Very well executed

Intense, gripping, stylish and poignant

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

One of the best movies of the year! Incredible from the beginning to the end.

This documentary had so much to offer. Unfortunately, it didn't push forward and deliver what it could have. Hip hop heads will leave this film knowing a few more names or stories about underground hip hop but the history lesson ends there.Documentaries, for the most part, are made to expose a niche. To show others its esoteric quality. While Freestyle: The Art of Rhyme begins to scratch at the surface, it barely leaves a mark. The history of hip hop and its origins in the Bronx are passed over as though everyone in the audience were a hip hop connaisseur. The other aspects of hip hop (graffiti, break dancing and DJing) are mentioned in passing as though it had no correlation to Freestyling.The Art of Rhyme is simply a fan's video of favourite MCs and friends freestyling and battling in the streets. The psychology of freestyle rhyme, of battles and its roots (some historians date it back to the days of slavery) are muted by the redundant scenes of freestyle artists rhyming for the camera, hoping for exposure.While showing actual freestyling is essential for the film, too much of it just dilutes the artistic and historically-significant aspect of Hip Hop. Most importantly, its lack of depth confirms what narrow-minded critics have said for years about Hip Hop music and its generation.

This documentary had a lot of potential, but I feel that it is pretty weak. Most of the legendary freestyle footage shown in this film has been available for years in hip hop circles, so if you've already seen it (like the biggy street corner free) there really isn't a whole lot of reason to watch this movie. There are a lot of nobodies dropping weak freestyles in this film. If you've ever been in a real cypher you know that half the stuff in this film is garbage. You get some dope freestyles by Supernat and some others, but overall, this film is not the amazing, eye-opening opus that the blurbs on cover would have you believe. I guess if your just getting into hip hop there is some appeal in this movie, but if your a life long dedicated fan and participant, this film has very little to offer.

as a person fairly new to the world of hip hop, i found "freestyle" to be informative, entertaining and enlightening. the cinematography was captive and gave the viewer a sense of being present and intimate in settings we might not otherwise have had access to. it was quick paced and varied enough to keep us interested, but also did not gloss over moments or personalities - rather it led us into the world of free styling with a set of characters who were both charming and disconcerting; refined and raw. the film succeeded in giving its audience a chance to experience free styling in a way we otherwise may not be able to.

This is a decent documentary with a very homemade and intimate feel, full of interesting people, and with compelling subject matter. Despite its admirable goals, I feel that it was a documentary with major flaws in it, and I have the sense that it had the potential to be a lot better than it was. Some of these shortcomings I would level against the director, while some seem to have their roots in the art form itself.Most importantly, as a showcase for freestyle as an art form, it is surprising to see how the MCs in this movie are, by and large, pretty wack. There are a few that are quite good-- particularly a talented freestyler named Juice who is easily the best rapper depicted -- but for the most part they are mediocre rappers with poor flow, throwing around tired battle rhymes. Even Supernatural, who is often cited as the world's best freestyler, doesn't seem all that remarkable. Nor does the much heralded Mos Def, who raps in a monotonous style that quickly proves tedious and boring. However, there is a very early clip of Biggie Smalls at age 17, rhyming in the streets of New York; it's both historically interesting and one of the better examples of freestyle featured in the movie. This clip also has a way of showing how a better selection of rhymes would have drastically improved the quality of the documentary. And even though "Freestyle" catches the loose and casual feel of impromptu "cyphers" (circles of freestylers that rhyme and battle), it is largely unable to capture many transcendent rhymes, the kind that you go to the movie in hopes of seeing. Unfortunately, there are only a couple times you might be genuinely impressed by the rhymes. In general, freestyle comes off in the movie as something that you respect and appreciate "in theory" rather than when you're actually presented with it, again, with a few exceptions. If you didn't already know about freestyling, and hadn't already been exposed to good freestyling, this movie might convince you that freestyling is an interesting facet of urban culture, but it probably would not make a strong argument that it's a art form worth paying attention to. Sure, there are isolated moments of interest, but in general, it comes off here as a rather undeveloped art. On top of that there's all these guys doing these unenlightened rhymes that hardly seem like important or progressive social, political, or even humanitarian statements. I would have liked to have seen people rapping about intelligent things, not insulting each others' physical appearances and making wack attacks on each other's clothes! And yes, I realize that these MC battles are part of what freestyling is about and where it came from, yet the director does not attempt to explain what socially progressive purpose such rhymes provide. Agreed, that it helps create community, but what use is that community without a positive purpose? After all, it's not hard to gather crowds around fights.In this manner, too much effort is made by the director to make freestyling out to be a "spiritual" exercise. While it is conceivably true, "Freestyle: The Art of Rhyme" nakedly makes overtures to convince you of this at every possible opportunity; and at times, it seems to use this "spiritual" veneer to gloss over the rampant violence, misogyny, and homophobia that comes through in many of the freestyle lyrics. It seems disingenuous on the part of the director to portray these rhymes as "spiritual" and "expressions of the divine" when they don't seem particularly bent on promoting consciousness. Instead, it almost seems that all the "spiritual" talk is a way of deflecting this sort of criticism. In the end, I think this movie is largely for "heads" (AKA hardcore hip-hop fans); anyone else won't come out feeling too impressed by this art form, if their only exposure to it is based on this documentary. But ironically, hip-hop fans who will be interested in this subject matter are probably already knowledgeable about freestyling, and would likely be familiar with better and more interesting rhymes, ones that could elicit more provoking thought than these. For what it's worth, this movie is clearly a labor of love, and there's a deep respect and love for hip-hop culture involved in the making of this movie, but unfortunately it doesn't really translate into a very compelling documentary.