Slow pace in the most part of the movie.

Just what I expected

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

One of the most extraordinary films you will see this year. Take that as you want.

Probably symbolising the Wheel of Fortune, a beautiful hand-cranked carousel in a pond features a couple of times towards the end of the film. Look for the rabbit seat which resembles the dog, Dougall, from the British Magic Roundabout stop-motion children's series. Here the church's St George vs Dragon stained glass tableau plays out in real life as the morality play on our freedom to choose right from wrong. Death & the Maiden are here, too, for those with the eyes to see. It seems that the first meeting of St George & his maiden happens at a rural bathing fountain where a serpent has lain hidden in this dress of one of the damsels bathing there. A strike from his riding crop dispatches that incarnation of the Beast but there will always be more. His other lady - seemingly more fair but dark at heart - dies when her jealous spouse disguised as a 'good fortune' manakin-selling beggar mistakes her attentions to a milliner's mannequin & shoots her out of the picture, so to speak. The delicate kiss of benediction which he gives to the girl whilst slipping quietly through her bedroom chamber may translate as a reverse Pygmalion touch where the spirit of St George transfers out of her dreams & into the rogue upon whom the chapel's window is styled.

Positively awful George Sanders vehicle where he goes from being a thief to police czar.While Sanders was an excellent character actor, he was certainly no leading man and this film proves it.It is absolutely beyond stupidity. Gene Lockhart did provide some comic relief until a moment of anger led him to fire his gun with tragedy resulting.Sadly, George Sanders and co-star Carol Landis committed suicide in real life. After making a film as deplorable as this, it is not shocking.The usual appealing Signe Hasso is really nothing here.

How many "Vidocq" versions are there ? Probably more than you'd want to see.The last one was released a couple of years ago (feat Depardieu) and was a commercial and artistic flop.French versions galore are up for grabs including a miniseries in the sixties.This American version of the thief-turned -cop is a different matter cause it is probably as far as the real life character as it can be.George Sanders' suave portrayal is actually close to Arsene Lupin the French gentleman-burglar invented by Maurice Leblanc.After all Detlef Sierck (Douglas Sirk) was European .Aunt Ernestine is some kind of equivalent of Lupin's old nanny Victoire.The parallel with Saint George and the dragon is a good idea ,when a man has actually to fight against himself on the way to redemption.The film is highly praised in Vidocq's native France:Jacques Lourcelles writes that ,"lost in Hollywood ,Sirk is at home again in an old tale of good old Europa.I must confess I find "scandal in Paris" a bit cold and sometimes dull and I like Sirk best in his "Melodrames Flamboyants".

I was already a fan of George Sanders - but this film really gives him the witty language that he can spin under his breath better than any actor in movies. The story itself is far more interesting in its twists and turns than expected. Listen carefully - and you hear real style and imagination.