Sadly Over-hyped

Good movie but grossly overrated

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

When I first heard about this, I thought it was going to be a documentary, because I wouldn't have expected Jon Stewart to tackle a biographical feature. There's a lot of things wrong with this movie. For example, when I envision detainment in an Iranian prison, this is certainly not the way I'd imagine it. Too soft. My portrayal of the treatment of alleged spies in Islamic countries would probably be much worse. He was detained for almost 4 months, which in terms of sentencing, and *doing time* in general isn't considered a real sentence. The only scene which sort of seemed authentic is when the *torturer* threatened to shoot Gael, but it would've been better if he'd done the same thing for a week and not just once.All in all, it's a nice little story. After reading up on Maziar Barhadi, I'm not quite sure what to think. Who knows if someone's really a spy or not? He could've just as easily been a spy, still. This movie is very light, romanticized, liberal propaganda. I'm giving this movie a 4.8/10 just because it's low budget. Sort of.

I am pleasantly surprised when I find a well written film which relies on acting, enhanced by subtle art direction. So I was absorbed in this film from its beginning. The relationships between Maziar, his mother, his sister, his father, his Iranian peers and his persecutors are intertwined beautifully.Gael Garcia Bernal is probably one of a handful of international stars who could light up this story with consistently excellent acting. Kim Bodnia and Haluk Bilinger are also part of that group. The cast carries the storyline which is rather uncomplicated and well worn. The political, cultural and social issues for Maziar Bahari are not. Bernal's interpretation of the tortured and isolated journalist is painfully realistic. It is not the over-the-top Hollywood version of blood, nudity and brutality. This sets this film apart.I came away from the interchanges between Bahari and Rosewater with a better understanding of the repressed sexuality in theocratic Iran. Its patriarchy is twisted by its own harsh theology. The relationships between Bahari, his father and Rosewater could represent the core struggle between Iran's past and aspirations for its future. This is definitely a thinking person's film.

I am trying hard to rack my brain to see if I remember the events of the film, Rosewater, surrounding Maziar Bahari, and everything than went on and happened to him during that period. All this happened just a few years ago (2009 to be exact) and I do seem to remember the Iranian election and the uproar and protests that went on afterwards, but unfortunately Bahari's story still remains a blank in my memory. This is not because the story is not important, but rather because I used to watch a lot of political and topical news on various channels over the years and sometimes if you watch it everyday, you just see so much different information and stories and sometimes it is hard to remember all the details, or all the events that happened. For this reason, I am glad that I had the chance to go and see Rosewater, because obviously it is history, even though being recent, it is something that I do not remember, so I am glad I was introduced to this film and to Bahari's story, because it is an important one. The film is based on the book "Then They Came for Me: A Family's Story of Love, Captivity and Survival" by Bahari, and if you watch the end credits of this film, you can see that he had a lot of connections and consultation to this film. The film's screenplay and direction is from Jon Stewart, of television's The Daily Show, of which just recently, Stewart announced that he would be leaving from. If you watch the film and do a little bit of research on it afterwards, you can definitely see why Stewart wanted to make this into a full length movie and not just a segment on his television show. Some would even be of the opinion that Stewart's program could have been a further instigator and certainly did not help Bahari's situation when he was imprisoned. Perhaps that is why Stewart took time off from doing his television show. In my opinion, I think he thought this was a story that definitely needed to be told and to also honour and in some ways apologize to Bahari, for the events that led up to his arrest and detainment. Stewart's loyalty and respect for him certainly comes through during the film and you can tell that he certainly thinks a lot and very highly of Bahari. I have never watched The Daily Show before, mostly because I had no interest in it and I think usually the humour they employ on the program (it is a satirical news program for those who have not seen it) is usually more democratic, or left leaning and I was personally afraid of it being a bit too biased, so on those accounts I stayed away from it. I have seen Stewart in some films before as well as when he hosted the 2006 Academy Awards, which unfortunately for Stewart did not turn out too well (although I was massively ticked off also that Crash, won that year over a handful of other worthy films), so that maybe had to do with some of my dislike for the year's awards ceremony anyhow. Back to Rosewater though, Stewart shows that he is a very capable writer and director and he does a good job on both accounts here. The film casts Gael Garcia Bernal (an actor who I have liked and enjoyed since his performance in Y Tu Mama Tambien) as Bahari and he does a very good job here. As does Kim Bodnia, who plays an interrogator who gives the film it's title name. The film is fascinating as it recounts these true events, but still makes them fresh and interesting whether you remembered a lot of these events happening, or were unbeknownst to them like I was. It all unfolded like a fascinating drama and the film certainly kept your interest and you really wanted to see how everything turned out at the end and I think the same would be true for people who are familiar with the story as well because of the strong filmmaking in front of and behind the camera. In Stewart's screenplay, he very wisely avoids all types of melodrama, which I think was the right choice here. Had this film been melodramatic the emotions you grow to have with the characters, would have felt more forced than something you feel for them because you like and grow to care for them and that just would not have worked. Fortunately also, I did not detect a strong political bias to the film, so for those who hate biased, or one sided storytelling can breathe clear, because the main message here is about freedom and how certain atrocities still go on around the world and we need to be aware of them, but at the same time the film does not feel like it is lecturing us, or telling us what to think, or even clearly demonizing anyone, or anything, but rather just tells the story facts and all. I found the two strongest characters to be Bahari as well as Kim Bodnia's character of the interrogator. Even though you are not rooting in any way for Bodnia's character, I found him to be a fascinating man and there seems to be more going on than what is first obvious and you can almost detect that he has his own fascination, or even to a small degree, respect, for Bahari and their interactions play out beautifully because of the strong writing and also the top notch performances from these two men. Having now watched Rosewater, I do consider it to be a film of importance and deserves to be seen and have it's story told.

I really don't know how else to describe this film. The true story inspired a script of this sort that has success in finding some character rhythms but others that don't come off all that well. Really though, the problem here is in Jon Stewart's directing. At times it gets a bit too showy, too self- congratulatory. You can sort of tell that there's a sort of contradiction of tones happening. oh sure, one expects this sort of a film to be a downer, and in some ways the film has a certain dynamism in it that was probably not expected, but that doesn't make it all that good. It's not bad, but I have no passion for it whatsoever and I do think that Stewart needed to reel himself back in. Gael Garcia Bernal proves to be as strong of a protagonist as ever, though, and it's crazy that it looks like he hasn't aged a bit in ten years.