What makes it different from others?

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

One of the best movies of the year! Incredible from the beginning to the end.

Several people in a house come face to face with a murder mystery -- and one of them is guilty of the crime! This film has no familiar actors, and something of a misleading title (it is not a literal translation of the German). The phrase "haunted castle" clearly implies a horror film and not a detective story, but there is very little horror here.Lothar Mehnert stars as Count Oetsch, and although I know absolutely nothing about him, I was very drawn to his performance. He has a striking look that I think makes for a good stage or screen presence. What else has he done? I do not know, but should seek it out.The film is light on humor, though there is a sequence I will call "the kitchen boy dream" that I found funny. What is it implying? What does it mean? How does it connect to the big story? I have no idea.The Kino DVD contains a book / film comparison and I would recommend this. It shows how radically different the film is in some ways from the book. While the essence is the same, I would almost have to say they are two different creatures altogether.

Besides his well-known pieces, film noir master, F.W. Murnau, is also represented on DVD by a minor but nonetheless interesting work, "The Haunted Castle" (1921), made just a year before the director's seminal "Nosferatu". Now available on a truly excellent release, this DVD is not only complete with all the iris ins and iris outs (deleted from the truly execrable print on a rival label), but presented in all the splendor of its original tints.True, the movie itself is rather stagily directed with little use even of pans, let alone tracking shots. Nonetheless, the story is reasonably intriguing. What makes "The Haunted Castle" worth seeing, however, is neither the social fabric of its upper-class setting, the mystery mechanics of the plot, the two briefly surreal dream sequences or even the successfully more naturalistic performances (judged by the general standards prevailing in German cinema in 1921) delivered by most of the players, but the overwhelmingly charismatic presence of Olga Chekhova. That name will mean nothing to 99% of my readers, but from 1930 to around 1950, she was easily in private life the most important movie star in the world. As I say, "The Haunted Castle" is must viewing simply to get a glimpse of the quality that made Olga Chekhova sought after by the most famous (and infamous) men of her time. Mind you, this is only the third of her 139 films as an actress (she also directed one and produced five).As a postscript, in order to prove my theory that many of the information sites on the net are staffed by fools, allow me to point out that the name, Victor Bluetner (listed as an actor in the movie's credits) is an obvious pseudonym. You won't find too many Bluetners in a phone directory. I'd say that the name was derived from "blut" (the German word for blood), plus the common suffix "ner" (as in Wagner). I laughed when I consulted a well-known Spanish site and read in all seriousness, "date of birth: unknown; place of birth: not specified"!

Haunted Castle, The (1921) ** 1/2 (out of 4) An "old dark house" film from director F.W. Murnau about a group of people staying in an (what else?) old dark house. One night the house's owner turns up missing and later in the night his son, who was accused of killing his own brother, shows up. I read somewhere that this is the earliest surviving work from director Murnau but this here doesn't show any of his wonderful visual style that would kick into high gear the following year with Nosferatu. The film, running just under an hour, takes way too time introducing us to the characters and the actual mystery doesn't start until the very end of the movie. There really isn't any visual style either. There's one character that looks like the Karloff character in Whale's The Old Dark House, which makes you think Whale saw this film (especially since the character here leads to a good twist in the story). Another interesting aspect is a scene that uses the hands of Nosferatu to a similar effect that would be seen in the next year's Nosferatu. I had to view an overly dark, 16mm print without a music score.

Afraid I found this a little stagey. I know it's very EARLY Murnau, and I wouldn't expect the flash and wallop of DER LASZT MANN, but without either expressionist stylisation or nifty camerawork, my attention wandered a bit......but I was brought back to full wakefullness by the appearance of what looks like Max Schreck's Graf Orlock from NOSFERATU - or at least his hand. A sinister taloned hand reaching through a window in a bizarre dream sequence, accompanied by a billowing curtain of the kind soon to cross the atlantic with Paul Leni for THE CAT AND THE CANARY and to appear, a few years later in James Whale's THE OLD DARK HOUSE. And I should add that the scary dream is followed by an equally freaky comedy dream set in the castle kitchen, where a scullery boy dreams of revenge for previous slights...Murnau's comedy relief is always kind of peculiar.Worth seeing for the dreams!