There are better movies of two hours length. I loved the actress'performance.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

An old-fashioned movie made with new-fashioned finesse.

There are basically 2 main problems in this film: the main character and the plot. That said, the visuals are pretty decent, giving a good atmosphere and credibility.Now, the main character. Letting aside the fact that this "head-hunter" fits perfectly the archetypal mysterious lonesome harsh persona (Rick Deckard anyone?), the actress doesn't do such a decent job, lacking charisma. That, summed to her amateurish movements in action scenes and her toy-looking gun, makes the experience less enjoyable. Perhaps she was just cheap and didn't mind to show a bit of breast and legs.For the plot, well, what can I say. Expect your typical cyberpunk stuff here, no surprises. That doesn't have to be a bad thing necessarily, although a bit of thinking wouldn't have hurt anybody.The bottom line: you may like it enough if you are into Cyberpunk, since the FX's are quite OK. For the rest, this could easily be a long episode of a futuristic TV series.

I'll try to keep the spoilers minor. "Cyber Wars" a.k.a. "Avatar" a.k.a. "Matrix Hunter" is sort of William Gibson meets Roman Polanski. It's a cyberpunk suspense film that reminded me over and over of "Chinatown." Not that it's derivative, it just has things in common, like atmosphere, a focus on the dark underbelly of a nice beautiful city, and a pessimistic view of human beings.It's set in a major city of the future, the location of which is never specified (although it's the site of a former rain forest). Everyone there is from somewhere else. This point is driven home by having almost everyone in the cast speak English like it isn't their first language, which can get grating. A future evolution of the Internet is a cornerstone of life, and cybernetics, electronics, holograms, antigravity, biotechnology, and other high technology abound.Our heroine, Dash MacKenzie, is a bounty hunter who tracks down people who assume new identities using cutting edge technology. Her latest quarry is Edward Chan, who walked away from a seemingly perfect life to become someone else. Who? It's her job to find out. And everybody and their dog is looking for him. That's the setup, and it turns out to be a case of bait-and-switch. The Edward Chan plot is resolved before the halfway mark, and it takes us into a nearly unrelated plot, opening up a web of intrigue that sends our hero to an important convolution of the World Wide Web.The future depicted here certainly looks futuristic. It's a striking, unique view of the future, and seems disturbingly believable in some ways but over-the-top in other ways. The effects are good, except for the dragonfly robots, which are low-end C.G.I. The virtual reality of the Cyberlink (read: Internet) is probably the part of the movie that will stick with me the most. I don't know if it's all that creative or original, but it's visually striking, and seems almost like a logical extrapolation. But the movie's futurism is a double-edged sword. Much time that could be used for storytelling is instead devoted to showing off every little thing the writer can imagine and the special effects department can show. Also, because future concepts, words, and eye candy were flying at me left, right, and center, it took me a while to get a grasp on what was actually happening. I guess the idea is that, since these people live in this world, nobody's going to take time to explain everything. That works in "THX 1138." Not so much here. There are a few moments that still have me scratching my head. I can't help but feel that, if a better director had handled this, this future world could be more understandable and even more enthralling.Speaking of which, the direction is only a couple rungs above pedestrian. An unfortunate side effect of the similarities to "Chinatown" is that they make me notice how much better directed that film is. I wish "Cyber Wars" could have been directed by someone like Roman Polanski, or at least Rob Bowman.But the biggest weakness is the lead actress. Genevieve O'Reilly, best known for her cameo in "Revenge of the Sith," plays Dash, and botches it rather badly. She's wooden, and never seems quite urban enough for someone of her background and profession (part of this isn't the actress' fault: the makeup department makes her look immaculate in every scene). I suspect she was cast solely because she looks good naked (and the viewer is made aware of this to a gratuitous extent). The rest of the cast fares much better, thankfully. Luoyong Wang does a good job of carrying the film (although he's not exactly Laurence Olivier). But the ones who really shine are the tycoons (and some of their cronies), particularly Joan Chen (of "Last Emperor" fame) and David Warner. The other great character is the pathetic washed-up bounty hunter Riley, played by Larry from "Newhart" (I could look up the actor's name, but is that really necessary?). There are a few other neat, colorful characters, who I won't list. Honestly, the main character is very far down the list of interesting people in this movie."Cyber Wars" is a cut above your usual post-"Matrix" cyberthriller. It could have been something truly fantastic if there weren't various flaws chipping away at it, but it's still easy to enjoy. And there's just enough left unexplored to justify a sequel. Maybe Dash can change her identity into a better actress.

