El Condor
El Condor
R | 19 June 1970 (USA)
El Condor Trailers

Luke, an escaped convict, and Jaroo, a loner gold prospector, team up with a band of Apache Indians in 19th century Mexico to capture a large, heavily armed fortress for the millions -- or billions -- of dollars in gold that are rumored to be stored within. Written by Brian C. Madsen

Reviews
Boobirt

Stylish but barely mediocre overall

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Sammy-Jo Cervantes

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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SanteeFats

Started out sucky and kept it through out. Talk about hokey, stereotypical, poorly done and just out right bad acting, script writing, and really poor acting, this is one for the books. Jim Brown has never been a good actor in my opinion but he does an even worse job in this movie. Lee Van Cleef has never been any where near a good actor, again in my opinion. Elisha Cook puts in a very nice performance at the start of the movie as Brown's side kick in chains. The actors that play the Mexican bandidos (I guess that what they were suppose to be) are sooo stereotypical it is funny. All in all this movie is really bad.

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zardoz-13

Former Cleveland Browns fullback Jim Brown and veteran character actor Lee Van Cleef make an unlikely couple of comrades in "Blue Max" director John Guillermin's cynical, epic-scale shoot'em up "El Condor," co-starring Patrick O'Neal, Marianna Hill, Iron Eyes Cody, and Elisha Cook Jr. Lensed on location in scenic Almeria, Spain, this bloodthirsty, profane, R-rated oater depicts the exploits of two soldiers-of-fortune who embark on a life & death struggle to loor a fortune in gold from a heavily fortified garrison in the middle of a savage desert. Hungarian André De Toth, whose chief claim to fame was his 3-D movie "House of Wax," made his share of westerns, so he knew his way around the sagebrush. British director John Guillermin wound up helming a little of everything, from "King Kong" to "The Towering Inferno" and from "Skyjacked" to "Tarzan Goes to India." "El Condor" doesn't rank as Guillermin's finest work, but he delivers the goods more competently than most and doesn't let the actors dawdle. Guillermin keeps the action charging ahead from one improbable predicament to another with aplomb. American scenarists Steven Carabatsos, a script consultant on the original "Star Trek" television series, and "Black Caesar" director Larry Cohen penned the amoral screenplay where virtually everybody turns on everybody else. The Jim Brown hero is the only honorable man amongst everybody. Obviously, Cohen and Carabatsos were channeling the landmark movie "Treasure of the Sierra Madre" where clashes between partners erupted from the greed in their blood.Guillermin effectively establishes the old Western setting in the first scene with a snake crawling through the rocks high above a prison where the inmates are shackled in pairs and taking a break from hard labor. An elderly convict (Elisha Cook Jr. of "The Maltese Falcon") regales his fellow convicts with the story of Emperor Maximilian's lost gold salted away in the El Condor desert where not even armies can get it. The impressionable Luke (Jim Brown of "The Dirty Dozen") believes everything that his convict pal claims so when the camp commandant offers him amnesty by to deploy his skills with explosives, he rejects the offer as fraud and escapes. Later, armed and mounted, Luke tracks down Jaroo (Lee Van Cleef of "Sabata") and tells him about the gold, the army, and the fortress. Jaroo has his hands full when we first meet him. He is getting blind drunk in a saloon with several untrustworthy hombres who want his gold. He lures them to his mind, an elaborate system of tunnels and shoots it out with them. During this gunfight, Luke describes the set-up, but Jaroo believes that they cannot do it. but Luke convinces him that it can be done because the latter controls an army of Indians. Jaroo has three adversaries left to kill when he agrees to become Luke's partner. He asks Luke to help him. Luke sights a convenient cradle of rocks above the last three killers and creates an avalanche with a single bullet that kills them. Jaroo howls with laughter. He comments briefly about his relationship with the Apaches. "I sell them guns that don't work; liquor'd make a white man go blind; I violate their women; and, they still love me." Like good westerns, the heroes don't have it easy. At one point, our heroes are tarred and feathered and run out of town. This is probably the funniest scene with both Brown and Van Cleef plastered head to toe in tar with feathers. Later, Jaroo assembles about 85 braves led by their chieftain Santana (Iron Eyes Cody of "The Big Trail") and they set out to get the gold. Like most search for treasure movies, "El Condor" starts out as fanciful with our heroes imagining their future wealth until they hit rock bottom and discover the horrible truth. All the stacks of gold in the basement of the gigantic fortress are lead ingots painted gold. Inevitably, Luke and Jaroo shoot it out in the last few minutes with predictable results and Luke rides off with the girl.Ultimately, despite its take-charge pace and Maurice Jarre's electrifying score, "El Condor" fails to generate any charisma. Indeed, this western cannot make up its mind whether it wants to be a buddy picture or a movie about the divisive effect of greed. Lee Van Cleef plays the kind of slimy villain that he developed throughout the 1950s and early 1960s, except here he adds comedy. Overall, Van Cleef steals every scene and he has a touching, off-beat scene with a small Mexican lad who he gives a gold nugget because they are both bastards. The problem with "El Condor" is that you cannot really like it because the protagonists aren't pals. Mind you, this could easily have been a funny, bloody, but enjoyable western if the filmmakers had allowed our protagonists to respect each other. Production designer Julio Molina built the sprawling fortress that the filmmakers would bequeath to other filmmakers for movies such as "Conan the Barbarian," "March or Die," and "A Reason to Live, A Reason to Die." The fortress looks like the eighth wonder of the world. Whatever else "El Condor" lacks, this unsavory western boasts spectacular production values.

