Bastards
Bastards
| 23 October 2013 (USA)
Bastards Trailers

Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy the waters.

Reviews
RyothChatty

ridiculous rating

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SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Ginger

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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gergelyh-15596

This film seems to me strangely overrated here. The story is promising indeed but not very well executed. All the people, especially the evil ones, act mechanically here -- even the sinful SM orgy is done apathetically, like some boring work routine. The weakest part is Raphaelle's character, very underwritten and Chiara Mastroianni cannot compensate for this either. She should be deeply content and at the same time desperate in the role of maitresse/mother, should be very beautiful and exciting (what she is not, she's not ugly but worn out) to explain even a cold affection from the part of the demanding M. Laporte and Marco's un-tactical fit of passion in the end. There should be chemistry between her and Marco from the beginning, but we do not see that and her involvement with him feels totally unfounded. Actually they seem to feel awkwardly when together, even their lovemaking is hard to watch, rough but not passionate and hardly the source of emotional satisfaction she must have missed with Laporte... Even her life with her son lacks any vitality, we could as well look at two customers in a furniture store. Theoretically we know what she is expected to feel -- or the suspenseful ending would not be believable - - but it is only a cold knowledge.Cinematography is surprisingly bad sometimes: the way the important car crash is filmed usually can be seen in very old and very low-budget movies only. The good parts: Vincent Lindon tries his best, he feels genuine in this hard role. Music is more than adequate. Plus the vintage Alfa Romeo, well, *that* is a masterpiece.

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suite92

Marco is the captain of a supertanker. He's at sea and life is good.Pull the chain on that. Marco's sister Sandra calls him back in desperation: her husband has committed suicide, her daughter Justine is in a tailspin, and the family business is not going well. Sandra accuses wealthy business man Edouard Laporte as the cause of these ill fortunes. So Marco, in his own particular way, goes after Edouard.Marco's fortunes diminish, and he discovers a number of discouraging truths about his family. This gets more evident when a young man offers to sell Justine back to him for 5000 francs.Will Marco pull himself and his family out of this downward spiral, or will external forces be too great for that? -----Scores-----Cinematography: 6/10 For much of the screen time, there was not enough light or too much light, odd choices of camera angles, strange depth of field choices...in other words, much of the noir package. The filming of the car ride with passengers and drivers high on drugs was quite emblematic of this. I did not find this helpful or illustrative, even though this is a dark tale.Sound: 7/10 OK, redeemed by the sound track with the closing credits.Acting: 6/10Screenplay: 6/10 A bit lurching for my taste. The film jumps from segment to segment to segment, with time references not all that clear, with one message. All the characters are flawed and disgusting. Got it: noir.

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westsideschl

A rambling script that jumps so often from one person to another; one scene to another; one plot structure to another that you're left wondering if this is a story or an exercise in the writers/director being enamored with their cleverness. The inconclusive and illogical, abrupt ending is further proof of the film makers' self-absorption. Excessive use of flash backs and constant, shifting brief moments with each character leaves the viewer caring less about the principal vehicle - the life of a young girl in a prostituting environment. I usually have high regards for French film studios efforts, especially with their crime/thriller movies, but in this case ... Final verdict - who cares!

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GUENOT PHILIPPE

I have always liked Vincent Lindon. He's a truly dedicated actor who gives his one hundred percent best in each of his performances. Although you may appreciate or not the message of the film in which he plays. In every movie, he says that he leaves a part of himself. I believe it. This feature is quite depressing. The tale of a sailor - Lindon - who returns home because the death - suicide - of his brother in law, and also best friend. A strange, weird film, downbeat story that gives many questions to the audiences. A suffocating atmosphere. It's not a crime flick but a pure drama. I repeat: depressing at the most, at a scale you can't imagine. The audiences in the theatre around me were shocked.The famous criminal lawyer Eric Dupond Moretti plays here a lawyer character, of course !!!

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