY it is in the film.Also, as with most Grade B fare, the score is substandard and dated.FINAL ANALYSIS: Think rip-off, think Grade B, think "Paws" or "Claws," and you won't be disappointed.GRADE: C+

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jdkraus

The reason why I watched this movie is because of the film editor Bub Asman. A friend from the TV/movie knows him and he told me to check this movie. So I did mid-last week. As expected, it is a bit of a knockoff from Jaws. Even the tag line: "Not since Jaws has terror been like this!" attests to this. The movie itself is a typical b-horror film. A reluctant hero that no one believes in, plenty of death/gore, and something (in this case a giant grizzly bear) for the audience to be fearful of. It is a movie to laugh at; at its cheesy music, bad effects (a guy in a bear suit, go figure), and just overall campiness. Yet, it is still fun. I enjoy watching these movies once in awhile. The only thing you'll learn from this film is to have a little campy fun and bring a bazooka in case a 15-foot grizzly bear comes charging at you. My rating: 5/10

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ferbs54

A common thread runs through the four films of director William Girdler that I have seen: All are somewhat crudely made, shlocky entertainments, and all are nevertheless quite fun to watch. First, there was 1975's "Sheba, Baby," a lesser Pam Grier action flick; then, 1976's "Project: Kill," with Leslie Nielsen (of all people) starring as a drug-enhanced secret agent on the run who gets involved with the forever yummy Nancy Kwan; and then 1978's "The Manitou," in which a large tumor growing on the neck of Susan Strasberg turns out to be the developing fetus of a rebirthing Indian medicine man! And now, for this viewer, 1976's "Grizzly." Released a year after "Jaws" kicked box office tuchus, the film makes zero attempt to conceal its debt to Steven Spielberg's big-fish classic; indeed, the film's poster itself proclaimed its monstrous ursine protagonist "The Most Dangerous Jaws In The Land." In the film, for reasons that are never adequately explained, a 15-foot-tall, 2,000-pound grizzly takes to killing and eating campers in a national park (the viewer must assume it to be Yellowstone or Yosemite, although the picture was shot in Clayton, Georgia, near where the state borders both North and South Carolinas). Thus, it falls on head forest ranger Kelly (Christopher George), chopper pilot Don (Andrew Prine) and maniacal naturalist Scott (the great character actor Richard Jaeckel) to put a stop to the ferocious attacks....To "Grizzly"'s credit, the viewer does not have to wait long to see the film's first attack sequence, and these scenes crop up fairly regularly throughout. The film is fairly bloody (or should I say grisly?), and there really is no way of predicting who will be attacked and who will survive; even little moppets are open game! As if the film's debt to "Jaws" were not already transparent enough, however, "Grizzly" gives us POV shots from the bear's eyes, accompanied by ominous music; a scary nighttime tale told by one of the hunters; a bureaucratic jerk who wants to keep the park open, despite the obvious danger; and an explosive death for the beastly nemesis at the picture's end. The acting by the film's three leads is certainly passable, although the thesping by the lesser players (especially the grizzly's victims) is often quite lame. Girdler's film has been shoddily put together, like his others, and, most egregiously, features a "monster" that just isn't that fear inducing; indeed, despite his murderous inclinations, the grizzly here often looks kinda cute and cuddly (although still a long way from Winnie the Pooh or Yogi!). One element of the film that this viewer did enjoy was the breezy, outdoorsy score by Robert O. Ragland, conducting the National Philharmonic Orchestra of London; so reminiscent, somehow, of many of these cheezy, mid-'70s entertainments. Other aspects of "Grizzly" to find pleasure in: the best horse decapitation scene since "The Godfather" and the hilarious name of the film's editor-- Bub Asman. I wish MY name was Bub Asman! Anyway, as I mentioned up top, all in all, good, shlocky fun. My psychotronic guru, Rob, by the way, tells me that Girdler's follow-up film, 1977's "Day of the Animals" (also starring George and Jaeckel), is even more fun than this one, and it will surely be my next visit to the world of Girdler....

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