Not bad, not bad at all. I gather this is Australian, at least in part, and it seems of a piece with the generally good quality of Australian films, at least those imported to the US compared with the US domestic product.As my title suggests, it combines general plot elements of Domino, The Matrix, and the general concept of Blade Runner; it doesn't try to outdo any of them, but instead is a somewhat stripped down, sleek SF action film, more in the spirit of Domino than the somewhat ponderous senses of The Matrix and Blade Runner, which had to set up the cyberpunk world that this movie can now take for granted.What's nice about it is a general lack of crap or cheesiness; actors are all good, including Joan Chen and William Sanderson, apparently a permanent fixture of the cyberpunk world since Blade Runner; dialogue is good; no cheesy effects, performances, dialogue, etc. I find this compares favorably with something like Freejack, which had the faint whiff of fromage floating about it, as well as Mad Max (the original) which was sort of obviously cartoonish.

It was once remarked by B-movie producer Roger Corman, that Singapore would make a great place for a science fiction movie (Corman had co-produced Saint Jack, the only Hollywood movie to date filmed entirely here). And it's true, as we do have a number of locales that look futuristic enough for on location shoots, and more so if given the special effects treatment to spruce things up. The opening shot of the city skyline is something familiar, yet on the other hand, something rather artificial about it - It's not Singapore, it's a fictional city state called Sintawan.Avatar probably and unwittingly set itself a high benchmark to meet right from the start, by having that text crawl (cliche) explaining the setting of the world upon which the story is based, talking about Simplants and the police - pitting itself against cult classic Blade Runner. Director Kuo Jian Hong (daughter of the late Kuo Pao Kun, this movie is dedicated in his memory) might have high hopes of Avatar emulating and meeting those standards, or to achieve an indie following, however the fundamentals of having a proper storyline was already flubbed.It tried too hard to be intelligent, rather than sticking to the "keep it simple stupid" rule, especially if one is thinking of cramping plenty of tech-no-babble into less than two hours. Unlike The Matrix which seamlessly gelled simplified philosophy into its narrative, and more so as an afterthought rather than assaulting your senses while the story is being told. Speaking of The Matrix, there were also some reference to the giant network storage of persons' identities, a Cyberlink (probably an advanced form of the Net), as well as a subplot involving the police up against a group of rebels, amongst others. Avatar suffered from trying to explain too much in too little time, and will make you switch off when listening to "important" mumbo jumbo you don't' care about, regarding some teleportation technology and identity doppelganging using biological science early in the movie, before shifting gears into presenting some huge conspiracy theory about playing God in the Game (oooh).Briefly, we follow the exploits of the best (Singapore, oops, Sintawan everything also must #1) bounty hunter in the business of Simplant capture - Dash MacKenzie (Genevieve O'Reilly), an ang moh, as locals don't have street cred to be leads in the movie. Actually, most of the local actors, prominent ones I must add, were relegated to playing supporting or cameo roles in this production, folks like Lim Kay Siu, Neo Swee Lin, Kumar, Gerald Chew, Richard Low and Kevin Murphy (from S11, didn't know he was that active in previous local productions, the other one being City Sharks, but bit role as well), The other main lead was an Asian actor Wang Luoyong (huh?) who played cop Victor Huang, in pursuit of Dash, and under circumstances beneficial to both, begin an uneasy partnership which blossomed into some hokey romance.I think by now any self respecting (I say this in jest) local movie would somehow have a scene set in coffee-shops / hawker centers to get that seal of authenticity that it's made in Singapore. Diners should have no qualms that in Avatar's future, our favorite makan style of choice is still around, with shady covert dealings taking place right underneath hungry bellies. Other locations easily identified included the Expo MRT station (no more EZ-Link cards, your palm is scanned instead), inside MRT trains, Bugis Junction, the area around Empress Place, Little Guilin at Bukit Gombak and even Hotel 81 (yes!) which seemed to retain its perceived sleazy purpose in the movie.The acting's all very stiff, probably from the cast's lack of belief in what they're actually doing, and the unbelievable lines they have to say. For a production of the time, it's probably still stuck in a mindset that it is better to engage B/C-graded caliber ang-moh actors than to choose jolly good ones from our local scene. Not that I'm against foreign talent, but in my opinion it's quite a pain to see them going through the motions here, spewing lines of dialog which are and sound so artificial, made worse by their accents.Avatar looked like a million dollars, alas it felt like a cheap telemovie. The effects were decent though, but for scenes with extended CG or CG created backgrounds, it ended up a bit raw and looked unpolished. The costumes looked lush, especially Joan Chen's figure hugging and cleavage enhancing outfits. Some shots were done creatively, obviously so to cover up the lack of a bigger budget to get more gizmos mentioned, implied or are actually used in the film, like vehicles - you never actually see them zoom around the city.So is Avatar worth watching? Yes, for that lesson on how not to make a science fiction film. One wonders if The Gene Generation will work out successfully, which also casted another Hollywood B-movie specialist Bai Ling in a lead role.