Too much of everything

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's not often you see a Danish-Chinese movie production, and Kinamand is a gem. The acting is superb and the screen writing insightful. The ending was very heartbreaking, and I wish there was a different ending!Hopefully more Danish-Chinese co-productions can occur, perhaps a TV detective drama or something like that.

In watching this it occurred to me how undeliberative I have become in accepting quality movie workmanship. This small movie illustrates the point--it is so well done that I came to appreciate its technical qualitiesonly when I tried to come up with any negative comments.The movie details an event in the life of a Keld, a Danish plumber. That event is set in motion when Keld's wife leaves him. Keld is more of a reactive person than an active one and that is probably a reason his wife left him, although we don't get too many details on that. Bjarne Henriksen plays Keld with grace and gentleness in a captivating and nuanced performance--he can say a lot with facial expressions. I imagine that it is harder to play everyday people like Keld than bigger-than-life characters having big, dramatic scenes. Keld reacts to his new bachelorhood by frequenting a Chinese restaurant on a daily basis where he gets to know Feng, the owner (Lin Kun Wu). There is subtle humor--after running through all of the 21 selections on the menu in numeric order, Feng asks Keld what should be done next and, after some hesitation, Keld decides to start over. Feng, sensing that Keld is a kindly soul, asks him for a big favor--to marry is younger sister Ling (Vivian Wu) so that she can get Danish citizenship. The marriage is to be "pro forma," but in a sequence of beautifully filmed scenes, what does start out as "pro forma" turns into a delicate love. Maybe this story line is a bit predictable, but the relationship between Ling and Keld is developed so believably that it's hard not to be taken up with it. However, the ending is not predictable.When Keld's wife wants to come back, she is led to understand the meaning of the idiom, "Be careful what you wish for, lest it come true." She got her wished-for divorce, but that led to her being cut off from Keld later when she wanted him.The relationships between Feng and his son, and Keld and his son, offer commentary on the changing cultural dynamics of such relationships as experienced in a Chinese family contrasted with a Danish family. It is interesting to see the difference between Feng's extended family and Keld's rather lonely life.The score, while engaging, often seemed more lighthearted than what the story-line would call for.There are no villains in this vary human tale.

A rare gem as a Sino-Danish venture, this film is about the ordinary human existence of living without drama and love unexpressed. Our protagonist is a dumpy, boring plumber who plays chess. Unsurprisingly, his wife of many years is unexcited and wants to leave him. Keld, our plumber, has little to do with little money to spend so he routinely visits a restaurant each night which leads to our story. Keld, played by Bjarne Henriksen is convincingly boring and homely. His excitement for the day is choosing between #4 and #5 on the Chinese menu. A pro forma marriage to help payments for his divorce turns to be the most colorfully warm moment in his life. He learns to love Ling as he awkwardly fits into the Chinese family. Ling, played by Vivian Wu is mysterious, beautiful, and traditional. One has to wonder whether she loves Bjarne, but it is apparent that she does have a quiet caring affection for him. But neither can verbally communicate love to each other. Another restaurant patron (Kunde) voices first concern for the interracial relationship and then offers wisdom that not expressing love is like purgatory, not between heaven and hell. If you don't do anything, he says, you can't go either way and it is worst.The acting is terrific, truthful and humble. There are touching moments as when Keld is practicing to profess his feelings in mandarin. Or when his son rats on him to get him in trouble -- the investigators say there was no evidence of a marriage (or love?). So painful for Keld and the audience since we know what is apparent to some isn't true. And there are funny, candid moments such as Keld sitting awkwardly between the elderly couple in the silk robe in front of the Chinese television programming. Or when he pretends to speak of love in mandarin in front of the immigration official.A quiet gem of the ordinary human experience. Even a boring existence is priceless.

Somebody wrote in a film chat that Vivian Wu is the most beautiful woman in a Danish film ever. She surely is the most beautiful woman in this film, and once she figured on a list of some hundred most beautiful people in the world, though according to my Chinese friends she is not a beauty by Chinese standards. Her presence in this film however is unquestionably delightful. I ascribe this to the camera work, the way she is dressed up and, of course, her beauty. The way she dresses together with her cooking and decoration skills brings about a marvelous atmosphere enhanced further by the Deng Lijun songs from the early 80s like Yueliang daibiao wode xin and believe it or not Bjørn Tidemanns Lille Sommerfugl. It is not normal (realistic) to wear a qipao (traditional Chinese dress) every day or otherwise dress up for a party every day and the atmosphere is not realistic either. I guess Ling and the atmosphere around her should be seen as a symbol of the mystic and beautiful traditional Chinese culture on a trivial, gray, realistic, modern Copenhagen working class backdrop. Chinaman is clearly inspired by In the Mood for Love by Wong Karwai; a great choice for inspiration! This is seen in the mood created by slow pace takes of Ling's qipao swaying forth and back to her sensual body moves. In In the Mood for Love, which is also a film where love is implied rather than becoming fleshly, Maggie Cheung changes qipao about 50 times. In Chinaman the focus is on Ling's earrings on which, along with her hips and eyes, the camera lingers. Thereby we as well as Keld (Bjarne Henriksen) are seduced by female and Chinese mystery. I guess it is also for the good of mystery that the Chinese dialogs are not subtitled. It keeps the common Danish viewer just as uninformed as the Danish main character about what is going on.Chapter headings consisting of Chinese sentences for beginners relate by hint what we are going to see. Overall they seem stupid to me; an original idea that should have been killed, but then there is the mistake! There is a chapter heading that goes something like Will you marry me?, which is also written correctly in Chinese signs but the tape voice says "yi bi hao jiaoyi" - "a good deal". So this "mistake" made on purpose actually points out what the marriage between Keld and Ling is - business, which by the way is also what Keld calls all things he wants to avoid explaining to Ling.At one point in the film Keld's otherwise gentle temper blows and he delivers an outburst of angry complains that Ling can't speak Danish and other right-wing cliché attitudes. Anyway, Ling's reply in Chinese is much more to the point. She has been sweet and serving so when not appreciated she complains that he never does any house work and that her clothes are smelly from his smoking and that had it been her own house he would have had to smoke outside. Unfortunately he doesn't understand her words, but his next move is to learn to say sorry (duibuqi) which turns out to be important.Chinese culture is presented here as refined, superior, traditional and beautiful compared to the Danish plumper, his wife and their son. The film offers great respect to Chinese culture. Thanks!This is the first Chinese Danish film and it is a very good first! I have watched many Chinese Westerner films and I am sure Chinaman is one of the best. 8/10