Absolutely the worst movie.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Amazing worth wacthing. So good. Biased but well made with many good points.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

25 year old Donatella Berzaghi (Gillian Bray) is a total babe and a nymphomaniac to boot, but also has the mind of a three year old. Of course, there are some people who see her disability as a bonus and are willing to pay to do bad things to her, which is why she is abducted and put to work in a brothel.When distraught widower Amanzio Berzaghi (Raf Vallone) realises that his precious daughter is missing, he goes to the police, who begin a city-wide search for the young woman. After the girl turns up dead, having been burnt alive, Amanzio begins his own investigation, determined to make those responsible pay for what they have done.Although labelled as a giallo by some, probably because of its typically giallo-esque title, Death Occurred Last Night is more of a poliziotteschi, with the focus on the detective work carried out by cops Duca Lamberti (Frank Wolff) and Mascaranti (Gabriele Tinti). There's a lot of dialogue and little in the way of action, meaning that the film does tend to drag a lot of the time. Director Duccio Tessari sees fit to include some gratuitous female nudity to spice things up a little, and the climax is satisfyingly brutal, but on the whole this is a fairly mundane feature, with not a leather-gloved maniac brandishing an open razor to be found.4.5 out of 10, rounded up to 5 for the hilariously bad likeness of a suspect drawn by an interviewee at the police station, which the police sketch artist uses to create a portrait that is almost as bad.

This is relatively forgotten giallo and not very widely distributed. I was amazed by the image quality and high quality of production and the beginning certainly promises a bit too much. The long sequence in the moving bus is very clever and shows the early seventies city traffic. They used to film starting sequences like these in the 70's and 80's in Italy. The music's also very good.It's all downhill from there as the film just declines to an ordinary mainstream film pancake. The film also doesn't have twists and surprises as everything is told and explained which makes quite tiring movie experience. The plot is very linear and easy and also the dialogue is very tiring to follow as it's not very well written and translated and there's plenty of it and on top of that it's all dubbed. By far it's not the worst dubbing that i've seen but certainly having lots of dubbed dialogue in a crime drama certainly hinders any film.Also the group of the bad guys were very unbelievable and the final confrontation with them is really disappointing and beyond generic. Throwing a pile of dirty laundry on a villain who then suffocates and another one's head being pushed on a washing machine door who also suffocates. Looks too easy and stupid for the high production value this film has.Acting's actually good if compared with other giallos but it can't save this dreadful film. How can such a wonderful starting sequence end up in a such a disappointing film. It's amazing.

Spoiler warning! This early 70s movie, as the previous comments have already pointed out, is a mix of drama and "giallo" (in Italy a crime story is nicknamed "giallo", that is to say "yellow", because a very successful series of detective stories published before WWII by Mondadori had yellow covers). "La morte risale a ieri sera" is marred by poor acting, silly dialogues and forced plot lines, but remains enjoyable as an overall view of the (north)Italian society of almost forty years ago. However, the title is incredibly meaningless: it doesn't allow the occasional viewer to tell this movie from thousands of other Italian crime stories of the 70s. The book which the movie is based upon was written by Giorgio Scerbanenco and entitled "I milanesi ammazzano al sabato"(=People who live in Milan kill on Saturday): it ironically refers to the fact that "milanesi" are people so hard-working that they kill only when they do not have to go to work! This attractive sociological touch is completely lost in the ultra-generic title "The death occurred last night".

Part giallo and part drama, this movie's been overlooked by both the "mainstream" critics and the Italian-horror fans alike, and that's a shame, because it's one of Italy's more serious genre efforts of the 70's. The distraught father's race to find his kidnapped daughter before the police do, is both tense and poignant. It's free of the exploitative elements most genre films have, and along with Tessari's other thriller (Bloodstained Butterfly), one of the most mature Italian thillers of the decade. The ending is painful without being gratuitous, and well above something Hollywood could handle: compare the father's obsession to find the girl in this to Cage's in 8MM and be amazed at how crassly the latter is constructed. See this one!