Wonderful character development!

The Worst Film Ever

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs. Funny Cow should be renamed to 'Unfunny Cow' cause this movie was literally a gigantic and colossal mess to say the least plus it just wasn't that good to say the least since i found it to be quite the horrible mess that i was expecting it to be and the nudity wasn't that much needed to be perfectly honest as well since it was kinda gross to say the least. Overall a perfect skip from me. (0/10)

Somber ,but a good study of a woman who managed via her wry view to achieve success in a man comedic world ... Though the darkness we saw a flower bloom . Her jokes were off but this was an era when cruss was fash ..I must confesses the outrangesness certainly did raise a laugh ... This was a period piece . My comments would not be complete without mention if the excellent soundtrack ..

Funny Cow is the insulting name given to the young woman who dreams of becoming a stand-up comedienne. She is funny and funny-peculiar. Not surprising as she has an alcoholic, neglectful and depressed mother and a foul mouthed and physically abusive father. The odd thing is that, even at a young age, Funny Cow knows her family situation is not normal. She learns effective methods to disarm the violence meted out against her - and it is the first thing she asks of the old comedian she tries to emulate. How do you rise up over the abuse? This is indeed a very interesting question and one we see Funny Cow address. However, she is still too funny-peculiar for the average person to learn much...but perhaps they should try. All the actresses playing Funny Cow at her various ages manage to merge seamlessly. Well cast, well directed and some fine acting. Only one person threatens to upstage these ladies and that is Diane Morgan whose exposure in the lead role of Cunk on Britain makes us want to see more of her here. No, it's not a funny film but, it does have some lovely one-liners. Just enough humour to compensate for the very sad tales this film depicts.

How tired I am of seeing films showing how grim tis up North... Funny Cow is a story about a woman who's had a troubled time with the men in her life, namely her Father and Partner. It's a set up that's been told a thousand times before, though the premise of this version is that it supposedly leads our protagonist to comedy. The main thing missing from this story however was just that..comedy. Funny Cow shows she can crack a cheap laugh at points in the film, mainly one liners, and doesn't actually pluck up the courage to take the stage until the end of the film. Needless to say, she goes onto perform as if she's had plenty of experience and has the whole place roaring with laughter... zzz.The film was the most depressing film I've seen in a very long time. One dimensional characters, all with similar vices in alcoholism and addiction. Performances were stereotypical and obvious on the whole. The scenes of violence were tactless, we know it happens but do you have to be so blatant with it?! Not sure why Stephen Graham decided to sign on for this one. He's in two scenes as two characters, and the scene in which he is playing her Father is just ridiculous, seems to me a bad choice for an actor so often likable regardless of his morals. Paddy Considine also out of his range here, playing an upper class yuppy, very characiturish and unbelievable, a rare mistep for Considine.Peake does an OK job, but again not particularly likeable, and sometimes her choices seemed over the top and obvious. There is a smugness to her which I find hard to overlook.I really didn't find anything in the film worth taking home with me, in fact I felt angered when leaving because it truly felt like a story that doesn't need to be shown on film. If these are the sorts of films representing British Cinema, then no wonder people are staying home watching Netflix. Avoid.