Absolutely Fantastic

This story has more twists and turns than a second-rate soap opera.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This time, the ever campy Mistress of the Dark has to spend the weekend in a Carpathian castle that appears to be based on every Vincent Price movie. Although it takes place in 1851, the beehive-haired hostess never misses a chance to reference popular culture from a more recent era. Although the production was likely the first time that a number of Romanian citizens learned of Elvira, there's the chance that some of them knew about her in the 1980s: I recently read a New York Times article about someone in Ceaușescu-era Romania who obtained pirated copies of movies from the US and showed them. Most of them were apparently action flicks, but one would hope that Elvira was in there somewhere (understanding that her puns probably wouldn't have translated well into Romanian).The point is, "Elvira's Haunted Hills" is a funny movie, and it's enough to make anyone want to go to Romania. I hear that Dracula's castle is pretty impressive.Deșteaptă-te, române!

While most people like Elvira, her fans will be disappointed in this movie, which seem dull and not funny or scary at all. It is like all the B-movies she hosts on TV that she scoffs and pokes jokes at. It's like Elvira is laughing at her own jokes. Not something enjoyable enough to watch over and over. This movie really needs to be redone better. It lacks the kind of quality a fan would expect from Elvira and any regard for her vampire side, which should of been developed more; there's just absolutely nothing for fans to follow. At least in Elvira Mistress Of The Dark we got to see something interesting than just her beautiful assets... her vampire looking car.

Elvira's Haunted Hills is set in Carpathia in 1851 where Elvira (Cassandra Peterson) is making her way across Eurpoe to Paris to do a stage-show, totally broke & stranded there Elvira & her maid Zou Zou (Mary Jo Smith) accept a ride from a guy named Dr. Bradley Bradley (Scott Atkinson) who takes them to the Hellsubus castle to stay the night. The owner of Hellsubus castle Lord Vladimere Hellsubus (Richard O'Brien) lives in torment of the Hellsubus family curse, the striking resemblance Elvira has to Lord Vladimere's dead wife Lady Elura doesn't go unnoticed either...Directed by Sam Irvin this is the second film to feature Elvira who is probably best known as the hostess of Movie Macabre during the 80's where she introduced various sci-fi, cult & horror films on US TV which means me living in the UK I never saw it & have no affinity with the Elvira character at all & only know of her through her first feature film Elvira, Mistress of the Dark (1988) so I am not clouded by any sort of nostalgic sentiment. Elvira's Haunted Hills is not a sequel to Elvira, Mistress of the Dark & is a completely stand-alone film, when you strip the film down Elvira's Haunted Hills is a comedy spoof of the Edgar Allen Poe/Roger Corman/Vincent Price/AIP Gothic horror films of the 60's with many references to said films. Unfortunately the script goes for comedy rather than scares which would have been fine if it was funny but since it wasn't it isn't, the jokes & gags feel old & are very predictable with lots of sexual innuendo, physical slapstick accompanied by daft sound effects & silly one-liners. What it boils down to is that I didn't find Elvira's Haunted Hills funny at all & the lowbrow childish humour just didn't do anything for me & since the makers neglected the horror aspects of the story there's not much left to compensate & make-up for the lack of genuine laughs. The pace of the film is alright, the story is OK & to be fair it's watchable I suppose but the script misses the mark more times than it hits it.I will say that Elvira's Haunted Hills has pretty good production values & it looks quite nice, the CGI effects are used sparingly & are alright, the sets are decent enough as are the costumes & period decor. There are plenty of horror film references & spoofs like obvious ones from The Shining (1980), House of Usher (1960), Pit and the Pendulum (1961), Dracula (1931) & oddly Titanic (1997). There's really not much in the way of proper horror here & the PG rating doesn't help either, there's a brief shot of a decapitated head & a skeleton & that's your lot.With a supposed budget of about $1,500,000 this was filmed in Bucharest in Romania which is helpful since the film is set there anyway, the film looks nice enough although the low budget does occasionally show. The acting is over the top & everyone hams it up, Peterson is pretty good & she still looks OK even at 50 when she shot this although if you look at the film you will notice there aren't any close-ups on her as medium & longs shots are mostly used.Elvira's Haunted Hills is more of a comedy than it is a horror, unfortunately it's just not very funny. It's not a complete disaster & is watchable I suppose but I can't really recommend a silly horror comedy that is neither scary nor funny.

