Nice effects though.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Apprentice maintenance worker is mentored by a good-hearted neighborhood cop who wants to get one kid from the streets on the right path in life. Writer-director Don McGuire apparently fashioned this comedy vehicle for the team of Jerry Lewis and Dean Martin, but when Martin dropped out (and ended the partnership), Lewis took center stage--and appeared very comfortable in doing so. Unfortunately, McGuire's script (which shows evidence of tampering) allows Lewis too much room to do his act: self-pitying pathos, dumb/smart retorts, goofy faces and voices. The plot doesn't make much sense, anyway: officer Darren McGavin apparently thinks Lewis is a member of a street gang--but Lewis has a job and his own apartment, and there are no scenes to show McGavin realizing his subject isn't a delinquent at all (he just goes right on helping him...into the police academy!). Slick and well-produced in black-and-white, the picture mixes in 'funny' scenes for the kids (Lewis helping an eccentric tenant with his experiments, being picked in a self-defense demonstration by a Sumo wrestler) and also adds convenient ladies for both Lewis and McGavin. The narrative is lumpy (it's just a bunch of episodes strung together), but McGavin is surprisingly paternal with Lewis, which eventually leads to a curiously sober conclusion, one that won't please fans hoping for another wild Jerry Lewis outing. ** from ****

My wife hates Jerry Lewis. The French love him. Why the divergence?In the late 40's and 50's Martin and Lewis were the most popular comedy act of their era. Watching some of their early stand-up routines one can't help marvel at Lewis's precocity and Martin's understated comic acumen. People who really know about Dean know what an underrated genius he was, but in this movie, Lewis's wide range of talents - mimicry, improvisation, foolery, jest - erupt with no comic-duo distractions. It's his tour de force.Darrin McGavin turns in a great performance as Damon to Lewis's Pythias. The stunning Martha Hyer is great as the uppity goody two-shoes who falls for McGavin. Don't forget the uncredited cameo by Frank Gorshin. Robert Ivers, Horace McMahon, Richard Bakalyan, Milton Frome, et al, complete a great cast in one of the best comic movies ever.

Once again Jerry stinks up the big screen with his hyperactive sthick. Here he offers the ultimate in corny jokes along with a 'hoods become angels with the right kindly influence' story. If you really like Jerry then you'll most likely go for this one, otherwise it will bore you senseless.

I first saw this movie at the theater in 1957. I was 13 and was captivated at the transformation of Sidney(Jerry Lewis). I watched as he went from a goofy, skinny kid(like I was then)to a mature, respected policeman. I never forgot this film and developed an interest in law enforcement. I have been retired for 8 years after a career with the PA State Police. The movie was more than entertainment to me.