good back-story, and good acting

A story that's too fascinating to pass by...

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Exactly the movie you think it is, but not the movie you want it to be.

A feast for the eyes. It's candy box Technicolor the whole way with lots of skimpy costumes and color loaded sets. Of course, director Tashlin specialized in cartoonish fare like A and M. Team him with the cartoonish comedian of the day, Lewis, and you've got the perfect visual counterpart. Then add impish Shirley MacLaine, the perfect loopy foil to Lewis, and you've got perhaps the best Martin and Lewis feature. Forget the plot, which is incidental anyway. Then too, Lewis's antics are much at times. Instead, catch that centerpiece with MacLaine and Lewis on the stairway. It's brilliantly done, a combination of mugging and acrobatics, showcasing their athletic skills. I don't know how they rehearsed since the timing and coordination are so precise. Besides, one misstep on the staircase and somebody's sporting a plaster cast. Probably shouldn't forget Martin's tuneful rendition of Innamorata (means "female sweetheart" in Italian). As I recall, it was a popular radio hit, as well. All in all, the crazy comedy manages bouncy entertainment the whole way. It also provides a chance to catch the scene-stealing MacLaine on her way up the show biz ladder. (In passing— the grisly content of comic books was an object of national debate in 1954, which likely accounts for the movie's comic book theme. That debate ended with a self- imposed code of content governing the industry for years.)

This movie has three things going for it, cinematography, Lewis and MacLaine, Daniel L. Fapp was a great cinematographer who did "West Side Story" and "the Great Escape" among other films. The gorgeous and vibrant colors jump off the screen and embrace you here. Thankfully the Technicolor is preserved in all its glory. The second great thing about this movie is Jerry Lewis's slapstick. If you enjoy this genre of comedy, there are numerous scenes where Lewis shows off his superb skills. He and Danny Kaye were the two masters of it in fifties. My favorite scene where Lewis entwines a number of bodies during a back-rub sequence. The third plus is Shirley MacLaine. She only has five or six scenes but she is terrific and you see the origin of the Chaplinesque or more properly Normandesque (after Mabel Normand) character that she would play so magnificently in "The Apartment," "Irma La Douce," and "Sweet Charity." Shirley had only played in "The Trouble With Harry," a rare Hitchcock comedy misfire before this film. It is this film that really shows her best qualities and talents. The script is generally quite funny and witty, but takes an odd turn in the third act when it adds an out of blue spy plot. The film is also quite sexy. Its sexy talk and many sequences of beautifully dressed and nearly undressed women really pushed the boundaries of sexuality in movies in 1955. One does feel a bit sorry for Dean Martin, as he plays a straight man who really has only average scenes that do not show his talents very well. He does have a couple of good song numbers.The film's satire on the comic book scandals of the 1950's will also be appreciated by comic book fans. Lewis' character is in love with a comic book heroine called "The Bat Lady." reflecting the popularity of the Batman character even in this time period.Fans of cinematography, slapstick, Jerry Lewis and Shirley MacLaine should definitely catch this one. Others might have a hard time with it.

Seen on the big screen, Frank Tashlin's ARTIST AND MODELS is one of the most colorful live action move ever made. It's also probably the best movie made by Dean Martin & Jerry Lewis. Martin is a comic book artist with little talent who takes room-mate Lewis's flights of fancy as his own. As in all Martin & Lewis films, mayhem ensues. It's fast paced, very funny, and very enjoyable. How can anyone not like movie with characters named Eugene Fullstack and Bessie Sparrowbrush? Martin and Lewis are in fine form and the supporting cast is exceptional. Dorothy Malone, Eva Gabor, Anita Ekberg and, best of all, Shirley MacLaine. It also helps to have the likes of Eddie Mayehoff and Jack Elam (as Ivan) in the mix. Daniel L. Fapp provided the extremely vivid cinematography. The clever art direction is by Hal Pereira, who had a hand in virtually every Paramount release during the 1950s and 60s.

One of the best of the Martin&Lewis films is Artists And Models where Dean and Jerry play a pair of roommates. Dino is a struggling artist and Jerry just struggles. Jerry also dreams out loud and his wild imaginings in the arms of Morbeus give Dean an idea for comic strip characters which he draws. It makes them both quite successful. When they accidentally print the part of a secret rocket formula that is destined to launch a proposed space station into orbit, he arouses both the interest of our Secret Service and the Russians. They send a beautiful spy in the person of Eva Gabor and her scenes trying to vamp Jerry are a scream.Two things struck me about Artists And Models. One was that Dino seemed less abusive of Jerry in the relationship. It was something different coming out of the pair. Secondly Paramount hired songwriters Harry Warren and Jack Brooks to write a really outstanding score for Dean to sing, one of the best in a Martin&Lewis film. In fact I'm surprised that such songs like Innamorata, When You Pretend, You Look So Familiar, and The Lucky Song, that not one of them merited an Oscar nomination. All are very big favorites with Dean Martin's legion of fans. The team of Warren and Brooks was responsible for Dino's biggest hit from a motion picture, That's Amore.Jerry occasionally gets a girl as well in some of their films and in this one he got Shirley MacLaine who was doing just her second film, having made her debut in Alfred Hitchcock's The Trouble With Harry also done at Paramount. She also gets to vamp Jerry with a hysterical obbligato of Innamorata. She proves his equal in the mugging department, no mean feat.In fact the film is populated with beautiful women besides MacLaine and Gabor, Anita Ekberg is also a model and Dorothy Malone is an artist who rooms with MacLaine and has a relationship roughly parallel. Malone looks a whole lot like Jeanne Martin in my humble opinion and in the Nick Tosches biography of Dean Martin, she speaks warmly about working with him in a couple of films, saying he was one of the easiest going people to work with and in fact on another film, helped her over a rough patch because Malone had just lost a brother.Artists And Models shows Dean and Jerry at their best and musically it might just be the best of the scores Dean Martin ever got in any of his films.