Thanks for the memories!

Although it has its amusing moments, in eneral the plot does not convince.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

In 1897 Roxanne (Danielle Petty) is desired by vampire Lord Ruthven and his enhanced sister Diana (Glori-Anne Gilbert) with tan lines. They are vanquished, but are brought back a century later by Count Dracula (Tony Clay). Roxanne's spirit is alive in a look-a-like ancestor and Ruthven and Diana are in hot pursuit.The film is cheesy by design with corny lines and soft core nudity with lesbian scenes and some FF nudity. There are anachronisms and a lot of bad acting when it is not being cheesy. Corny lines abound also.Guide: No swearing. FF sex. Nudity (Danielle Petty, Glori-Anne Gilbert, Eyana Barsky, Jana Thompson, Lolana, Belinda Gavin 6 stars for cheese and nudity)

"Countess Dracula's Orgy of Blood" is one of the better erotic vampire films out there.**SPOILERS**Awakening from a hundred-year old slumber, Count Dracula, (Tony Clay) finds himself in California, and sends servants Martine, (Eyana Barsky) and Renfield, (Del Howison) to bring back Vampire Lord Ruthven, (Arthur Roberts) and starts to adjust to life in the 20th Century. Upon learning of a curse placed on him that renders him unable to drink blood, Lord Ruthven reluctantly revives sister Diana, (Glori-Anne Gilbert) so that he can drink blood again. Seducing her way through the LA nightlife, eventually getting stronger and stronger with each kill. Discovering that past love Roxanne, (Kennedy Johnston) is alive, both begin mad pursuit to reclaim her love.The Good News: A rather decent entry in the erotic vampire sub-genre, this one at least does what's expected of that genre quite well. The women are all pretty well-endowed, making their frequent disrobing a pleasant sight to see. It's really hard to pick out who comes out best in this, as nearly every woman in the cast joins in at least one such scene, with several being in a couple each. The best part is that none really seems out of place at all, and instead of being inserted for the purpose of getting as much nudity as was humanly possible out of the plot, these never seemed heavy handed at all. It was nice to see that they didn't just throw them in randomly. That means that it's heavy on the eroticism, and is a rare rarity that a film is able to achieve that without being cheesy or corny. The fact that it actually has a plot to speak of does wonders for it as well, and it makes for a long stretch of time in the first half where we actually get exposition instead of a repeated series of random erotica rather than set-up a device that can pay-off in that area later. This also keeps the vampiric element in the front, rather than it just being a side-plot that does nothing for what the film will be about. This is actually surprising and makes it a little better than the average film in this genre.The Bad News: There really isn't a lot to dislike here, other than the fact that the horror elements, other than the fact that the leads are vampires, does this come anywhere close to being considered scary. It plays around with skulls and blood and even features a cameo role from horror great Paul Naschy, but there's nothing remotely scary about this is. There's a little bit of suspension of disbelief that's hard to get over and it sticks out as very obvious, but these are clearly minor issues aside. This wasn't all that bad of a film.The Final Verdict: Naturally, if looked at as an erotic film starring vampires, this does have some redeeming qualities to it that places it at the very front of the pack in this particular sub-genre. If this appeals to you in any way shape or form, then give it a go, but if you prefer the dark, brooding vampires, then exercise caution. Naturally, prudes need not apply at all.Rated UR/NC-17: Frequent full Nudity, frequent Sex scenes and erotic themes, Language and Mild Violence

*SPOILER ALERT* *SPOILER ALERT* I don't know about you but when I hear the title "Countess Dracula's Orgy of Blood" I have no choice but to run right out and buy the movie immediately. Oh sure, I know that I'm more than likely going to be let down but I don't care. I couldn't possibly be a B-movie fan if I didn't have the stamina to put up with bad movie-making now and again.So Countess Dracula has a thing for women. She is resurrected in present day L.A. and goes on the prowl. Her vampire brother needs her to go out and stalk for her. So she heads out and rounds up as many prostitutes as she can find. Much blood sucking and lesbian couplings follow. Soon the vampire siblings will focus on one girl who reminds them of a long lost love. More blood sucking and lesbian couplings follow.I was slightly disappointed with this one. Glori-Anne Gilbert, (Countess Dracula), is not the most convincing sex performer I've ever seen. All of her girl/girl scenes were kind of a letdown. She didn't look like she knew what she was doing. Her kissing scenes definitely needed work. Basically, she sticks her tongue out and then hopes that something connects to the other end. Hey, if you're going to kiss someone, use the whole mouth, not just the tip of the tongue. I'm picky about these things. Most of the other sex scenes were OK. The best was at the end with Eyana Barski and two other girls.On the plus side, there is a lot of nudity. Gilbert is a giant of a woman with appropriate giant-sized breasts. Most of the other women were pretty hot as well. "Countess Dracula's Orgy of Blood" had many pleasant B-movie elements. Vampires, strippers, prostitutes, blood sucking etc. If you're not overly picky, it's probably worth a look.

Writer director Donald Glut is currently the last man standing in imaginative and intelligent erotic horror. His unfortunately titled "Countess Dracula's Orgy of Blood" brings expertise and reverence to the vampire genre, plus a welcome heterosexuality that has been drained (pun intended) by the likes of Ann Rice, Clive Barker, David DeCoteau, and their imitators. Unlike the horror-ignorant productions from Seduction Cinema, Troma, Playboy Films, and lesser filmmakers that exploit the vampire form for dull, formulaic T&A; or the PC feminism of "Buffy" and "Angel"; Glut's eroticism rises FROM the sub-genre's conventions. He essentially brings out the sexuality which the Universal and even Hammer films could only hint at, making it delightfully profane. To that end he is wonderfully assisted by an amazing Glori Ann-Gilbert, whose unrestrained performance as a sexually insatiable, erotically beautiful vampire hits every fantasy mark. There is also a fleeting turn by iconic Spanish Horror star Paul Naschy as a tortured monk that provides a rewarding link to the past and reflects Glut's appreciation for it. Though the movie is hampered by low-budget realities and some unnecessary intentional campiness, it's the best erotic horror film in years, and a key step in Glut's ascent to major minor filmmaker.