Thanks for the memories!

Good films always raise compelling questions, whether the format is fiction or documentary fact.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

"The Great Gildersleeve" is my favorite old time radio show, but I can't necessarily say this is this big-screen version is the best example of what made the show work so well.Running for police commissioner, Throckmorton P. Gildersleeve is caught up in a whirlwind affair involving an escaped gorilla, an invisible woman and a mad scientist lurking in a mysterious mansion near Summerfield. The chain of events is set in motion by two ghosts from the Gildersleeve family tree (played by Harold Perry, in addition to his work as our favorite Uncle Mort). Of course, only Gildy sees the gorilla, the ghost girl and other mysterious goings- on, leading everyone to believe he's probably going a bit mad. Lots of the humor comes from misunderstanding or conveniently placed trap doors and invisible girls vanishing at just the right moment. Plot threads are brought up and then dropped just as quickly (once the ghosts vanish in the first reel, they're not heard from again, despite claims they want to help our hero). As a fan of the radio program, it's fun to see various cast members from the show on screen, playing their familiar roles. Marjorie and Leroy are played by different actors (a necessity since both roles were played by older actors than the characters they played) however. Mr. Peavey and Judge Hooker are on hand, with Mr. Peavey playing the foil to Gildy throughout the film. (You may become weary of his famous line, "Well now, I wouldn't say that" before the final reel). At just over an hour, the movie doesn't overstay its welcome, but it's not necessarily anything to write home about either. If you're a big fan of the radio show, give it a try. If you've not heard of Gildersleeve, find some of the radio programs first to get a better feel of why the show was so popular.

Looks like the comedic setup here is more suited to an Abbott and Costello romp than to the gentler humor of Gildersleeve. The material is pretty familiar to old movie fans—a fake gorilla, a real gorilla (sort of), and invisible people who come and go. Of course, there's a ready-made bonanza of cheap laughs in schtick like this, so I suspect this series entry was working on a shorter production schedule than the preceding three that required more difficult scripts. Anyway, familiar material or not, there's still the surreal premise that guarantees obvious laughs as director Douglas keeps things moving expertly. And get a load of blonde bombshell Marion Martin who wiggles in and out as the Marilyn Monroe of the '40's. Still, I was expecting the subtler humor of small town eccentrics that the series was so good at. Unfortunately, this distinctive brand of humor gets lost in the hectic hijinks of the surreal, making this the weakest of the four series entries, maybe not in the number of laughs, but in overall Andy Griffith-type satisfaction.

Its common, I suppose, for celebrities to make it on a single attribute. Julia's smile, Jaylo's butt... and Peary's laugh. He was already one of the top radio personalities of all time based on his exploitation of that one comic effect. Here, it is transferred to the screen as nearly all radio successes were. And it is shoehorned into a formula cornucopia: a real gorilla and a gorilla costume; a disappearing and reappearing "show" girl (who gets to be nude on screen in a shower scene, but invisibly so); and a mad scientist. The whole thing is framed by the ghosts the ancestors of Gildy's and his sidekick, played by the same actors of course.Its the old kind of simple comic nesting: the story within the story, that contains actors acting and confusions between the two.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

This a good example of the type of potboiler movie made to fill out the bottom half of a double feature program. Double features were very common in the 1930's and 40's and the second half were very cheaply produced and usually mediocre at best. The Guildersleeve series rarely rose to that level. "Guildersleeve's Ghost" is an attempt to create a comedy/mystery movie which is a hard job- it can easily become ridiculous and boring instead of funny and that is what has happened here. If you want to see better examples of the type try some of the Abbot and Costello series where they meet scary characters such as the Invisible Man,Frankenstein, the Mummy or Jekyll and Hyde. I think the best example of comedy/mystery is the 1939 haunted house Bob Hope movie "Cat and the Canary". But don't waste your time with "Guildersleeve's Ghost". The only amusing part of this movie is Hal Peary's laugh and Mr Peavey's classic line "Well I wouldn't say that"-not enough to support an hour long film !!