Very very predictable, including the post credit scene !!!

Very best movie i ever watch

Pretty Good

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

I came across this flick due being two reasons, first of all, it doesn't look like a 1994 flick it's more an eighties flick in the exploitation genre. The second reason is the fact that Maria Ford is in it. I never has seen a flick with her but liking exploitation, horror and B flicks and being Quentin Tarantino's "favorite B actress" I gave it a try.The story I could dig but it shows that this is a B grade flick with a lot of gratuitous nudity even from Ford. And it's so gratuitous that it even made me laugh. She plays a cop but just look how she walks around as a cop, it's more a hooker. But the scene I was referring to is the fight scene she has at a the home of the girl she body-guarding, she has a fight going on just in her G-string. Really?But the flick never has a boring moment, and a lot of fighting going on, in a ridiculous way edited and you can spot that the actors, ahum, all wait for impact of a fist or feet. No, this one you don't watch for the acting. With an eighties overlook it's out there for the lovers of exploitation and B-flicks. It's not that bad with only Maria Ford and Bob McFarland being the thespians who you can catch in other flicks. 99% of the actors here only appeared in this flick only. No special effects used, but a lot of action and T&A.Gore 0/5 Nudity 2/5 Effects 0/5 Story 2,5/5 Comedy 0/5

This is the first Mario Ford movie i watch, but i read enough on her to know she is not afraid of taking her clothes off, and this movie seem to be a perfect example of it. She goes topless... well over 3 times for sure, including a strip tease scene that is as unnecessary and gratuitous as it can get, and she ain't the only one. Pretty much every female except one get naked in this. So yeah we can say that this movie ain't shy on going for gratuitous nudity and trust me, the plot didn't call for it either.Then the fights, the reason why i bough this movie in the first place, is because I'm on a quest to get every martial art American movie released in the 90s, and if you like this style, you may see my name on quite a few reviews of those. Well lets just say the fight scene are not very convincing, but decent enough when it comes to the lead, who is not by any means a martial artist. The director opted for what he could, as Miss Ford is no Cynthia Rothrock both in fluidity and body muscle. She fights a more "realistic" approach which is not really martial arts except a few kicks, but there its still a bit hard to swallow due to her being not very muscular, looking very fragile and its also a very low budget movie, so there is plenty of times where you think "damn those guys would kick her head off".But where Maria Ford extremely shine is on the acting, she got that attitude in her character that was very convincing, and she even deliver a couple "attitude" one liners that i tough where awesome. She ain't looking cheesy or anything, surprisingly, even tough she don't have the tough chicks look at all, she act it so well you can actually believe she is.Overall the story is your typical stalker/bodyguard story with a personal touch of revenge, something very 90s martial art movies style, but effective.So i will give a nice 7 to this one because i feel they tried, they really tried to make a good movie, Maria Ford make a good performance and I'm looking to watch some of her other stuff for her acting ability. Im surprise she never made it bigger, cause she is definitely a good actress.

Singer/stripper Delilah (Jessica Mark) is stalked by a creepy ex- mercenary (Jimmy Broome), who likes to leave severed fingers in her dressing room. Justifiably spooked, she hires private eye Brit Alwood (Charlie Spradling) for protection but that ends rather quickly when the psycho shows up in Brit's office minutes after the hiring and kills her. So it is up to Jo Alwood (Maria Ford), Brit's stepsister, to take on the job and stop this killer. Not only that, but she has to deal with sleazy mafia type and former adversary Sonny Luso (Bob McFarland), Delilah's funder who is upset she is too racy and wants her to be more "like Peggy Lee" (what!?!). I can't believe how long this B-movie masterpiece has eluded me. I don't want to oversell it, but this is about as perfect an exploitation film as you can get with director Charles Philip Moore (DEMON WIND) cramming in everything he could. Essentially a riff on 1992's popular THE BODYGUARD (and essentially a remake of Moore's earlier BLACKBELT [1992], a BODYGUARD ripoff with Don "The Dragon" Wilson that went into production when news of Costner's vehicle hit and beat it to release by 6 months), the film ups the violence and nudity to insane levels. If a fight isn't happening on screen, most likely one of Delilah's nudity filled shows is. Moore reaches the pinnacle during a nighttime assassination attempt where Ford thwarts the goons with her kickboxing skills while clad only in a g-string. It is the type of thing you would expect from a HK production (ESCAPE FROM BROTHEL did it in 1992), but not readily seen in US stuff. The bloody shootouts (done in glorious slo-mo) also echo the HK style at the time. The production tried to get the Philippines to stand in for Hawaii but it doesn't really work.

Not a great film, but enough to waste a few hours pleasantly. usual storyline featuring a seriel killer and a high kicking karate kidette who is out to revenge the murder of her sister.Maria Ford as the lead is OK and her fight scenes are adequate but not great - she even high kicks 5 guys topless at one point...but my beef with this is why her and not Charlie Spradling, who plays her sister, who dies early on whilst remaining fully clothed throughout! After all Charlie has a much better bod than Maria!Anyway. Worth a rent but not a buy.