To me, this movie is perfection.

Memorable, crazy movie

After playing with our expectations, this turns out to be a very different sort of film.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Rory Calhoun appears competent as well as convincing in "Six Gun Law" director Ray Nazarro's western "Apache Territory" with Barbara Bates, John Dehner, and Leo Gordon. Incidentally, "Apache Territory" is an adaptation of best selling western writer Louis L'Amour's novel "Last Stand at Papogo Wells." Earlier, in 1957, Calhoun starred his first L'Amour adaptation entitled "Utah Blaine. Calhoun and his partner Victor M. Orsatti produced this rugged but formulaic oater. If the John Wayne classic "Stagecoach" focused on an odd array of characters cramped within the confines of a stagecoach crossing through Indian infested terrain, "Apache Territory" isn't much different. In this Columbia Pictures release, everything takes place in the desert. We never see the standard-issue replica of a western town with false-fronted buildings. Instead, Nazarro stages all the action in the desert, with a little help from a sound stage. Logan Cates (Rory Calhoun of "Red Showdown") is riding for Yuma when he spots Apaches about to ambush some settlers. He uses his rifle to alert the horsemen about the presence of the redskins. Afterward, Cates discovers a teenage girl, Junie Hatchett (Carolyn Craig) bound by the Indians and left abandoned in a thicket. He cuts her bonds and takes her with him. Along the way, he encounters a young man, Lonnie Foreman (Thomas Pittman), who was one of the three men he warned about the Apaches. Cates and these two take up residence at a water hole, only to find another man who is seeking refuge there. Belong a detachment of U.S. Cavalry thunders into the enclosure, and finally an older-looking gentleman, Grant Kimbrough (John Dehner of "The Left-Handed Gun), arrives with a woman on horseback with him. Logan Cates is surprised to see Jennifer Fair (Barbara Bates of "Cheaper By The Dozen") because they were once in a relationship. Eventually, Cates asserts control over everybody in the dead end canyon because he knows more about fighting Indians than anybody. Similarly, when Grant objects to all of Logan's plans, Jennifer has to rethink her options. The Apaches keep them pinned down until a sandstorm strikes and Cates and company can attack the Indians with home-made explosives. "Apache Territory" boasts some arid scenery and a couple of good performances.

Rory Calhoun is a loner named "Logan Cates" who rides upon an Apache war party in the middle of the desert. Hampering his ability to escape is the fact that there are three other groups of whites (arriving at different times) who are also in trouble and need his help. So all of them seek refuge in a waterhole and take up as good a defensive posture as possible. Now, not wanting to spoil the film for those who haven't seen it I will just say that this is not a bad western movie. Most of the actors did a decent job but Rory Calhoun basically carried this film with a very creditable performance. On the flip side though, the cavalry soldiers were some of the most indisciplined and inept bunch I've ever seen and seemed out-of-character. Be that as it may, in my opinion any western film that has a gila monster and the quote, "It's just a flesh wound" can't be that bad. Worth a watch for fans of this genre.

Well it doesn't get any more Cowboys and Indians than this now, does it? Rory Calhoun shifts gears only slightly from his Bill Longley persona in 'The Texan' TV series to head up a group of stranded travelers and Cavalry soldiers to take on the Apaches in this quick paced Western. The standard clichéd characters are all here, like a love interest (Barbara Bates) for the hero, an Apache hating Indian (Frank DeKova), and a know it all Army sergeant (Leo Gordon) who knows better than itinerant drifter Logan Cates (Calhoun) how to get out of the fix they're in. Who would you bet on? This is actually pretty entertaining in it's own way. Often the romance angle gets in the way of these stories, but this one's OK, in fact there are two of them. The one involving Lonnie Foreman (Tom Pittman) and Junie Hatchett (Carolyn Craig) is actually kind of sweet if you go in for that sort of stuff. As for Logan, he had some trouble figuring out what his drifting was all about by the end of the picture, so that ride off into the sunset was to be expected.The film had a couple of unexpected pluses if you've watched a lot of Westerns and think you've seen it all. How about soldier Graves getting shot by an Apache fire arrow? That was a first for me, as well as that creepy gila monster staring down Logan in the Apache camp. The picture produced a few minutes of interesting tension with that scene even if it went nowhere, but it was cool enough to mention.The payoff was a clever concoction as well, as Logan had those canteens rigged with gunpowder and pebbles to take out most of the renegades. I thought for sure we'd get a look at the villain Churupati since he was mentioned more than once, but that was not to be. When it was all over, I just had to ask one rhetorical question - what ever happened to the rest of those soldiers?

Sometimes tense B-western stars brawny silent-type Rory Calhoun as a drifter who holds up with an assortment of characters (most reluctant to heed his sage advice) at a waterhole after Apache raids kill a number of their companions. After first rescuing an orphaned young woman (Craig) and wounded young pioneer (Pittman), he's joined by old flame (Bates) and her cowardly fiancé (Dehner), a quartet of Confederate soldiers and a wily gold-prospecting Indian (DeKova) a tribal enemy of the Apaches. As food and water become scarce, tensions within the group cause hysteria and various characters lose their cool leading to fatally poor decisions as cabin fever spreads.Calhoun gets good support from Bates as his scorned former lover, while Myron Healey has a reasonable role as an initially resilient Confederate, who succumbs to panic at the thought of never seeing his family again. Leo Gordon is imposing as the principal agitator among the group, spurred on by greed and selfish motivations to survive at any expense.It's economical and typical of Columbia Pictures westerns at the time, with director Nazarro keeping the melodrama to a minimum and the tension palpable. Apache sympathisers might be offended, with the tribe depicted simply as marauding scalpers, while Craig's nubile wife-to-be would surely irk the feminists as she fusses over domestic duties trying to impress Pittman and clumsily convince him to take her as his wife and mother to his future progeny. But despite the chauvinism, I still found the movie a reasonably taut, formula western worthy of a 70 minute pause while channel surfing.