At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Dance With a Stranger is directed by Mike Newell and written by Shelagh Delaney. It stars Miranda Richardson, Rupert Everett, Ian Holm, Stratford Johns and Joanne Whalley. Theme song is by Mari Wilson and cinematography by Peter Hannan.On Easter Sunday 1955, Ruth Ellis shot and killed her lover David Blakely. Wednesday 13th July 1955, Ruth Ellis became the last woman to be executed in Great Britain.Dance With a Stranger is a beautifully delicate film, producing what could have been a thorny issue movie, director Newell and his team stay clear of moralising or judgemental narrative smarts. They instead unspool an insightful film about a tragic crime of passion, a crossed classes love affair that ultimately spelt doom for both of the ill equipped parties.Sticking mostly to the real facts, with only some dramatic license inevitably taken, pic harnesses themes of lust, jealousy, dark passion and obsession, played out to a 50s London backdrop of underworld movers and club dwelling shakers. It's a sad story, even sordid at times, but it never once reaches for the sensationalist option.Though we are deprived of the court case and execution closure; and in fact the aftermath of the hanging which gnawed away at the conscience of a post-war Britain, it's a film that shows all that it needs to show. This wants us to look at the human beings involved, and then it asks us to draw our own conclusions about the principal players.Excellently performed by Richardson and Holm, and superbly mounted by Newell and his technical crew, this is cinema for grown ups and one of the best British movies of the decade. 9/10

A grim slice of 1950s Britain is expertly recreated in Mike Newell's film 'Dance with a Stranger'. Miranda Richardson gives an expertly judged performance as Ruth Ellis, an ageing nightclub hostess whose desire to keep a little glamour in her life, coupled with a powerful mutual sexual attraction, led her into a relationship with a man who, while not exactly evil, was utterly self-absorbed and prone to intermittent violence. The story ends in murder, and Ellis is now famous as the last woman to be executed in Great Britain. Obviously, the film is sympathetic to her, and while her victim scarcely deserves death, the tale is compelling; and it makes one wonder how many of those killed by the state may have done a terrible thing, but may also have had a tale of their own. Some will argue that in cases such as these, there is no alternative in judgement but to assign absolute individual responsibility; personally, I think it's a more civilised country that retains the capacity to forgive.

Miranda Richardson is her usual brilliant self in "Dance with a Stranger," a 1985 film telling the true story of Ruth Ellis and David Blakeley. Blakeley was a rich young race car driver who becomes involved in a obsessive, passionate, and often violent relationship with night club hostess Ellis. It leads to tragedy.The scandal took place in the '50s, and the atmosphere of the time is captured beautifully here, and the film is well directed by Mike Newell. The acting is beyond flawless, with perfect performances by Ian Holm as the passive man who supported Ruth, Desmond Cussen, Rupert Everett as the self-centered Blakeley, and Richardson, one of the truly great actresses of our time, as Ruth. I'm not certain why Richardson's name isn't uttered along with that of Helen Mirren's or Meryl Streep's. She's a true chameleon. No one can ever equal her supporting performance in "Damage" - I don't really care that someone else won the Oscar! Here she gives a fully fleshed-out portrait of the unapologetic, tough, sexy Ellis.The script has some disappointments - one of which is, we don't get to the real story until the last minutes of the film - it's not really told, in fact - so obviously, that wasn't considered the real story by screenwriter Shelagh Delaney. The problem is that Ellis' situation was very controversial, and if you know it, you sit through the movie waiting for that part to begin. If you don't, well, then I guess you won't miss it.The purpose of "Dance with a Stranger" is to show what led up to the tragedy, which includes the class-consciousness of British society. In doing so, it leaves out the possible involvement of the Ian Holm character, Cussen, in what actually happened. Still, thanks to the strong acting, the story is fascinating, and these real characters come to life.

Although best known for his blockbuster hits FOUR WEDDINGS AND A FUNERAL and LOVE ACTUALLY, Mike Newell does a splendid job of bringing this tragic tale to the screen. The cinematography is lush and the recreation of London in the 1950's, both sets and costumes, is brilliantly realized. Obsession can be a difficult subject to tackle and yet one is compelled by the script, the visuals, and most of all the consummate acting, to see this affair through to it's conclusion. Miranda Richardson is the woman trapped by her need to make a good living and her inability to disentangle herself from the clutches of a destructive affair. An incredibly young Ruppert Everett and the redoubtable Ian Holm make up the other two sides of this twisted triangle. While all three actors shine, Richardson's portrayal is one of an individual tortured by a relationship that can never be and at a loss to explain why it endures to herself or anyone else. Not for the faint of heart but well worth the effort. Based on a true story.