On the surface this is a spoof of the films made by Roger Corman and other directors who worked in the genre during the same period. There are direct references to "The Pit and the Pendulum" and "The House of Usher" as well as less direct references to films such as "The Raven" and "The Comedy of Terrors". The overall "look" of the film resembles those films and the work that came out of Hammer Studios during the same period but does so without looking like an imitation of them. With its rich textures and lush colors its appearance is never less than striking.The performances from most of the supporting cast are all way over the top. Scott Atkinson is hilarious in the role of the doctor, Bradley Bradley. Everything he comes out with seems as if it's sucked from his chest and thrown at the camera. The way his accent changes as his role in the proceedings becomes more defined is a brilliant touch. Mary Scheer performs her role as the adulteress as if she were a classic comic book villain, the type whose passion burns most brightly when she's manipulating everyone around her to the max. Elvira's character makes an excellent foil for her. Heather Hopper's portrayal as the sickly Roxanna (part whooping cough, part "Night of the Living Dead" stiff and full time punching bag for the rest of the cast) is a howl. The notion of dubbing in the dialog spoken by Gabriel Andronache (who reportedly speaks next to no English) was a brilliant one. The first scene between him and Peterson is one for the books. Richard O' Brien has a role that that demands all the pork from Ham Central, and it's one that he appears to have relished playing. The scenes he shares with Peterson appear to have been a joy for both of them.The excesses of most of the performances are balanced by the understated work from Peterson and Mary Jo Smith. Smith is absolutely adorable as Zou Zou, Elvira's much-abused maid. She plays the role with a combination of dry wit, self-depreciation and vulnerability that can't help but strike a chord. Peterson plays the "Elvira" character with her usual flair. That mix of impish playfulness and canny intellect combined with sweet innocence, brazen sexuality and doltish buffoonery that made the character a cult classic is wholly intact. Her comic timing remains razor sharp. There's far more to the film though. It goes past the obvious to address (and skewer) a variety of topics. Richard O' Brien's soliloquies put the most overblown passages of Shakespearean Theatre to shame. The dubbing in foreign action films takes a hit or three. The way the use of accents is often bungled by actors and filmmakers is harpooned in a way that's wonderfully original. The "special effects" used for the cataclysmic moment of the film look as if they were intended to be worse than things Ed Wood would've come up with (though it doesn't quite hit that mark). Aging women who cram killer bodies under thick layers of paint (makeup) and thin layers of tight clothing spend parts of the film taking one hit after another.There's no doubt the reigning Queen of Vamp Camp is showing her age. But she's using it to great advantage. The character seems older. Her sexuality is more overt. She has less patience for playing at being coy. She works too hard to be the center of attention. She doesn't miss any chances to show her "assets". The camera captures the physical side of things. One of the most revealing of them highlights the ways gravity works on an aging figure regardless of how well it's been taken care of, and it happens early in the film as if to make sure all the viewers take note her of age. Peterson is far too intelligent not to have noticed it but she left it in. If anyone is the right person to be spoofing the foibles of aging vamps it's Cassandra Peterson. She's old enough to be one of those characters in day-to-day life and she would look great in any of the outfits they pour themselves into. More importantly, she understands any subject matter she touches thoroughly, addresses it without meanness or cynicism and applies a measure of balance to it in the process. She jabs Zou Zou for her looks but makes sure that character is the first to light a fire under somebody's libido. The man with the dubbed-in-lines may look silly because his mouth doesn't match his words but he gets the girl. The aging vamp may fall in holes because she's wearing heels instead of runners the way those vamp wannabees would but the male characters still can't keep their hands off her. It all works because of Peterson's charm and because of the balanced overview she brings to the subject matter.This is a picture that may find its wider audience in years to come. It's played as camp in a way that may alienate a lot of viewers and there's no doubt a lot of the jokes are lame. But that's all done intentionally. Essentially, it's a good movie that's made to look as if it was bad. Don't be fooled. There's a lot there to stimulate thought and enough light fun to make it easy to keep going back for another look. Today's dog (though it's anything but one) may be one of tomorrow' classics.Thanks Cassandra. This was worth waiting for.