Faults
Faults
| 06 March 2014 (USA)
Faults Trailers

Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.

Reviews
Reptileenbu

Did you people see the same film I saw?

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Freaktana

A Major Disappointment

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TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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jp-208

I have to declare an interest : i chose the film on the basis it starred Mary Elizabeth Winstead whom i'd watched for the first and only time in 10 Cloverfield Lane. I was less interested in the subject matter. However, as the film developed i became engrossed. Very strong performances and a sharp script combine to drive the story forward. As in Cloverfield Winstead gives a restrained and on this occasion slightly sinister performance while Leland Orser's depiction of desperate penury is utterly convincing and motors the film on. The end also convinces and might have been frankly ridiculous in the hands of a less skilled director and less talented actors. It's a neat, riveting little film for a Comtemplative Tuesday night in.

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michaelriffone

I have been a huge IMDb fan since 1998, and this is the first time I have felt compelled to write a review, so don't expect any literary accomplishment. Faults is in a word "original". I have always been fascinated by Cults ever since I was 10 years old and the Jonestown massacre so saturated the media that not even a young tyke like myself could avoid the story. Leland Orser plays an expert on debunking cults, who has fallen on very hard times. He is hired by the parents of a young girl who has been taken in by a religious cult. From there this story goes anywhere except where you think it will.I highly recommend this to anyone who is tired of tired plots. At just under 90 mins, what do you have to lose? Check this out and enjoy!!!

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markshepparddefense

Amazing little indie that came off as a black comedy and then drifts into darkness, while pulling you along.The acting's smart, the pacing's crisp, the jokes register darkly, and the dialogue snaps.After researching this movie and not finding an appropriate answer, one scene that really stands out is: Once Ansel is watching his TV interview, one can barely see schemes of "Dad" having sex with Claire, while "Mom" is watching. One has to very closely watch.This brings us to the question if they were Claire's parents at all, or rather, fellow cultists. Cult members who, under her guidance, pretended to be her parents so she could brainwash Ansel. At the end "Mom" tells Claire that "With his knowledge your teachings will grow beyond anything we ever could have imagined." This seems to suggest that having a notable expert on their side will give them more power, legitimacy, outreach. It's winning over an enemy. Amazing ending, want to know more.

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estebangonzalez10

"Fault is a fracture. It's a place where pressure builds until it releases."Leland Orser and Mary Elizabeth Winstead star together in this unique dramatic thriller written and directed by Winstead's husband, Riley Stearns. Faults is his feature debut and after this, there is no doubt he's going to be getting more offers because it is a very inventive drama that feels like no other movie because it changes and morphs as the story progresses. It is hard to classify this film because it doesn't feel like any other movie I've seen. Orser plays Ansel Roth, an expert on mind control, but it is clear that his glory days are long behind him. When we are introduced to him he's trying to reuse a coupon for his meal at the hotel where he's giving a speech on his new book about free will. There are very few people who have signed up for his seminar and he's evidently in deep financial trouble. An opportunity for redemption shows up when a couple (played by Chris Ellis and Beth Grant) ask Ansel to help them with their daughter. They say she has changed dramatically after finding a mysterious cult and that they are afraid of losing her. Ansel tells them that he can help but that it is going to cost them. He plans on deprogramming her by kidnapping her and having a five day session with her at an undisclosed location. The girl's name is Claire (Mary Elizabeth Winstead) and she claims to be at the happiest point in her life so apparently it won't be an easy job for Ansel who is going through his personal lowest. What follows is a fascinating psychological control study with touches of dark humor and several twists along the way. The less you know about the film going into it the better off you are. The production team behind Faults is the same one that brought us last year's The Guest and the reinvented slasher horror film You're Next so I was already excited about this film. They present unique projects that at times blend familiar genres or include some sort of surprise element along the way. Faults is a low budget indie film but it never ceases to amaze with a production design that sets the film somewhere around the early 80's although there is no mention of when the story actually takes place. The film is perfectly executed, it has an interesting premise, and the screenplay is beautifully written by Riley Stearns as it transforms along the way. It's not one of those films that tries to fool the audience and then presents a twist that no matter how many times you go back and rewatch it it simply doesn't make any sense. Faults isn't trying to fool us, instead it is simply telling a story that unfolds in unexpected ways as we reach the climactic finale. Perhaps what stands out the most in Faults are the two leading performances. Leland Orser delivers the best role of his career and it is great to finally see him in a starring role. His character isn't someone we should really sympathize with considering he's simply miserable from the moment we are introduced to him. He's such a loser but somehow Orser manages to engage us and we want him to have his shot at redemption. We believe he actually knows his stuff on mind control and free will but life has given him an unexpected blow that he seems to be able to recover from. On the other hand Mary Elizabeth Winstead's Claire is enigmatic and we never know what she is really thinking. Winstead delivers one of the best performances of her career as well and the two turn Faults into a highly engaging and hypnotic film well worth your time.http://estebueno10.blogspot.com/

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