Good start, but then it gets ruined

Exactly the movie you think it is, but not the movie you want it to be.

Amazing worth wacthing. So good. Biased but well made with many good points.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Good film that starts off like some sort of 'reading of the will' film, then heads straight into Giallo territory by the wasting of the cast, then seems to wrap up business early before throwing every twist in the book at you while also giving you a loving kiss of rich cinematography, Italian babes and crappy dubbing.Some rich railroad worker guy gets killed when someone switches the tracks and causes him to be run over by a train. His horrible kids gather together for the reading of the will and are horrified to find that no one will get anything until the handicapped, peeping Tom adopted son comes of age in three years.Obviously that's not going to happen so when that son falls under a train, the cops are brought in and everyone's a suspect. Throw in loads of deaths (but just a little gore, this being 1968, but there's also a little bit of boob, this being the summer of love and all), and an avalanche of twists, some sixties fashions and some groovy music and everyone's happy.Apart from the railway theme running through the film, I also liked how various characters seemed to interact with the soundtrack (like the first murder victim turning the music 'off' via his earpiece) - I'd never heard of this one and it was a nice surprise. I also burst out laughing at some of the really crappy dancing done in the night club.

Deaf widower Oscar Marot (Arnaldo De Angelis) is run over by a train, leaving behind three pretty daughters; loner Simone (Femi Benussi), married Rosalie ("Jeanette Len"/Giovanna Lenzi) and naive Colette (Valeria Ciangottini), as well as an adopted invalid/semi-retarded son Janot (Ernesto Colli), who he seemed even more fond of than his own girls. Afterward, a will reader shows up and reveals that even though Oscar worked at a train station, he was something of a closet financial wiz who invested wisely enough to save back a million franks. However, a stipulation in his will is that the family has to wait three long years until Janot reaches his 21st birthday to collect their inheritance. Guess what happens next? You got it... people start mysteriously dying. First up is Janot, who gets splattered into about a dozen pieces after someone pushes him front of a moving train. Many others will follow. There are a lot of characters and they all pretty much have a motive to murder. Simone's married lover Jules Didier (Isarco Ravaioli) owns a popular dance club, but doesn't make enough to pay off his wife Natalie (Alessandra Moravia), who is demanding he give her 50,000 franks or else she won't give him a divorce. Rosalie's pushy, much-hated metal worker husband Leon (Ivo Garrani) is drowning in debt and urgently needs to pay off some debtors or else he'll lose everything. Throw in investigating police Commissioner Etienne (Virgilio Gazzolo) and Chief Inspector Gerard (Tom Drake) and you have a standard, though sturdy enough, foundation for an enjoyable giallo. Though much less stylish than the films brought to us from the likes of Argento, Bava or Martino, I have to give this one some extra credit for a decent screenplay, which will adequately throw most viewers off track with lots of twists and turns, especially toward the end. I also give it credit for sensibly bringing it all together by the finale. Overall it's probably one of the better-plotted films in this genre. Various interior and exterior locations are fairly well used here with several nice pan shots of a picturesque old city and some brief scenes taking place in a crumbling old building, around a lake with tall weeds and a field of dead corn stalks. Since this is one of the first of its kind, don't expect a whole lot of gore or nudity. Most of the murders are committed off-screen (including one committed with a golf club) so there's just a little bit of blood and Benussi has only brief partial nude scene taking a shower. The acting and direction are fairly good, as are the score by Stefano Torossi and cinematography by Ascenzio Rossi.

Deadly Inheritance is a Giallo based on the classic idea of people being killed for money. The film is one of the largely forgotten Giallo's, and while I personally wouldn't say that it's one in urgent need of rediscovery; it's a well plotted and effective Giallo that features a good story, some interesting characters, nice gore and a few twists and turns along the way. The film takes place in the countryside and while the urban Giallo's tend to be the more interesting ones; the location used here actually works quite well in that it puts the central family somewhat in isolation. The film begins with the death of an old man. It is later revealed that he was the owner of a small fortune, and that fortune has been left to the family; however, nobody gets any money until the dimwit son turns 21. Naturally, the rest of the family are not exactly pleased about this development and it's not long before certain members are scheming and the dimwit son turns up dead. The police begin to investigate, and the bodies soon start to pile up.The film is very short running at only eighty minutes and director Vittorio Sindoni makes good use of his time and ensures that there's always something going on, which is a definite benefit to the film as it doesn't really have time to get boring. My biggest criticism of the film is that it doesn't manage to be as distinctive as many of the best of the genre; although the Giallo was only really just warming up in 1968 so I'm prepared to cut it some slack on that front. The film does not feature any big stars of the genre, but ensemble cast performs well and everyone is just about believable despite the fact that they're clearly not the most talented group of actors ever to grave the silver screen. There are plenty of red herrings and the film always has enough to keep you guessing, and this kept up right until the end when we are served up a brilliant and totally unexpected conclusion to the mystery. The final twenty minutes or so are by far and away the best of the film. Overall, while I wouldn't say that this is a great Giallo; it is at least a good one and is recommended to Giallo fans.

When an eccentric millionaire is killed in a train accident--that's what you get for standing on the rail tracks, bub--his family contests his will, which leaves his estate intact for three years and then leaves it to the idiot (Ernesto Colli, who looks a bit like Royal Dano) adopted into the family. (When I say idiot, I mean it in the old-fashioned way.) Greedy daughter Simone (Femi Benussi) and the rest of the family are determined to get their hands on the money, and will stop at nothing--including murder--to get it. This Italian thriller is relatively intriguing, well-paced, and features a wonderful go-go score by Stefano Torossi. I'd love to know who the band is that mime Torossi's music, because the bass player was clearly enjoying himself!