Touches You

Fantastic!

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

One of the worst ways to make a cult movie is to set out to make a cult movie.

I was very surprised to see this movie today on a channel that plays lots of familiar movies. I had never heard of this one before, but I figured with Denzel Washington how could I go wrong? Yes, Carbon Copy is over-the-top in its depiction of snooty racists, and some of the comedy borders on slapstick. But if you concentrate on the relationship between the Denzel Washington and George Segal characters, you're in for a real treat. They are truly wonderful together and Denzel, especially considering this is one of his earliest roles, has all the charisma, polish, and depth we have come to expect from him. Bonus points for some really funny lines and a serious point that is made with heart.

Walter Whitney, a White executive, got the news that he has a Black son. Being at heart a good person, he decided to adopt him. His wife and father-in-law said no, and fired him, took away his rolls, his credit cards, and even black-listed him so he can't get any job. The film is the story of his development from a person desperate to fit into White society, to a "free" person. He was so desperate to fit in that he changed his last name to conceal the fact that he was Jewish. Although he was in love with his Black son's mother, he dropped her like a bad habit so he could fit into the top society. As he endured travails and adventures with his son, his innate goodness slowly resurfaced. George Segal is a great underrated actor, the more so here as he managed to walk that tightrope between funny and insulting in this movie, where no stereotype is left exploited. In his first major movie role, there's a glimmer of stardom already peeping through Denzel Washington's performance. Susan St. James and Jack Warden did the best with what little they were given. Perhaps it's just a sign of the movie's time, or perhaps the filmmaker wanted to accentuate the issue of racism, the White characters are so easy and so generous in their racism. From Walter himself; immediately assuming that his Black son would be a great basketball player; to his wife, father-in-law, to his minister, even. Of course, we get a saccharin-y happy ending. A good movie to see on a lazy Sunday afternoon.

George Segal plays Walter Whitney, a man who has changed his name from Wisenthal to Whitney to fit in with his new life in California. He is married to Vivian (played by Susan Saint James) and works for his father-in-law Nelson (played by Jack Warden). Dick Martin is hysterical as his pot-smoking attorney and friend. Tom Poston has a small role as the minister. This film is about a lot of things. For starters, Walter learns that his ex-girlfriend Lorraine Porter had a son, Roger (played by Denzel Washington in one of his first roles). After all, Walter is shocked to learn that she and him have a son, Roger, a 17 year old African American. Anyway, this news doesn't go well for Walter's life. His father-in-law fires him. He loses his car, his wife, his adoptive daughter, and his place in San Marino society. He and Roger move into a motel and they get reaction regarding their relationship as father-son. Nobody believes him. Still the film has a lot of problems regarding script but a first rate cast also featuring Paul Whitfield as well. Still if you are truly a Denzel Washington fan, you will get through it. There is some negative humor though that it might be considered highly offensive but this film is nearly 30 years old. Walter and Roger take turns in each other's worlds and you wonder if they can ever fit in or find out who they really are. After all, Walter changed his name, his religion and ethnicity, and married Vivian instead of his true love, Lorraine in the 1960s.

I first saw one scene of this largely forgotten movie on TV in the early '80s. A white man told his white wife that the black teenage boy with them was his son. She became hysterical and told her husband that God would never forgive him. He responded by saying "How do you know? Maybe he's pleased? Maybe God is black!" As a white kid about 12 years old, somehow I found "Maybe God is black" to be one of the funniest things I'd ever heard! Over the years, I quoted that line many times, mostly in arguments with my mother and maternal grandmother about inter-racial marriage. I supported it and they opposed it, though their opposition was out of fear of the social stigma rather than hatred for other races.That scene was all that I ever saw of "Carbon Copy" until I was 19, when I saw it in a video store and rented it. I loved it but didn't see it again until getting the newly released DVD for Christmas last month. Now 34 and in an inter-racial marriage, I find the movie funnier than ever!Now for my synopsis of the movie! Walter Whitney (played by George Segal) is a wealthy businessman who lives a high society lifestyle with his snobbish wife Vivian (Susan St. James) and his equally snobbish step-daughter Mary Ann (Vicky Dawson). That changes one day when a 17-year old black boy named Roger Porter (Denzel Washington in his first movie) arrives at Walter's office and, after an extensive display of crude behavior, cheerfully says "Hi, Daddy!"It turns out that Roger was the product of Walter's relationship with a black woman, now dead, who he loved. But he left her when his longtime employer and now father-in-law Nelson Longhurst (Jack Warden) advised him that it would be harmful to his career to be with a black woman. It's also revealed that Walter changed his last name from Weisenthal to hide his Jewish ethnicity.Walter is shocked to learn that he has a son and nervous about the way it might disrupt his life. But he attempts to help Roger by telling Vivian that he wants to adopt a poor child for the Summer to show him a better way of life. Vivian reluctantly agrees, then changes her mind shortly after meeting Roger, which leads to the scene that I mentioned to start this review.Vivian proceeds to kick out Walter and her father fires him, takes his company Rolls Royce and his many job benefits. Walter learns that his total worth is the $68 in his wallet.So Walter and Roger, the day after meeting, seek shelter together. They first check into a cheap motel and later move into an apartment in Watts while Walter looks for a new job. But in the town of San Marino, his reputation turns out to be ruined and out of desperation to make some quick cash, he ends up shoveling horse manure.As the movie progresses, it's obvious that Walter regrets leaving Roger's mother. And now he must decide whether to keep Roger at a distance for the sake of social acceptance or try to make up for the mistakes of his past by attempting to build a close relationship with his son.Throughout the movie, the interaction between Walter and Roger is fabulous. Though they are father and son, their lives have been radically different. Their cultures often clash and this results in many hilarious situations. The movie does a great job striking the very difficult balance between having fun with racial stereotypes but still condemning racism.And during the last 15 minutes, when the movie makes the transition from comedy to drama, it does so surprisingly smoothly.In conclusion, "Carbon Copy" gets my vote as the best culture clash comedy ever. I also consider it to be one of the most underrated movies ever. It's a great movie to watch for lots of big laughs. 9/10.