Nice effects though.

Better Late Then Never

The film may be flawed, but its message is not.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Let's say the inciting incident (or rather accident) happens early on in the movie. And while it is always important to know someone to mourn them (especially the way she's being mourned here), we do have to do that while on the journey. The journey of moving on, which may sound like a pun, but is anything but funny.So this is full on Drama and anyone who lost someone dear to them, by whatever circumstances, should be able to empathize even without a deep connection from the get go. Still this is heavy and the question is if you want to watch something like that. If you do there are the actors who really do their part as good as possible. Dianne West and our main character are the driving forces, but it's also nice to see Rosie Perez back in Action. Decent enough, if you can cope with it

I'm surprised this film gets any poor reviews. It is well scripted, stunningly acted, artfully filmed, and perfectly edited. The photography is the narrator, almost a character in itself-- intimate right up to the point of discomfiture yet neither artsy nor self-aware. The story seems, at least, to unfold as life unfolds-- you discover what's happened at the seeming pace of real-life awareness... but only seeming, of course, which is the film's brilliance. What I like best about Five Nights is that it deals with a universal situation without triteness or cloying sentiment. Sorry if this sound like a PR blurb, but this film is notable and beautiful and worth seeking out. It's baffling that anyone could miss this.

Three first-rate performers made me think this was going to be good. In fact, I kept watching and waiting for the ah-ha moment. But it never comes, and the movie ends with no resolution of anything. Nothing is ever explained. What is it that had the wife so upset the night before her death (or some short time prior at least)? What caused the conflict between the wife and her mother? Why did the mother invite the husband to her home, and why did he accept? Certainly, she never seemed like she actually wanted him there and he didn't seem like he wanted to be there. Sure, I can understand two people sharing their grief, but there is nothing but tension between them save for a brief moment or two. Why did the husband bring the wife's ashes on his visit, then lie about it - and what did he do with them in the end. Far too many unanswered questions for me to enjoy this film, though the performances are very good, as expected. Watch only if you want to find solace in it being over.

I made a point of booking early to see this film when it was announced at the Victoria Film Festival. I simply went on the fact that the two actors headlining would make it a powerful engaging movie.This was obviously a labour of love for David Oyelowo (producer) and his performance is to be quite honest "over the top" and I am a fan of his work. I was so disappointed with the dialogue between the Oyelowo and Weist, as much as this is a difficult subject matter, in my opinion the writer did not give them sufficient material to work with.I left the movie not having any emotional attachment to the previous 82 minutes watched and feeling my time wasted.