Beautiful, moving film.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Barnstorming South Seas hokum in chewy Trucolor of the type Republic Picture was churning out by the yard at this time, full of plot elements that had earlier done service in their westerns & serials, such as diamonds being sought by a plummy-voiced villain in a carnival mask, endless fisticuffs, and of course Vera Hruba Ralston, wife of the president of Republic, Herbert J.Yates. On this occasion she pays Kim Kim, a dusky Eurasion exotic dancer with extraordinary eyebrows whose mere presence aboard McMurray's rigger the 'Gerrymander' soon has men fighting over her, and is later flogged to reveal the location of the diamonds. The phoniness of the studio scenes on board the deck of the 'Gerrymander' is complimented by the usual overacting by Republic stalwarts Victor McLaglen and Paul Fix; in marked contrast to superb model work by the Lydecker brothers depicting the 'Gerrymander' battling pirates at sea and climaxing in the 1883 eruption of the volcano Krakatau and the resulting tidal wave.

As I began watching the movie, it seemed to have a Saturday matinée feel to it-- not that I know entirely what that is, but I'll take the idea and run with it. Filmed with the studio's Trucolor process, it overflows with bright green, blue, red and orange. The script is very sharply written, and we learn a lot about what makes these sailors behave as they do. We're given the backstory of MacMurray's character, how he ascended the ranks and was given a ship of his own; how it led to the sea near Java. He meets Ralston's character as the movies gets underway, and he frees her from slavery. Yes, it is one of those kinds of love stories. Several things impress me about FAIR WIND TO JAVA. First, the supporting cast couldn't be better-- Victor McLaglen, Claude Jarman Jr. and John Russell are all men under MacMurray's command; while Robert Douglas plays a rival treasure seeker. Also, the music is grand-- sweeping and romantic each time it comes up on the soundtrack. So much that honestly one can't tell if the sea is supposed to be just as romantic in this tale as the relationship between MacMurray and Ralston. And then there is all the boisterous action.What's a good swashbuckler adventure story without rousing fights on board the ship, or a hunt for diamonds on land that is soon obscured by debris from a very active volcano? And speaking of the volcanic eruption that occurs near the end (perhaps symbolizing the passion shared by the main characters), Herbert Yates-- Republic's boss and Miss Ralston's husband- - has gone all out to present the most spectacular special effects you could ever imagine. Yes. It's worth more than all the diamonds in Java.

In reading a book about Fred MacMurray that came out last year I learned that he considered this the worst of his films. While I don't think it's as bad as all that the main weakness of Fair Wind To Java is the casting of Fred MacMurray in a part that was originally intended for John Wayne.The same author who wrote the novel this film is based on wrote Wake Of The Red Witch which I consider one of John Wayne's best films and certainly his most romantic. After The Quiet Man came out Wayne decided to terminate his relationship with Republic Pictures and Herbert J. Yates. Republic and Yates made most of their money peddling John Wayne to the major studios with him occasionally doing a film for Republic over the years. Try as he might MacMurray does not cut it as a swashbuckling captain of the China trade. Worse for him was the fact that his leading lady Vera Hruba Ralston was not what he was used to working with. He who made some of the best comedies around with people Irene Dunne, Claudette Colbert, Carole Lombard, Katharine Hepburn etc. found Ralston's lack of talent and professionalism too much.The villain of the story is Robert Douglas an Australian merchant who also goes around as a Malay pirate with a Lone Ranger mask. This was a true comic book villain I just couldn't take seriously.The climax is the eruption of Krakatoa where a cache of fabled diamonds are hidden in a temple. That's what MacMurray and Douglas and their respective crews are after. Now considering this is Republic Pictures and not one of the major studios the special effects aren't bad. And the color cinematography is nice.But if you're beyond the age of 12 it's hard to take Fair Wind To Java all that seriously.

In glorious trucolour! Another Republic storybook masterpiece from the last 5 years of the studio, this is an Indiana Jones pirate/volcano movie before anyone thought of Indie...or Did Spielberg Lucas see this aged 8 are regurgitate it into the 80s as with Star Wars 70s epics from other Republic (serial) adventures of the 40s. Actually, don't Spielberg Lucas owe Republic Studios a lot!!.......FAIR WIND TO JAVA stayed in cinema circulation even after 1960 and was often seen in cinema screens at Kids matinees with other Republic films like TOBOR or the hopeless western botch PAWNEE. The 1969 cinerama sized KRAKATOA EAST OF JAVA (it was west, actually) might have attempted a bigger screen and scope, but this 1953 version with Fred and the pirates - and genuinely beautiful art direction and great modelwork, is a lot more fun. Even Vera the acting wife came out of this one well.