After playing with our expectations, this turns out to be a very different sort of film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

This is a dark and sometimes deeply uncomfortable drama

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The last days of an era are a common motif in Japanese samurai movies. Apparently there is something regarded as especially tragic in that process, and many movies try to show that. So there is nothing very particular about this movie, in terms of theme. The appeal is mostly in the peculiar main character.The problem is, the movie tries for too much. In the first 50 minutes we are totally engaged by Yoshimura, by his tensions with the samurai group he has joined, the curiosity about his motives, and the prospect of the civil war engulfing their lives. It is a fine drama, with the required sword-fighting on top. Yoshimura is a great character.But the last hour is just incredibly overlong and sentimental. The story goes in the right direction, and the fate of the characters seem a natural development of what was set up. So why make it so long and melodramatic?I think the director thought of this movie as more than another drama/adventure samurai. He wanted an epic. It does not work that way. There are only enough characters and plot for the drama of one man and his friends, not of the entire Japan. Thematically, nothing was added because of the long second half. No great insight about humanity, just a bunch of tears, snow, flowing water, and redundant sad speeches. The very same themes and plot resolution could have been done in 20 minutes instead of 60, and the film could wrap up in a nice 100 minutes, losing nothing. What a shame. In aiming for greatness, what could be a great movie was spoiled. Maybe you could watch it on DVD and play everything after the battle in 2x speed...

There are samurai films that story wise stand up on their own and there are others that make less sense to those outside of Japan. Mibu Gishi Den is definitely a film that would help with a quick stop at the Wikipedia to bone up on the historical events that the film is set around. Without some knowledge of the Shinsengumi and the upheaval of their times, a viewer is going to be confused and lost at points. A point that might help is that samurais depicted in this film would only receive a stipend according to their social status not their ability in the clan. That could mean that an excellent, devoted fighter would be dressed in rags while a useless fop had money to burn. The similar film "Twilght Samurai" also deals with this issue. This is a very well mounted production, well directed, photographed and acted. The action is expertly mounted. The non-linear storytelling (flashbacks within flashbacks) can be confusing to those who are trying to keep up with the history but it makes the story more rewarding in the end. The movie is long but that only shows itself during two soapy scenes of melodrama but these are followed by such well done scenes of emotion it's made up for.Recommended.

This was a beautiful movie, yet a difficult one to watch. The main character, played very well by Kiichi Nakai, is a man of the land. He loves his country and his family and he is also a samurai. That puts him into a very uncomfortable position when money is too scarce for his family to be able to survive. He then does the dishonorable thing, he leaves the clan in order to earn money for his family.The story in itself is the message of the movie, with all its details, not the main storyline. The action is placed in the time when samurai are being replaced with gun powder and Japan is in great turmoil. In the end, he returns to his homeland and restores honor to his family, so it's a circular kind of tale, but in the meanwhile, you see how different people, in different situations and social classes, react, how friendships are made and unmade.What makes this movie better than most is the way the main character is constructed. He is far from the cliché of the samurai, a lot more human. If this could have been told in a shorter way, everyone would have been happier, though. While the last scenes are heartbreaking, they are also too theatrical for my taste.I have seen Twilight Samurai compared with this movie. I do think that TS was better, but this is still a very good movie.

This is a very good movie with only a few minor flaws. The cast is exceptional, being many of Japans most better working actors today - the finest being Nakai Kiichi who brings a depth of character and sensitivity to his role which transcends any language barrier. The other main role played by Koichi Sato ( the son of one legendary Mikuni Rentaro )who also does an excellent job of drawing the audience into the fabric of story. For any viewer who is not familiar with Japanese history and the transition between the end of the Tokugawa Shogonate and the modern era which was ushered in with the Meiji Restoration, the back story will lose some of its richness. The Shinsengumi and its principle characters, though relatively unknown to the west, stand iconic to the Japanese and so much of the interplay between them and the two principle characters is understated and will slip by the average western viewer. I would recommend reading any of Romulous Hillsbourough's books before watching the movie only because the depth of the film will only be increased by doing so. This is a recommendation though not a prerequisite of course.This movie had a beautiful look and texture with some shots who color tones and composition are as precise as traditional woodblock prints. The sword play is some of the best ( and most realistic ) I have seen in a samurai film with Sakai Masato absolutely brilliant as Okita Soji. The fighting is brutal and bloody, well choreographed and stylish without being stylized. There is still a deadly dance quality to the swordplay, though it maintains its integrity and honesty to form.My only complaint with the movie is that it could use some minor cutting. The acting in Nakai Kiichi final scene is astonishingly beautiful, but it seriously goes on too long and will threaten even the most patient viewer to loose interest.In closing, let me say that this movie goes where the Last Samurai should have gone - straight to the heart and soul of a samurai.