The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Worth seeing just to witness how winsome it is.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Wow...I've never seen a movie that tries so hard to be funny yet misses every single time. At no point did I laugh, smile, grin, or chuckle. Even worse, it wasn't even the kind of crappy movie that you can laugh at how crappy it is. The funniest part of the last hour and 40 minutes of my life is when I read a reviewer say its a "female hangover with a few more laughs". In order to find this film in any way funny you have to be on whatever drug that aforementioned reviewer was on...my guess is laughing gas, and lots of it. I have literally found two separate funerals I have attended in my lifetime funnier than this movie...FUNERALS!!! (Long story on the funerals)

Worst. Movie. Ever. I had high hopes from the trailer but what I found was a pathetic mix up of Hangover, Bridesmaids, and Springbreakers. The acting was awful, the supposed 'handy cam' viewpoint annoying and unrealistic. I only kept watching it out of a dark fascination of how far could their train wreck go. Blood, defecation, sex toys, gratuitous violence, it goes far in all aspects and in extreme bad taste. Nothing humorous at all in this movie unless perhaps you're really into toilet humor. And throughout all the mishaps the girls remained make up and hair perfect with nary a streak of dirt on their clothing. It's completely ridiculous. Save a couple hours of your life that you won't get back and avoid this movie.

One must give longtime parody directors Jason Friedberg and Aaron Seltzer some credit for branching out into new territory with their latest film, Best Night Ever. Being that the duo has grossed millions upon millions of dollars with each abysmal parody film after another, the duo had really no reason to stray from their niche; they found something that worked and made them a great deal of money each time. Why become diverse when they've already stuck gold? But randomly and all of a sudden, a film by the name of Best Night Ever was thrown into production by them, a raunchy comedy centered on an all female cast of characters who are hitting Las Vegas for their one friend's bachelorette party, which turns into a messy state of affairs after they are robbed for their money, purses, shoes, and their jewelry, including ones expensive wedding ring.What ostensibly would play like an exciting and fun romp akin to Bridesmaids, or even The Hangover, however, turns overly-crass, shamelessly raunchy without even a hint of wit or subtlety, and exhausting by the thirty minute mark. As someone who was slightly (but cautiously) optimistic about how Friedberg and Seltzer's style of comedy would be conducted for a film wasn't a competition for references, I was disappointed (but unsurprised) that their humor outside of overcompensating references is largely predicated off of grotesque shock humor, where the female characters say and do the most revolting things in hopes they are funny enough for the audience. Lines like "My g-string is like a slip and slide" and witnessing a woman urinate and defecate on an innocent man's face is what we have to succumb to watching Best Night Ever.The four female leads have almost no personality, so why refer to them by their names? Let's call them what they are; The Bride-to-Be (Desiree Hall), The Uppity Sister of the Bride-to-Be (Samantha Colburn), The Obnoxious Best Friend of the Bride-to-Be (Eddie Ritchard), and The Lewd and Dirty-Mouthed Friend of the Bride-to-Be (Crista Flanagan) all set out to have a fun girls night out, filming their travels thanks to the help of a hand-held camera. After The Obnoxious Best Friend of the Bride to Be tries to make a cocaine deal after the girls get kicked out of a strip club, the quartet of girls are robbed for everything they have and must find a way to get money in the heartland of Vegas so they can return home.It's a tad frightening how much Friedberg and Seltzer seem to hate their female characters. The movie predicates itself off of showing them getting into trouble, being entirely irresponsible, childish, petty, and downright annoying, with consequences to their behavior at every turn that are ugly and downright cruel. Think Spring Breakers with none of the social commentary nor insights; this is true bad behavior on display with nothing significant to say at all.The film is almost entirely comprised of scenes involving total hell breaking loose, chaotic parties, and the girls racing from place to place in a stolen limo. The editing here, is disastrous, with the hand-held-camera being another useless gimmick, and cuts, shots, and entire sequences being assembled in an incoherent order. The entire cut-and-paste editing job here fails to give the scenes in the film any feelings of placement and basic structure and, in turn, we get a cacophony of madness in the sound and editing department.Speaking of sound, in addition, towards the second and third act, almost the entirety of character dialog is comprised of obnoxious screaming, yelling, and exhaustive, high-pitched noise. This style is absurd and annoying, especially when one realizes this is what the film substituted actual character development for.What we have here, in summation, is an attempt at something "new" for the directors that revolves around making female characters look disturbingly irresponsible and juvenile, characters who don't even deserve an assigned name, repetitive and downright unfunny shock humor, awful editing, and a script where about two-thirds of the lines of dialog are written out as *high-pitched screams from all the girls.* It almost becomes bad enough to the point where saying that the film is better than Friedberg and Seltzer other films isn't even an accurate statement.Starring: Desiree Hall, Samantha Colburn, Eddie Ritchard, and Crista Flanagan. Directed by: Jason Friedberg and Aaron Seltzer.

Finally, a movie that's worth watching and one of the funniest movies I've seen in a very long time. The perfect example of a perfect parody. Whatever you do, do not judge this title based on the directors previous work. this was very different and much better.While most of these directors movies are pure filth, this found-footage style parody steps away from the normal path these directors normally take and sheds new light on how creative they can actually get. An epic win for lovers of the comedic/spoof genre. It proved to work out in their favor finally. THIS MOVIE WAS TRIUMPHANT. Amazingly well directed and funny as hell with some incredibly visual moments that shock you silly! 10 out of 10. Job well done.