As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

One of the best movies of the year! Incredible from the beginning to the end.

The film may be flawed, but its message is not.

The first German film to bear the title ALRAUNE, this movie is a rather conventional ghost story about a woman whose life bears an amazing similarity to that of her ancestor, who was burned as a witch. The ALRAUNE of the title comes from a reference to the mandrake root, which the heroine employs to save her dying child. Aside from that, there is nothing at all to connect this film with the famous Hanns Heinz Ewers novel, upon which historians have mistakenly claimed this film was based. The film was released in the U.S. under the title SACRIFICE, and a print can be found at George Eastman House. The novel was filmed more-or-less straight in 1928 (the classic version, with Paul Wegener and Brigitte Helm), in 1930 (a talky, slow-moving remake, again with Helm), and in 1952 (with Von Stroheim). The other 1918 version, shot in Hungary, is believed to be lost, and may or may not be closer to the Ewers novel than this German film.Jay Salsberg