Such a frustrating disappointment

Charming and brutal

This is a must-see and one of the best documentaries - and films - of this year.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Enjoyable Pre-Code drama centering around activity in New York's famous Central Park. Of course, it's filmed mostly on sets with rear projection effects used to place it in the park but it's not cheesy or anything distracting. The primary focus of the plot is on a couple of young jobless people (Joan Blondell, Wallace Ford) getting mixed up with gangster Harold Huber and his associates. There's also some interesting side stuff going on with Guy Kibbee as an aging policeman with bad eyesight and John Wray as an escaped lunatic who unleashes a lion in the park. Kibbee's got a week to go until he can retire. We know what that means in modern films but does it mean the same in a movie made in 1932? Watch and see. It's a good B movie that gives you a look back at Depression-era New York. That little slice of history, coupled with a short runtime, some exciting action scenes, and a quality Warner Bros. cast makes this one classic film fans will want to seek out.

Crazy and fun 1930s picture, the way that all 1930s pics seem to be, with sometimes little control or care for the plot. Joan Blundell and Wallace Ford star as the most two attractive bums you could ever meet. Blondell gets a job being a pretty girl for a ball, but little does she know that she's ACTUALLY going to be a switcheroo in a planned robbery of the benefit money! Oh, there's also a lion that escapes and wanders around terrorizing everybody, a nearly blind policeman who fails to catch the insane past-zookeeper who lets the lion free, and Wallace Ford.. is just there responding to everything. It's all pretty crazy.. and pretty darn entertaining!

In New York's Central Park, jobless Joan Blondell (as Dot) flirts with unemployed Wallace Ford (as Rick) as they ogle unaffordable hot dogs. When a wayward baseball strikes the vendor's window, Ms. Blondell swipes two juicy hot dogs, which she shares with Mr. Ford. The two are mutually attracted, and arrange a more proper date. Ford is acquainted with the park cop Guy Kibbee (as Charlie). Mr. Kibbee has one week of work until he is eligible for pensioned retirement. However, Kibbee is no longer a competent policeman - his vision is failing...Blondell is duped, by gangsters, into working undercover in a "Most Beautiful Girl" contest. Ford smells trouble, and gets into danger of his own. Meanwhile, lunatic John Wray (as Smiley) escapes from his insane asylum. A former keeper at the "Central Park Zoo", Mr. Wray causes trouble for everyone by causing the zoo's killer lion ("Nebo") to escape from his cage, and threaten the environs. Henry B. Walthall (as Eby) is a Kibbee confidante. Harold Huber (as Nick) is the gang leader. Director John G. Adolfi and his cast make this creaky early talkie roar with all their might.****** Central Park (12/10/32) John G. Adolfi ~ Joan Blondell, Wallace Ford, Guy Kibbee, Henry B. Walthall

Set entirely in Central Park (albiet a studio bound, rear projection version of it), this is one of Warner's most fascinating 60-minute lightning rounds, with Joan Blondell as the out of work Roxy usherette who gets caught up with gangsters (in her first scene she steals a hot dog from a vendor, out of starvation). On hand are Wallace Ford as the "Forgotten Man" who falls for her, Guy Kibbee as a Central Park cop, and John Wray as a sociopath on the loose.If that isn't enough plot for an hour, there's a lion that escapes from the Central Park Zoo, and I don't know if it's special effects or just brilliant editing, but I'd swear that the extras and stunt men where REALLY put in harm's way with this animal, especially in the horrifying scene in the cage.I have to address another reviewer's question about the "appeal of Joan Blondell." I totally disagree. Blondell's pre-code output is worthy of its own book. She was a master of rapid fire dialogue and wisecracks, with excellent comic timing. She instilled energy into films that are now unimaginable without her (GOLD DIGGERS OF 1933, NIGHT NURSE, BIG CITY BLUES, DAMES, etc), and if nothing else was the best co-star James Cagney ever had (BLONDE CRAZY, FOOTLIGHT PARADE, HE WAS HER MAN). I'd vote that her performances survive intact, and haven't dated a bit in 75 years (which I cant say for Garbo, Shearer, Crawford and some other shining lights of the era).