Simply Perfect

Please don't spend money on this.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

There are many films and dramatisations of the life of Queen Elizabeth I, and of the ones seen all of them range from good to outstanding. While not quite as great as 1998's 'Elizabeth' and 'Elizabeth R' with Glenda Jackson, though almost in the same class, 'Elizabeth I' is one of the outstanding ones.'Elizabeth I' has a couple of things that don't quite come off as well. Leicester's role is rather underwritten, and it does give Jeremy Irons (who is still very good in the role and makes a real effort to give him complexity) little to do. For such a big time span covered, dates and years are not always clear even to people familiar with the Tudor/Elizabethan period and a couple of events are depicted in a slightly confused manner.However, these are outweighed by the things that 'Elizabeth I' does incredibly well, these are a great many and done brilliantly. It's gorgeously made, with scenery, settings and costumes that will take the breath away and photography that makes one forget that it was made for TV. 'Elizabeth I' is strongly directed as well, the style is never cheapened and pacing and clarity of storytelling are rarely compromised. The music, with a mix of classical and medieval period which gives it authenticity, is dramatic yet sympathetic, giving scenes stirring power and nuanced pathos, always a good fit for every scene's atmosphere.With the script, it has a humorous edge, touching yet never mawkish romance and a lot of emotion beautifully balanced, while always provoking thought. The storytelling throughout is incredibly compelling, the romantic elements feature prominently but not at the expense of everything else, political commentary and dilemmas of the time are not neglected and the very graphic executions and torture wrench the gut (some may feel that the series overdoes it with the brutality, with the execution of Mary Queen of Scots being especially shocking, to me as decapitations, drawing and quartering and torture were gory and brutal it wasn't inappropriate). There are liberties taken with history to accommodate the story, but there are far worse and more insulting cases of films and series playing fast and loose with the facts.Great acting helps, and the performances are more than great across the board with all the characters well realised (with only underwritten Leicester being a reservation). A wonderful job is done with making Elizabeth a complex character and as a woman of many passions. Hugh Dancy is dashing, charming, loyal and passionate as Essex, while Irons, Toby Jones, Barbara Flynn (as a touching and dignified Mary Queen of Scots), Ian McDiarmid, Patrick Malahide et al are without fault. Reigning over them all is the always great Helen Mirren, whose Elizabeth is nothing short of a miracle.All in all, not devoid of flaws but a real joy to watch. 9/10 Bethany Cox

Perhaps the reason why 16th century queen attracts so many greatest actresses is the fact that Elizabeth I was actress herself - her whole life was a perpetual act where not only she had to balance all kinds of power games, but her life was a public stage with no privacy whatsoever and everybody from courtiers to assassins wanted something from her: what kind of curse this was to her I can't even imagine, but lady herself must have been aware that she can hardly trust anybody.If you can erase the memories of so many excellent actresses who preceded Helen Mirren, this is a very enjoyable two-part TV drama (advertised as mini-series, whatever) filmed in sensational locations built in Lithuania (Tudor court looks amazingly real - not glamorous but practical, decorated but still a labyrinth of crowded halls where people watch every step you make). To be honest, all the other memories fade away when I'm watching this - everything from the script, dialogs, costumes to acting in superb. First part has Elizabeth constantly fighting off marriage proposals and juggling one country for another, trusting only her chief advisers and her old favorite Earl of Leicester Jeremy Irons). "What is crown, when love's voice speaks to us?" she sighs when alone with Leicester, who is the only courtier brave enough to tell her things she don't want to hear.The second part has already aging queen falling for Leicester's stepson (Hugh Dancy) but she is no fool - the toy boy is only good as long as he plays her game, as soon as he steps out of line, the head goes off, she is true daughter of Henry VIII after all. This is hardly the only head chopped off here, there are many quite brutal scenes including historically accurate beheading of Mary Stewart. To all who criticize fictive meeting between Elizabeth and Mary Stewart, I would just say - this is too good scene to be missed. And the fact we have no surviving documents about it, don't mean it didn't happen. As always Mirren is magnetic - firm, stubborn, playful, coquettish, sentimental and cruel, she has it all. It is quite an achievement to make Elizabeth a believable, human person under all those elaborate costumes and wigs, but great actress she is, Mirren dominates the scene and she wears the clothes, not the other way around. Those closest to her are all excellent, including Jeremy Irons, Hugh Dancy, Toby Jones, Patrick Malahide and Ian McDiarmid - even Barbara Flynn as unlucky Mary Stewart completely fits to a description what she must have been like. Absorbing and absolutely recommended.

I'm a big fan of the film "Elizabeth", but this TV production is better, and I cannot rate it highly enough. Being for TV works to its advantage, as they could pick the best "actor" for each part instead of a "star". For example, Patrick Malahide is far far better than Geoffrey Rush as Walshingham (spelling?). The only slight let-down was the Duke of Anjou. The actor in the old Cointreau advert (that dates me) had far more Gallic charm to woo Elizabeth than the actor here. The gore of punishment was handled well, including the two strokes to kill Mary, Queen of Scots - but what about the three to kill Essex? Unfortunately Helen Mirren, who was a real tour de force, has already done the sequel (Elizabeth II), so we haven't got that to look forward to. However, what about the long-promised film about Mary, Queen of Scots?

There is some sort of mass hysteria going on here. I think people have been fooled into believe that Elizabeth I, is deep. Here as on Masterpiece Theatre, expensive costumes and flash photography do not a "masterpiece" make.Mirren's "Bess" is a good one basically. She does swing well into the part, playing Elizabeth as a lusty CEO. Through 80% of the film this characterization works. But, when her character is emphatic in her darker emotions, Mirren is really over-the-top overwrought. And it reminds me of Mel Blanc, doing such things in the guise of many characters he voiced in Warner Brothers cartoons. I am actually embarrassed for her.Some of the blame for this poor acting must be shared with the script writers. There is an old axiom in screen writing that you can not just have the actors stand about and shout out their emotions. I am angry! I am anguished by your betrayal! You have to have clever dialogue to weave the fabric of the story for the audience.Elizabeth l commits the sin of having Mirren, and others, shout out their feelings. And it happens many times throughout the series.There is also the small matter( to some) of the very large liberties taken by the film with historical fact. They are numerous and at times completely at odds with the woman and her times.Elizabeth l is designed to be smutty, emphasizing Bess' odd, conflicting libido. I doubt that she and Leicester, or Essex, ever petted each other in public, let alone at a mass ceremony for the people.The Earl Of Leicester died at his house in Oxfordshire. Bess was no where close. and certainly not in bed with him. Essex, a shallow man, was no great fan of his step father, and was not there at his deathbed either.There are more and they pollute the truly fascinating story of one of history's most remarkable monarchs