Very very predictable, including the post credit scene !!!

That was an excellent one.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Exactly the movie you think it is, but not the movie you want it to be.

In Brooklyn, Shirin is lost after breaking up with her girlfriend Maxine. She's got a Masters in journalism but no job. Her Persian family doesn't know about her bisexuality. Her brother is annoyingly successful. Her boy-crazy friend Crystal recommends her to Ken (Scott Adsit) for a job teaching movie-making to kids but it turns out to be more like daycare. There are constant flashbacks to her relationship with Maxine as she tries to move on with other people.At its heart, the movie is the traditional single-gal-in-the-city. Desiree Akhavan infuses it with a little bit of a Persian family and bisexuality which keeps it fresh. Her writing is pretty good especially for her theatrical debut. There are a couple of really good laughs. Buying a bra scene is really funny with Crystal's reactions. I also love her mother's reaction to her coming out. Desiree's acting is pretty good but not great. Overall, this is a nice little angsty indie and hopefully this is the start of an interesting new voice.

A break up movie with difference, told with on point narrative form and a blazing Independent spirt, this movie is about the journey to post-break up redemption.With current day exploits as Shirin deals with the madness of the relationship break up grieving process, the audience is drawn in to cleverly juxtaposed vignettes that adeptly portray and dissect the reality of the relationship itself from start to finish.At the same time, Shirin finds a new job that offers the opportunity for some personal growth as she reflects on the behaviour of 5-year-olds and has to play the grown up to them, learning there is always a time for play as well as a time for maturity. She eventually learns to face up to coming out to her family and the closure of the relationship.Some beautiful and moving moments, perfectly flawed characters, laugh out loud awkwardness, as well as a gentle edgy tone that together create a totally appropriate feature debut for Akhavan.

This movie is excellent. It's about love, coming of age, queerness, straightness, New York (mostly Brooklyn), living with immigrant parents, so many things. The story telling is unique, witty, and pretty funny. Very dry humor.My one criticism is the chronology. The film could have been either more linear or more clear about the timeline. Although I will say that the editing style was very unique and I enjoyed the lack of Hollywood style conformity. All in all I give this film a solid A. If you like indie films and NY and the story of people's sexuality and life exploration this is a gem.

Greetings again from the darkness. It's finally here! That is, if you have been anxiously awaiting a twist in the New York hipster Romantic Dramedy genre; and if the twist you want is a semi-autobiographical story of a Persian bi-sexual female whose focus in life is making her ex-partner jealous, while hiding the truth from her own conservative parents.Desiree Akhavan is the first time writer/director who also stars as Shirin, the lead character described above. Ms. Akhavan and the movie owe so much to Lena Dunham ("Girls") that the opening credits should have had a placard stating "Inspired by Lena". There is no shame in crediting those who influence one's work. We also see touches of Woody Allen and Nia Vardalos in Akhavan's writing, and Greta Gerwig in her acting style. What we haven't seen before, is an opening scene depicting the leading character breaking up with her partner and walking down the street toting her strap-on.Shirin is a twenty-something New Yorker who is insecure and judgmental, cynical yet hopeful, lacking in self-esteem, without any discernible professional talent or social skills, and void of any ambition … other than making her ex, Maxine (Rebecca Henderson) so jealous that she will come running back. Her "plan" is to sleep with many strangers of both sexes until one of these trysts makes Maxine see that she can't live without Shirin. She does all of this while dodging poverty working at a kindergarten teaching filmmaking to 5 year olds. We are told Shirin has a Masters in Journalism, just so we understand she has chosen this path in life.As a filmmaker, Ms. Akhavan shows real promise. Her feel and eye for crucial scenes between two people is very strong, though the dialogue could have used some help – many of the one-liners probably sounded funnier in her head than they come across on screen. Her use of flashbacks was especially creative as she juxtaposed good and bad moments of Shirin/Maxine with what's happening at any given moment. The sexual escapades and the unique community of New York hipsters will probably prevent this from any type of mainstream success, but it should provide opportunities for Akhavan as a filmmaker. Not surprisingly, as an actress, she will be appearing in the next season of "Girls".The Persian undercurrent seemed to provide the most potential for a real story of interest, though the focus on bi-sexuality more readily grabs headlines. Shirin's relationship with her parents and the Iranian community offered a chance for illumination and unique exchanges, but unfortunately most of these were glossed over for the next party or pick-up. "Persians communicate mostly through gossip" is a fascinating line that begged for more attention, and Shirin's attempt to come out while talking with her mom was well done and so deserved a follow up.Supporting work is provided by Halley Feiffer (daughter of Jules Feiffer) as Shirin's best friend Crystal. Ms. Feiffer steals every scene in which she appears, and had me wanting to learn more about her character. Scott Adsit ("30 Rock") plays the urban-stoner dad who gets Shirin her the teaching job that leads to the "Tale of the Lost Fart" – the turning point for Shirin as she finally reaches the moment when she realizes she has gotten over Maxine. The first film from an exciting new talent always brings a balance of anticipation and a reminder to keep our hopes in check. Here's hoping Desiree Akhavan has more to say.