it is the rare 'crazy' movie that actually has something to say.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Worth seeing just to witness how winsome it is.

Jamie Harris (Marguerite Moreau) is a young woman that works giving original names to different products. She has a promiscuous life, with affairs with "Mr. Wrongs", differently of her sister that has a steady relationship with her boyfriend. Jamie misses her mother, who committed suicide when she was a child, and her father blames himself for the death of his wife. When Jamie dates her former professor John (Naveen Andrews), for whom she had a crush, she believes she found her prince charming. Meanwhile she meets Mick (Brian F. O'Byrne), the host of a TV show, and they become friends. When John ends his relationship with Jamie, she decides to begin a celibate for three months, and she becomes closer to Mick. After some wrong decisions, Jamie finally commits with her true love."Easy" is a delightful and sexy romance, supported by a delicious and wonderful screenplay and great direction and performances, but mostly by this lovely actress Marguerite Moreau. The witty and sensual character of Jamie Harris is credible because of the magnificent performance of the expressive and gorgeous Marguerite Moreau, and I really felt in love for her. The director Jane Weinstock shows a tight and sensitive direction in her first feature, and I expect to see another work of this promising professional. My vote is eight.Title (Brazil): "Easy – Sem Compromisso" ("Easy – Without Commitment")

"Easy" is totally one of the best movies of 2003, if I am not mistaken, was the release date. The depiction of relationships, friendships, and actions of the human heart and condition are realistic, unflinching and uncompromising. Each scene that involves the "Jerk Magnet" Jamie, (Marguerite Moreau) and her two men, (Naveen Andrews, the hot Persian from "Lost" on ABC, and aka "Kip" in "The English Patient", Juliette Binoche's hot Indian stud); and Bryan F.O'Bryne as the lovable talk show host are all equally heartbreaking, warm, and humorous, ultimately human. The love scenes are very realistic, and uncomfortable to watch, truly making the viewer forced into seeing that sex and intimate acts in the bedroom are truly personal and uncompromising, unlike the mundane and choreographed love scenes we see in films like "Basic Instinct", "Color of Night" or "Body Heat". We see sex as it truly is, imperfect, but at the same time an emotional and physical need that everyone craves. Don't miss seeing a comedy-drama that is truly realistic.

Never have the shades of modern dating, flashing too quickly from delicious to devastating and back again, been captured so well in film. Brava, Ms.Weinstock, bravissima.Marguerite Moreau's Jamie is so distinct, so rich with idiosyncrasies to a degree that would make most filmmakers nervous, worried to alienate the audience.But the character is charming; it is soon clear that her weirdness is merely an accurate sketch of how distinct we all would be, if our most private momentswere recorded. So the effect, no matter how original, quite marvellously evokes the real, the normal.While nearly every character boasts this unusual realness (an exception isJamie's older sister, who is the only major character that may be construed as a generic type), the situations and feelings they evoke are quite intimately familiar. This is not a typical romantic comedy to be accompanied with strawberry winecoolers and dreamily horny sighs. No seduction is without awkwardness, andthe whole film might be subtitled "imbroglio." So it describes, as it were, real life.Hope we see it distributed soon.

Much better than previous review would suggest. Charming and quirky rather than insubstantial. Characters not terribly deep but there is enough good dialogue and plot-twists to keep you entertained. Not meant as a deep treatise on relationships but grows on you as it progresses with aspects of the relationships amusingly reminiscent of reality.