Get Crazy
Get Crazy
R | 05 August 1983 (USA)
Get Crazy Trailers

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

Reviews
Acensbart

Excellent but underrated film

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CommentsXp

Best movie ever!

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Megamind

To all those who have watched it: I hope you enjoyed it as much as I do.

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Maleeha Vincent

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Bogframe

My wife and I just watched this again today. Between the brilliant comic timing, imaginative casting and over-the-top Foley work, it's one of my top ten films. Why it's not out on DVD, I'll never know. First-time viewers (especially older ones) will be amazed to see how many musicians are acting in the film, and that they can actually act! John Densmore (The Doors) is great as Toad, Howard Kaylan (The Turtles) is brilliant as Captain Cloud, Bobby Sherman and Fabian make totally believable sycophantic henchmen and Lou Reed is great as Auden, the Bob Dylan-esquire singer. If you can find this movie, buy it, rent it, love it.

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racerdex

I saw this movie, many years ago, during the Christmas season. I remember feeling very bored while waiting for my woman to get home, and being willing to try just about any movie. When I found that Lou Reed was a star, I had no doubt that I was not wasting my time. Sure, it was silly, and even a bit affected (or over the top, camp), but some movies are simply meant to entertain a specific market (or type of viewer). In this case, I would say that this is a musician's movie, not because there is so much good music, but because it parodies that "rock and roll" lifestyle.My favourite parts are, Lou Reed's journey while writing the song (I believe that the journey is supposed to be influencing it, but "Death Bed Request" is not a real song, as far as I know), and the dog being kicked across the room, by the person whom I believe to be the antagonist.

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jsc1215

I laughed my butt off when I first saw this flick in college. The parodies of famous rock stars (courtesy of Malcolm McDowell), punk rock, and blues artists was very well done. The drug jokes (one guy sneaking into the theatre dressed as a joint, the magic water) were absolutely hilarious for their time. One of my favorites was when several different versions of "Hoochie Coochie Man" were performed onstage. King Blues opened the set with a Jewish backup band; I rolled on the floor laughing as Blues was frustrated over the band sent to perform with him. Once King Blues was finished, the band Nada (featuring Lee Ving as Piggy) blitzed their way through a fast, furious, and very impassioned rendition. Piggy was a definite show-stealer as Nada'a masochistic lead singer! Ah, then Reggie Wanker steps onstage and does his slick version. The Wanker almost falls flat but is saved by a ripping drum solo by Doors beatmeister John Densmore. Another scene which got me laughing was when Reggie Wanker started listening to his private member...I always thought listening to IT would get me in trouble, but it saved Wanker's career! Lou Reed, in a Dylanesque role, was wonderful as the singer/songwriter Auden who uses the scenic route on a cab to give him inspiration for his music. Don't try to think your way through this movie...just sit back, put your mind on cruise control, and enjoy the ride!!!

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NicoBanana

True, the movie is funny for many different reasons, but for me, the best thing about it is Lou Reed. Granted, I would consider any Lou Reed cameo the best part of any film, but in this particular case, he truly does steal the show. So funny, so deadpan (because, c'mon: it's Lou), and a great performance of "Little Sister" at the end. He still does Lou Reed better than anyone.

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