Who payed the critics

Boring

I have absolutely never seen anything like this movie before. You have to see this movie.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Most of "Curse Of The Pink Panther" is unfunny and boring: Ted Wass is no Peter Sellers (to state the obvious), and some of the gags are sloppily staged, strange for someone of Blake Edwards' experience. But there are some redeeming elements in this movie: Herbert Lom trying to contain his laughter while singing the praises of Clouseau is still funny even if repeated from previous installments, there is a good car chase, Leslie Ash kicks ass in a pleasantly surprising martial arts sequence, and Roger Moore's cameo at the end is worth waiting for. It's also nice to see the series regulars one more time, but the way the film uses Peter Sellers' voice after his death to make it look like Clouseau is still alive is morally questionable at best. *1/2 out of 4.

this may be sacrilege to some people,but i actually think out of the seven(original)Pink Panther movies i have seen(i will be watching the eight and final one shortly)i found this one the most entertaining.it wasn't uproariously funny,though it was amusing and i chuckled all the way through.i thought the story flowed better than in the previous films.the action scenes were better,in my opinion,as well.but the best part about this particular movie was the character of Detective Sergant Clifton Sleigh,New York City's version of Inspector Clouseau.Sleigh is as inept as Clouseau,and even more so,in my mind.the character itself is brilliant.this is the first of the original Pink Panther films not too have Peter Sellers in it,which is why i suggested it may be sacrilege to some to think it could be better than the other films.for me,Son of the Pink Panther is a 7/10

When Peter Sellers died, you'd have thought they'd have let the 'Pink Panther' series die with him. But money talks and in 1981 we got the dire 'Trail Of The Pink Panther'. 'Curse', its successor, was an improvement, thanks to a funny performance from the likable Ted Wass, best known as 'Danny Dallas' from the long-running T.V. show 'Soap'. His character, Clifton Sleigh, had more than a touch of Harold Lloyd about him but alas Sellers proved irreplaceable ( Dudley Moore and Rowan Atkinson knew this too. They both turned it down ), and we never saw Sleigh again. Some good visual gags include Dreyfus falling from his office window and Sleigh's problems with an inflatable doll. The film might have stood a chance had it not been continually looking over its shoulder at what went before. Especially confusing was Joanna Lumley's appearance as Countess Chandra - a totally different character to the one she'd played in 'Trail'. The decision to turn Clouseau bad rankled with audiences as well. David Niven's final film, sadly.

Blake Edwards did not get on with Peter Sellers, and they only came together again many years after Shot In The Dark when both needed the money and boost to their flagging careers. Since then in the documentaries Edwards had tried to puff up his importance to the films, obviously without being able to trash Sellers too much since after his passing it would not be good PR.If ever there was proof needed that the Panther franchise depended entirely on Sellers genius it is the films that Edwards produced in the Clouseau series without Sellers, basically they are the leaden dross to the varying purity of gold that the films with Sellers were.Trail was great for the first half hour because Sellers' outtakes were in it. The next half hour was a waste of time for us who had seen the other films since it was just clips we had all seen before. The last half hour was a waste of time period.This Curse film was a complete waste of time apart from a few minutes at the end when Roger Moore gives lessons to Ted Wass (an actor who has disappeared into the the obscurity he well deserves) in exactly what comic timing and flair really is, and provides more smiles in a few seconds than has been forthcoming in the rest of the entire movie.A travesty by Blake Edwards which proves just how little his contribution was to the franchise (without Sellers there to bail him out) and how low Hollywood can stoop in the quest to wring the last cents out of a franchise and spoil the pleasant and nostalgic memories of the great and funny earlier films.Not worth rating.