I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Don't Believe the Hype

To all those who have watched it: I hope you enjoyed it as much as I do.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Let's cut to the chase--this is a cheap and rather dopey film. This isn't exactly a surprise, as it's from Monogram Studios--a production company that specialized in making low-budget B-movies. Occasionally, their Bs were pretty good--but often they were just quickly made and dreary....and "Foreign Agent" is clearly in the latter category. Plus, like so many of the wartime films, it has all the jingoistic clichés you'd expect.The film begins with a bang. In a well-conceived and filmed opening scene, a dead man is found hanging in an apparent suicide. Naturally, it's really a murder and Axis agents are behind this because they wanted to steal this man's invention. What follows are tons of Nazi and Japanese agents in America that look JUST LIKE Nazi and Japanese spies!! They are about the most unsubtle lot you could imagine and I almost expect one to look just like Hitler!! In addition, like many Bs, there are supporting characters tossed in for laughs who aren't the least bit funny nor the least bit believable. Subhuman, perhaps...but not the least bit believable.The bottom line is that unless you really like bad B-movies, there are thousands of better made films from the era that clearly would be more interesting and entertaining than this film. Not horrible but also not good at all apart from the opening scene.

FOREIGN AGENT - 1942This war time flag-waver was put out by bottom feeder studio, MONOGRAM. If their films look like they were filmed in a week, it was because they were! These low budget efforts were all for the cheaper movie house's double and triple bills.In this one, we have Nazi agents doing what they can to sabotage the US war effort. The main plot revolves around the blueprints of a special searchlight. The Nazi types kill the inventor but fail to find the papers. That is because the inventor's daughter, Gale Storm, has them hidden.Storm, is an actress, and singer who shares an apartment with stunt-woman, Patsy Moran. She is also stepping out with fellow actor and soon to be undercover FBI man, John Shelton. In for comic relief is truck driver Lyle Latell, who is also Moran's squeeze. (The plot holes in this one Latell could drive his truck through) Hans Schumm plays the head of the Nazi spy ring with help from Lithuanian-born Ivan Lebedeff doing a terrible job of pretending to be a Japanese spy. There are also several American criminal types helping the Nazis for cash.The story stumbles along forever with sub plots that go nowhere, and a couple poorly staged fistfights. By the time the end rolls around the viewer is ready to commit hari-kari.If it was not for Moran and Latell, the film would be a total waste of 64 minutes. Though, the 20 year old Miss Storm shows a few flashes of talent. Storm would move up the film ranks to better studios and bigger budget projects. She would really hit it big in the mid 50's with several successful television series. These were, MY LITTLE MARGIE (1952-55) and THE GALE STORM SHOW (1956-60) Film noir fans will recall her from roles in ABANDONED, THE UNDERWORLD STORY and BETWEEN MIDNIGHT AND DAWN.The director was William "One Shot" Beaudine. There was no such thing as a re-take on a Beaudine production.

**SPOILERS** One of the 350 movies and TV shows directed by the legendary William "One-Shot" Beaudine in being that he never re-shot a scene no matter how bad it was. "Foreign Agent" has to do with this group of Nazi spies working right out of Hollywood who are trying to get their hands on this blueprint of a defused military search light. The search light will be able to spot and detect enemy planes and at the same time not give away its position. Thus preventing it from being blown to pieces by the attacking war planes when they get sight of it.The Nazi Agents lead by American hoodlum Nick Dancy and his Japanese cohort Okura break into the hotel room of Hollywood studio electronic expert Mr. Mayo ransacking the place after murdering him and, by hanging Mayo from the ceiling lamp, making it look like a suicide. For all their hard and murderous efforts Dancy & Okura fail to find Mayo's important blueprint of the defused search light in that he never had it with him in the first place. Being chewed out by their boss head Nazi Spy Dr. Warner for screwing everything up the two decide to track down Mayo's daughter Mitzi whom their sure, and right for once, has the blueprint in her possession.Trying to fill up some one hour of screen time were made, among other things, to sit through a boring fight scene that really has nothing to do with the movies, thin as it is, storyline involving Mitzi's friend and roommate Joan Collins and her hard headed as well as hard drinking boyfriend Eddie McGurk. It turns out that the Nazis mistaking Joan, who was driving Mitzi's car, for Mitzi mugged her and stole Joan's $10.00 engagement ring given to her by Eddie! How the Nazis could mistake a cheap ring, that looked like it came out of a box of Crackerjack, for a search light blueprint is never made clear in the movie!Later when Eddie confronts the two Nazi Agents at a local bar he has it out with them in the most exciting, if you can call it that, scene in the film. The hard hitting Irishman's boxing ability resembled that of the swishy and cream puff style of "Slapsy Maxie" Rosenberg then that of the explosive one two combination knockout punches of Jack Dempsey and Joe Louis! Were also given to understand in how successful the Nazi Agents are in a newsreel involving an attack on a, what seems like , American convoy in the North Atlantic. This is all done so haphazardly that you have no idea who not only the good and bad guys are but aren't really sure in what ocean, the Atlantic or Pacific, the action is taking place in!As you would expect it's the Nazis headed by Dr. Warner who end up fumbling the ball, or search light, and end up getting caught red handed by the FBI and local police. Not only is Dr. Warner on the outs with the US Government, facing a quick trail and execution for espionage, but his fellow Nazis as well. That's in Dr. Warner being set up, by Mitzi and her boyfriend Jimmy, in framing him in secretly turning his by now very confused and disoriented fellow Nazis Spys over to the US Military Authorities.The future "My Little Margie" Gale Storm, as Mitzi Mayo, is about the best reason for watching this mess of a movie. Gale not only does a fairly good job of acting but sings the films two songs:"Down Deep in my Heart" and the patriotic and butt kicking, for the boys on the front lines, "Taps for the Japs".

With William "One Shot" Beaudine directing, Monogram reacted to the US entry into WWII with its typical style........cheap and cheaper. Starring John Shelton (whoever that was) and Gale Storm (better known as "My Little Margie" from early television), the story, what there is of it, concerns a group of spies ("group" in a Monogram film means two or three individuals) ineptly working at espionage. There are basically two sets, an apartment and the spies' hideout and the acting is what you expect from Monogram Studios.The story is unimportant here......needless to say the spies get caught in the end before any damage is done. But there are a couple of things worth noticing. In the beginning of the film there is a shot of the Hollywood Blvd. and Gower street sign. "Gower Gultch" as it was known was the home of the poverty row studios, Monogram, PRC, etc. It appears Beaudine ran outside the building to take a shot of the street sign as a lead in to the film. Sure beats location work.Secondly, in an earlier part of the film the conversations of the spies are recorded by the good guys. In order to flesh out the film's running time, the recording is played later in the story and we have the chance to hear a total repeat of the earlier scene of the aforementioned conversation. It is this kind of thing that is endearing about the poverty row studios. They found a way to make films on a shoestring using little tricks like that.This film isn't much but it is not as bad as some of Monogram's offerings. So if you are a fan of Monogram, Mascot, PRC or Tiffany studios, give it a watch. You just have to love these little footnotes to Hollywood history.