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mgtbltp

Saw this 36 years ago on Times Square in NYC. Got a tolerably Good VHS of it on Amazon.com for about $5.It was directed by John Guillermin, and stars Lee Van Cleef, Jim Brown, Patrick O'Neal, Marianna Hill, Iron Eyes Cody, Elisha Cook Jr., and Dan Van Husen. It was made around the Blaxplotation Era, its not great but its not bad as far as an action flick goes. The score by Jaffe is nothing to get worked up about, Its supposed to take place at the end Maxamilian's Mexico reign (1867) , but all the Colts are vintage 1873 Peacemakers, so any historical reality is lost with this film at the git go. Check your brains at the door.Its highlight for me (and the reason for any Lee Van Cleef fan to get this film) is Van Cleef's turn as a character named Jaroo.Jaroo is as far from Van Cleef's Mortimer as you can probably go. Here he plays a somewhat shallow, alcoholic, happy go lucky Indian Trader, an Apachero so to speak, who has lived on and off with the Apaches. He's a dusty, scrawny looking saddle bum, his trademark hawk like face in this film is transformed more into a beady-eyed weasel. He wears a two bear claw necklace around his neck and a small poke that holds two gold nuggets. We first meet him as he guzzling down some whiskey in a bar.But this is more a vehicle for Brown, and we meet him first at a prison camp, he plays a character named Luke & he is shackled to Elisa Cook Jr. Cook tells him about El Condor fort sort of the Ft. Knox of Mexico. Luke is summoned to the commandants office and offered a pardon if he would join up with General Sherman. But he escapes and heads for the gold of El Condor. Brown is average in this too.Luke teams up with Jaroo since Jaroo can get Apache Chief Santana and an army of Apache Warriors to attack the fort for plunder rather than the gold and then Luke & Jaroo can split the Mexican Treasury.Patrick O'Neal is the Mexican General in command of El Condor and knockout Marianna Hill his mistress. O'Neal is OK in the role and Hill does a full frontal striptease at a crucial plot point, wow. She's got quite the rack , and all of us Clint fans will recognize her from her role of town tramp Calle Travers from High Plains Drifter.Now I know why we never see this film on TV, lots of bare flesh throughout.There is a great sequence in a Mexican town where Jaroo has a scene with a small Mexican boy that is pretty touching. Later there is another good sequence when Jaroo gets "gold fever".Shot in Almeria. Just treat this more as mindless entertainment, with a very good performance by Van Cleef. It could have been way better than it is but it was made to just cash in on the SW craze.Its better than I remembered.

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jerrycurlz

This motion picture is in my opinion, undoubtedbly Jim Brown's best cinematic performance . The action and cinematography reminded me of The Good, The Bad, and the Ugly (Lee Van Cleef probably had something to do w/ it) He also does an excellent job. The plot is well-scripted, and the motion picture is paced well. I don't know the name of the lead actress in the picture--but man, she must've been working out or something because she is/ was pretty fine. All in all, a definite thumb up picture.

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