Truly Dreadful Film

That was an excellent one.

Perfect cast and a good story

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

At every plot point, the story worked only if you assumed that the people involved were dumb. Sutherland and Fonda, two pretty decent actors, must have really needed the work at the time to put their names on this one.If for some reason choose to see the bow-wow anyway, I won't spoil it for you, but I'd strongly advise disconnecting your brain, as the plot inconsistencies might cause neural damage if you remain aware enough to start noting them.We signed this out of the library and didn't pay a cent for using it, and it was _still_ a waste of time.

Worse than mediocre thriller about an abused wife who goes on the lam after she is linked circumstantially to the death of her husband and sister. Determined to prove that her husband is alive she follows leads across the state, her peril increasing at each stop. Chasing after her are the traditional 'good-cop' and 'bad-cop' pair of partners. One is convinced of her innocence the other more interested in closing the case and getting home. This pair is often able to corner their suspect but never quite to capture her. All the main players meet up in a remote town in the desert and the truth begins to unfold with deadly consequences for some. Wow! This was a bad movie. The lead acted as if she was tranquilized, The cops couldn't find a suspect if he or she is in the police station (this happens twice) and everyone else is as one-dimensional as can be. Avoid this one at all costs.

"The Break Up" is not a thriller or a mystery or an action flick. It's a somewhat disjointed and flawed drama with Fonda at the center delivering a solid performance. There is just enough meat on the bones of this flick to give the viewer something to chew on as long as expectations aren't too high. An okay journeyman flick recommended for Fonda or Sutherland fans.

Low-rent version of Ashley Judd's Double Jeopardy. Sutherland is too professional to be bad, but what was Brigit Fonda thinking?!? The Penelope Ann Miller curse continues (Think about it--when has she EVER been in a good movie other than Other People's Money? And I'm not saying she's bad, but all of her movies fail in some way).