The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

This is a gorgeous movie made by a gorgeous spirit.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

A psychopath, who uses a musical score playing when he sets off to methodically kill his victims, torments a "widow" by leaving the removed body parts(from those he kills, with a large, sharp butcher knife) in her home or near her parents' house. Her past, what supposedly occurred to her husband and brother, is a piece to the puzzle as is a certain motorcycle accident caused by the quietly deranged killer(..we see this "accident" take place in the memory flashback of the killer at the very beginning of the film). Detective Michael(Tomas Arana, of Michelle Soavi's "The Church")is the one burdened with trying to find the killer and François Montagut is the killer he's pursuing. Joanna Pacula is Tracy, the female protagonist whose life is possibly endangered by the psycho leaving her the parts.Incredibly convoluted murder mystery(the identity of the killer, for example, yields a few twists)with a rather tasteless premise, stylishly executed by Lamberto Bava. I thought it was professionally made and not overly gory despite the killer's methods of destruction & removal of organs and limbs. There's a particular disturbing sequence where a schoolteacher, for the blind, is killed by the psycho while teaching class(..blood even sprays on a kid's face!). The victims chosen by the killer have something in common..there's a motive behind the killer's madness, so to speak. The theme of identity crisis plays at the heart of the film as to why the killer is committing his grisly deeds.I thought it was kind of cool seeing Joanna Pacula in a giallo type of mystery and felt she was fitting as a book editor paranoid and frightened by what is revolving around her..her husband's body was even removed from his grave to fuel her fear and horror(..although, even that sick event plays within this macabre plot as it plays out). Gianni Garko(..of Lucio Fulci's "Seven Notes in Black), looking quite suave in his tailored suits, has a nice little minor role as Michael's demanding Police Chief wanting the brooding detective to solve the complex case as bodies start to mount. Can not forget Giovanni Lombardo Radice as a flamboyantly gay aristocrat with ties to the killer and Tracy's husband. Erika Blanc portrays the coroner whose expertise come in handy as Michael pursues the killer, trying to piece this delicate puzzle together.

Well, the Giallo had it's heyday in the early seventies, and ever since the stream of these great films got thinner and thinner until we reached the nineties and the genre sadly all but petered out. With that in mind, this isn't a particularly bad film; but it pales in comparison to its seventies counterparts, and it has to be said that by the conclusion, you kind of wonder what the point is. Giallo's are renowned for featuring over the top and frankly stupid plot lines; and this one is certainly no different, as Body Puzzle has one of the most ridiculous story lines of all! The film kicks off with two murders; the second of which sees us introduced to the cold and calculating murderer. The murders continue, and the copper on the case sees a connection to Tracy; a window who lost her husband Abe in a motorcycle accident. The cop wastes no time in falling for Tracy, meanwhile; the murder spree continues and all the signs seem to point to the dead husband and his donor card, as all the victims have the fact that they received something from Abe in common...The film was directed by Lamberto Bava who, despite never topping the achievements of his father, has proved himself to be a capable director on a number of occasions. This film is actually the worst Lamberto Bava Giallo that I've seen, as both Macabre and A Blade in the Dark were better. The film does have its plus points, however, as Bava doesn't let the film fall short where death scenes are concerned. The murder sequences aren't overly gory, but they are pretty nasty as we witness things such as a connectionist being stabbed to death, a woman having her hand cut off and a teacher having her eyes cut out in front of a class of blind kids! The plot has its problems, however – as the fact that we know who the murderer is makes the rest of the mystery fit together all too easily. The cast is decent enough, with cult stars Erika Blanc and Giovanni Lombardo Radice standing out amongst a cast of lesser known actors. The music is completely over the top like the rest of the film; although the central classical tune is used far too often for my liking and gives the film something of a farcical feel. Overall, this film is unlikely to top anyone's list of favourite Giallo's - but considering the over the top ridiculousness of the production...it could have been worse.

There once was an era, approximately from the late 60's up until the early 80's, during which nearly every Italian director delivered his own personal giallo-movie and they featured the craziest plots and the most far-fetched red herrings. What great times they were! After this, however, the magnificent sub genre almost got extinct and there were only TWO directors that regularly attempted to breathe new life into the formula of mad black-gloved killers and sleaze-laden twists. Dario Argento is the king even to this day and the other one is Lamberto Bava, who was responsible for some truly underrated giallo-efforts like "Delirium: Photos of Gioia" and "You'll Die at Midnight". "Body Puzzle" is yet another criminally neglected film that features all the giallo's extraordinary trademarks, although that sadly also includes the major holes in the plot. "Body Puzzle" serves the absolute most implausible story I've ever beheld, but there are plenty of sadistic & gore-soaked murders on display and the absurd screenplay hints at some controversial topics like hidden homosexuality and schizophrenia. Lamberto Bava doesn't really bother to keep the killer's identity secret, as we immediately witness how a handsome young man brutally stabs an anonymous candy store owner to death. Several more grisly murders are committed before police inspector Michael discovers that the victims have one thing in common. They all received donor organs from a pianist who died in a motorcycle accident and the mysterious killer tries to puzzle him back together. The inspect is much quicker when it comes to falling in love with the deceased pianist's wife, played by Joanna Pacula. "Body Puzzle" completely stops to make sense halfway, but you've got to love Bava's enthusiast direction and his desperate efforts to maintain the suspense. The music and camera-work are more than adequate while the cast features some familiar faces. Giovanni Lombardo Radice briefly appears as the exaggeratedly gay acquaintance of both the killer and the dead pianist. Italian horror fans will certainly recognize him as the poor sucker who always dies sensationally ("Cannibal Ferox", "City of the Living Dead", "Cannibal Apocalypse"…).

Very decent horror/thriller, not quite falling into the 'giallo' category as few of the classic ingredients are present, except perhaps plot holes and inefficient policemen, but let us not be churlish. This is a grisly tale with more than a few twists and killings. It is more what happens after the kills that is particularly grisly and then we have various bits being sent to the leading lady. Joanna Pacula plays throughout the movie a heroine in peril and pretty well too. Stylishinteriors at the start remind one of A Blade In The Dark and whilst this is not as consistent as that film it is nonetheless a decent ride.