It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This could have been a great documentary, but it was completely ruined, presumably by the director. Almost any treatment of this material would have been an improvement. Let's just hear these guys debate. Camera shots of helicopter rotors isn't what we're watching this for.I don't need to hear rap "music," I want to hear Hitchens and Wilson! The debate has been diced into tiny snippets with huge long gaps of practically nothing between. If they only had 20 minutes of good material, then they should have made it a 20 minute movie, not 20 minutes of good stuff and 70 minutes of crap.I've seen Hitchens debate other people and demolish most of the arguments used by Wilson in this movie, yet every time Wilson put forward a lame argument, the movie cut away to some completely unrelated BS. I presume that the bias toward Wilson in this film reflects the personal bias of the director or the producer, but it is perhaps only apparent to someone who has seen Hitchens in other settings.It's not that Wilson wasn't an articulate and persuasive purveyor of his view; it's just that he offered few arguments that haven't been effectively demolished by Hitchens in other debates. If you want to see a debate where Hitchens doesn't come out on top, watch him debate Al Sharpton. Hitchens just comes across as a blow-hard in that one, which of course he is, though not "just" a blow-hard.The best part of the show was the "audience questions" which was relegated to a couple minutes at the very end. I wish there had been more of that as well. Some good emotion showed by the audience.Don't waste your time with this one.

I thoroughly enjoyed listening to both debaters, if only all arguments in politics for example could be so civilized. Ironically it was the film itself that prevented my entertainment and made it hard for my intellectual curiosity to be aroused.Major concept problems with the film.Shaky camera work, crazy zoom ins and zoom outs, deliberate focus adjustments, but I think the worst crime is I never really heard the argument. The film chopped the debate up so everything the both of them said was out of context, meaning you didn't know what was said before or after to set up the discussion.Rock music was also injected at times, which was cliché at best.Overall, I could obviously tell the film makers were trying to make what would be a debate on one topic, exciting. So they sold their artistic 'souls' if you will, to the devil, by putting in all these random film techniques, none of which met the real style of the film. They would have been better off sitting those two guys down at a table and just let them have at it. I was more entertained by watching youtube videos of Chris Hitchens and the other guy (sorry I forgot his name).

I'm a huge fan of any sort of religious or philosophical debate subject matter. I absolutely love contemplating the intricacies of this stuff.The subject matter is straightforward, and I enjoyed seeing both Hitchens and Wilson present all manner of arguments for their positions on all manner of tangential issues regarding Christianity. They stick mostly on morality which got a bit tiresome frankly, (I thought Wilson's repetitive god-based reasoning were fairly easy to absolve however.) It was interesting to hear them go 'round and 'round about this issue or that. I thoroughly enjoyed the debates.What I absolutely loathed was the cinematography style. The camera never stood still. It was zoomed into Hitchens' face, darting around as if the cameraman was trembling uncontrollably. This isn't a punk music video! But you wouldn't know it from the obnoxious heavy metal soundtrack either. Totally inappropriate to the subject matter, distracting, and frankly they should re-edit the entire film to remove as much of the extreme-closeups, shakiness, and death metal as possible.

I've been a big fan of Hitchens for some time, and was very curious to watch as he took on the "big" challenge. I suppose it was just a matter of time.It's interesting: Hitchens has spent--some would say misspent--a lot of energy sparring with distinctly unworthy opponents. While it would be easy to say that Hitchens has lowered himself to do so, to be fair it's arguable that the field is rife with shabby "champions" of faith, and it was only natural that he wind up sharing the stage with same.Don't get me wrong. In the case of Wilson, I still feel Hitchens prevails. The key to the glory of "Collision" is not that Hitchens is evenly matched. It's that the film does a very good job of creating a third realm in which we see an interplay of different takes on humanism. Wilson, by constitutionally agreeing that, in the end, real answers must be found, aids no less than HItchens in tracing the outlines of this third realm; one in which (if we're perceptive) we may acquire tools of our own as we search for truth.So, for example, I drew a kind of provisional conclusion in which I can see that there is a very interesting answer to Wilson's repeated challenges to Hitchens--the challenge to assert a foundation for his humanistic moral probity. Since Wilson feels compelled to assert that his foundation consists of a Biblical character portrait of the divine which informs his morality, it naturally begs the question: Why is the portrait of Hitchens's character any less compelling than the portrait of the divine offered by the Bible? In the end, I'm not convinced that Hitchens loses even that battle.The image of the divine drawn via a creative approach to interpreting scripture can be characterized this way and that way.And what *is* the foundational image of the "divine" (as it were) of Hitchens' prophetic lightning bolts "from on high"? I'm pleased to report that Hitchens continues to found his morality on a truly refined wit and warm good humor, albeit coupled with the genuine (hot) interest in real-world human affairs that sometimes lashes out.Sound familiar? It should. And: Is there some genuine, well-intentioned reason that this is supposed be one-upped, out of the box, by the fundamentalist Chistian moral foundation repeatedly cited by Wilson? I don't think so.This is the special genius of Hitchens, and worthy of thoughtful consideration, and possibly emulation... though I would fain get all capital-'R' religious about it. And therein also lies the humility of Hitchens. I can see this, and it's pretty apparent Hitchens quietly and persistently knows this as well.And--not forgetting this is a film review--this hopefully highlights why "Collision" is a wondrous good venue for Hitchens *and* the fundamentalist set.If you ponder these things--and you want to see a good and proper launching point for apprehending Hitchens' place in the "new atheist" pantheon--see this movie.Add to this that the film is lovingly edited and finely produced, and you have a real winner for all parties.