Wow, this is a REALLY bad movie!

A story that's too fascinating to pass by...

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

By the time the dramatic fireworks start popping off, each one feels earned.

'To Catch a Thief' might be mediocre by Hitchcock standard, and it is another departure from his usual suspense storytelling. Nonetheless it is enjoyable movie with plenty of mystery, suspense (only Hitchcock manages to end lighthearted comedy with such thrilling final scene) and of course humor.It is one of those movies where story, although strong, isn't the main attraction - but the characters. Or, in this case, the actors. The chemistry between Cary Grant and gorgeous Grace Kelly (oh, they don't make movie stars like that anymore) is just fantastic experience to watch. Cleverly written and magnificently delivered snappy dialogue causes many chuckles and even couple of loud laughs. Although it might be little outdated, but it still holds up very well and offers a viewer nice memorable movie experience. Perfect entertainment.

Alfred Hitchcock has been long recognized as one of the greatest film directors of all time, and is famous for his slow-building approach to mystery thrillers. Nevertheless, he overdoes it in this film "To catch a thief". The pace is too slow, and many scenes are irrelevant to the resolve of the mystery and thus useless in pushing forward the plot.

Admittedly I haven't seen many Alfred Hitchcock movies. I'm familiar with his work and I've seen staples like Birds and Psycho, so I mostly associate Hitchcock with thrillers. While To Catch a Thief is still a thriller, it's odd to me to see Hitchcock involved in a romantic film. That's not to say To Catch a Thief is your typical romance flick, as it focuses on John Robie, a retired cat burglar formerly known as the "Cat" (very on the nose) trying to clear his name after a new "Cat" arises. While most of the film is dedicated to this, there are segments involving Robie's love interest, Frances, who he ultimately gets into a relationship with by the time he proves his innocence. Now I personally am not much of a romantic film guy. I don't mind romance per se, but I can't stand "quirky" romcoms or films completely dedicated to telling the story of how two people fell in love. It's just not my thing. The way Robie and Frances are handled here is tolerable for me. I think it was done well, and I didn't have to suspend any disbelief at the end when they got together. It made sense and didn't get in the way of the main story, which I found to be more urgent anyways. Now even though I haven't seen much Hitchcock, I'm aware of his affinity for plot twists, and to no one's surprise, this movie has its fair share. There are three big one's I can think of, the first being the red herring with Foussard, who dies after having an altercation with Robie on a rooftop. The second is during the masquerade ball where Frances removes the mask that Robie had been wearing before, and it reveals Hughson, who took Robie's place so he could escape the police. The last is soon after, where the new "Cat" is revealed to be Danielle, Foussard's daughter. If I'm being completely honest, I called the last one right after being introduced to the character. I'm sure at the time for other people it was huge, but so many people have been inspired by Hitchcock's work, watching any thriller in a similar vein nowadays will get you used to those kinds of reveals since they copy him so much. Despite this, the film was very good. I enjoyed the cast and story, and I thought the twists, although somewhat predictable, were fun and kept the movie at a steady pace. It's by no means the best thriller I've ever seen, but I did enjoy it for what it was.

Pairing Cary Grant with Grace Kelly certainly put the pretty people of America on the screen big time. This is a classic film that has been copied many times. It involves a high powered jewel theft by a master criminal. But to attain this one must put a lot at risk. The strength of this is the script with a kind of sexual byplay between the two principles. Of course, we must remember that this is the fifties and it seems pretty tame. I always considered Ingrid Bergman and Grace Kelly to be the most beautiful actresses of their time (perhaps for all time). With the suave jewel thief Grant and the cool blonde Kelly, we have a formula for success. Of course, there is also Hitchcock. MOre lightweight than many of his other films but well worth seeing.