Against the Law
Against the Law
| 01 January 1997 (USA)
Against the Law Trailers

A trigger-happy outlaw goes on the run and a burned out, disillusioned cop gives chase. They end up head-to-head in a Los Angeles shoot out.

Reviews
GamerTab

That was an excellent one.

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Listonixio

Fresh and Exciting

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Portia Hilton

Blistering performances.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Arlis Fuson

A young man claims to be the fastest gun out there and he's headed to California in hopes of becoming famous. A city cop gets labeled a hero after gunning down a notorious drug dealer and he doesn't want the fame he's getting. A news reporter is caught in the middle and the gun slinger asks her to set up a standoff at high noon with the infamous cop.Very silly story. Poor Jim Wynorsky has made some bad films, but I think this is the worst non skin-flick type of his I have seen. Richard Grieco reminded me of a poor mans Michael Madsen. Billy Gallo did good on here, always liked him. Nancy Allen played the reporter here and did okay and Jamie Pressly did good in a small part, but Nick Mancuso was really truly amazing and the only reason to watch this movie.I wouldn't advise anyone to watch it. Its a pretty horrible movie. Lots of bad acting, stupid dialog by most and the worst case of blank bullets I have ever seen. It's very slow and painful to set through.One message I liked was that this cop killed a man and didn't want to be treated like a hero for it, cause taking another mans life doesn't make you a great person.2/10 stars

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treighsea

Okay. Yes, this was a very-tight-budget movie with continuity errors (like single scenes obviously filmed in sunshine and then in shadow and then mixed together), and as much as I love Nick Mancuso he was often a little too good at the burnt-out part, and some of the minor supporting cast was really bad (plus at least one actor was used for two different but conspicuous roles). But come on. Richard Grieco was hysterical (his hair alone is worth the trip). Steven Ford was very likable. Mancuso had some great lines, while Nancy Allen, ironically, was completely bland and uninteresting. Classic? No. Bad parts? Yes. Entertaining? Big yes. I would have loved to have been on-set the day they decided what kind of hairstyle Grieco would have. "Are you fast?" ... "Y'ain't THAT fast."

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RHM-2

While surfing, I got hooked about mid-way thru the opening credits. Low-budget, yes -- but full of neat twists. Nick Mancuso is wonderful as a burnt-out cop, smoking, drinking, snarling at authority. Richard Geico looks like a beefy Mickey Rourke, spiky hair and all, and makes a good heavy. Both keep their characters and the story spinning.... One of the best things: no stopping action for sex (just watch Mancuso turn down a former lover).

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JimFK

An unusually straight-faced actioner played by a cast and filmed by a director who obviously took the material seriously. Imperfect, as is to be expected from a film clearly shot on a tight budget, but the drama is involving-- it's one of those films that when it gets repeated ad nauseum on Cinemax 2 or More Max or whatever they call it, you end up watching 40 minute blocks when you're supposed to be going to work. Along W/ "Deathstalker 2", "Chopping Mall", and "The Assault", a reminder that Wynorski is a much more talented director than many of his fellow low-budget brethern, who has a real ability to pace a genre film, when he actually's interested in the material (i.e., don't bother watching any of his Shannon Tweed flicks with a 3 or a 4 after the title!) Actors who've had too little to do recently (Mancuso, Ford, even Gary Sandy for chrissakes) really put their all into some of their best roles in years -- as for Grieco, he has the right look, although his acting is a bit one-note -- it's clear his character is supposed to be self-destructing throughout the film, but Grieco doesn't quite convey it. I checked IMDB and I see the writer also wrote "Sorority House Massacre 2" & "Dinosaur Island" for the director -- both minor classics in their own rights, but obviously "silly" Roger Cormon-like Cinema -- this one's more like some of the better Jonathan Demme and Jonathan Kaplan B-pictures of the 70's -- giving you the exploitation element but offering involving drama at the same time -- a real step forward. Not "Citizen Kane," and the comic final moments are a bit disruptive, but a well-written, character-driven above-average straight-to-video actioner. Small achievements like this should not be overlooked when they come along, which is rare enough (as I was reminded as I tried to sit through an Albert Pyun monstrosity called "Heatseeker" the other night -- this low-budget stuff isn't as easy as it looks -- but that's another story!)

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