Very disappointing...

Very Cool!!!

The film may be flawed, but its message is not.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Well well, another OOP to search for. This splatter flick coming from the land of the vikings is really nice. It's surrealistic, that's a fact but there's also some black humor in it. For example, when a guy is a bit addicted to booze he puts the bottle up his....remembering that there's still some booze in it he pulls it back out of his..., do I need to say more. the main storyline is the fact that earth is giving birth to men through the womb of earth. But when a girl is sentenced back to the womb she has to go via the black hole, get it, of the earth. But the main course to watch it is the gore, no cheap effects, no blood just to see blood. The acting isn't that well at all times but if you can catch this splatterfest you will be satisfied.

BREAD AND CIRCUS isn't a great film. Hell, it's really not even a good film - but this is another case where the film as a whole is stronger than the sum of it's parts. The film is an amalgamation of many different elements - German influenced splatter, surreal social-commentary, shoot-'em-up actioner, all laced with a dose of Monty Pythonesque humor and done on a relatively miniscule budget. The plot surrounds a society where anyone who isn't completely "average" is cast-out to fend for themselves in the woods. One guy bucks the system and leaves his mark for future generations to follow. A young couple finds the original anarchists writings a few years later, and take up the struggle against non-conformity...Sounds like pretty "heady" stuff, right? Well, in concept it kinda is - in execution, the film takes the idea and turns it into a splat-stick style gore-filled comedy, which works for what it is. Despite obvious budget restraints, the many splattery FX and camera-work really look quite decent - far more competent than many other recent SOV Euro-splatter-fest's that I've seen in recent years. Recommended to low-budget splatter fans that want something out of the ordinary...7/10

"Bread and Circus" is quite an interesting little splatter film. It's gory like "Bad Taste" and sick like "Pink Flamingos". In the beginning we see a vagina in the ground, which is mother earth. The vagina gives birth to a man (slime and umbilical chord included) The man is forced to be given a normality test by a monk. In the future people who try to be individuals, get hunted down by the government. Some people live in the woods as cannibals. The film is pretty disgusting, but also creative and surreal. Take note, there's gratuitous frontal male nudity, extreme splatter violence, excrement, and even a guy who gets a beer bottle stuck up his ass. Some of the Scandinavian humor is hard to figure out at times, but the film was still a lot of fun. If you enjoy Troma, John Waters, Pete Jackson and even Peter Greenaway; you'll probably love this film.

Bread and circus was a fun surprise. It reminded me of when I saw Bad taste (1987) for the first time some 15-16 years ago. It doesn't really have all the qualities of Peter Jackson's masterpiece, but it sure has qualities enough to make it worthwhile looking up a copy.The story is about how to avoid becoming a grey salary-man that fits in perfectly in the system from birth. In the future, everybody who is opposing, ugly, violent or just "strange" will be executed. Our hero runs away from his death squad, gets caught but leaves a message on a rune stone which is read two years later by a couple that immediately continues his struggle for liberty. Sort of.In between we get to enjoy an Ilsa-like female officer who rapes a lazy security post (the director, Martin Løke, himself) before she cuts his throat (the very same guy who had a bottle of beer stuck up his anus). We also get to see a man get his head smashed in with a hammer, another one gets his head sliced in two with a machete and so on. The gore'n'guts are all quite well down, very Pythonesque, just like in Peter Jackson's early movies. (6/10)