Must See Movie...

I don't have all the words right now but this film is a work of art.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The acting in this movie is really good.

Released in 2009 and directed by Michael Dorsey, "Six Degrees of Helter Skelter" is a micro-budget documentary that examines the Manson family and the infamous Tate/LeBianca murders that shocked the world in August, 1969, bringing to end the idealism of the hippie movement. Host Scott Michaels visits more than 40 locations in Southern California as he goes into detail about the victims, their murderers and Manson's ties to the Hollywood elite.Charles Manson was a decent singer/songwriter and the documentary includes (a snippet of) one of his songs, "Cease to Exist," performed by the Manson family. Although he wasn't anything phenomenal, Manson had a real shot at making it, but his narcissism, paranoia, and general malice toward everything destroyed it. He ruined everything he touched, everyTHING and everyONE. He wreaked havoc on dozens, no hundreds, of lives, probably thousands. And his psychopathic acts were the death knell of the good side of the counter-culture movement. Technically, a psychopath is not actually insane. These types simply have no conscience. Hurting & killing people, doing horrible things and wreaking havoc on society doesn't bother them in the least.Costing only $200,000, this documentary is not a polished production. It's only a couple steps above a typical Youtube video and mostly consists of Michaels visiting the many locations and elaborating details in a freeform manner. He often throws in interesting side bits here and there. Some people criticize that he tends to ramble and sometimes stumbles over his words, but I understood everything he was saying perfectly and appreciated his casual, non-rehearsed, fact-oriented delivery. Micro-budget or not, the film is very informative and takes you to the actual locations of the infamous crimes, combined with a lot of stock footage of the people and events. For a documentary, it fulfills its purpose.The film runs 103 minutes.GRADE: B-

The narrator begins by basically selling his business and showing off his collection of rubbage gathered from celebrities. At certain times he gives way to storytelling and his own theories which kind of takes away some credibility. He does a very thorough job but there are times where he points to an object and says it has to be a relic of the Family when he has no proof. There were times when I wanted to shout "just because you see the words Helter Skelter doesn't mean the Manson Family wrote it". There are brief moments when he seems to become too attached to the Manson Family activities to the point it looks like he is excited about the killings. At one time he even makes a joke about the Lablanca couples murder.

Thorough, heavily detailed, intricately well crafted document on the events and people surrounding the LoBianco/Tate murders, with great time and effort given to the Manson clan responsible for the heinous crimes and how they were committed; but what truly compelled me was the particular devotion to the victims, such as their activities and relationships (Tate and Sebring were an item at one point), before meeting gruesome fates. Not only that, but the areas where the Manson family (and those they were involved with at points prior to the murders) frequented or "patrolled" at one point or another are visited, with determined accuracy given to their importance to the murders and the Manson clan's connection to them. The autopsy reports, explained by a coroner willing to distill them into a form we can understand, really give us a real feeling for just how vicious and maddening the murders truly were. The host (Scott Michaels, who doesn't hide his enthusiasm and passion for all things Manson family and Hollywood Death) and materials used (Helter Skelter, the novel, is a source spoken about often) define an infamous period of American history with a scholarly approach. While the budget was shoestring, like others have already pointed out well, the major appeal would have to be the return to locations (like the neighborhoods, where the Spahn Ranch once stood, and most definitely, the Barker Ranch which still remained surprisingly intact if still a bit ravaged by time and campers visiting it to stay the night (I can't imagine I would ever do that, though!) before suffering an accidental fire that gutted it). Finding Tex Watson's truck (with Healter Skelter etched on it still!) was one of the documentary's more compelling moments and a listen to Manson's crooning "Cease to Exist" as it plays on a record left me with chills. While used as a criticism towards the narrative approach for Michaels, his "inability to stay on topic" felt rather natural to me, as if he were "in the moment" which was actually a nice change from the typical "organized" documentary form of a true crime show or A&E's Biography. I felt as if I was visiting places right along with him and reacting as he might have (maybe not as excitedly, because in the back of my mind, what these people did to innocents would still remain) at discoveries that could still remain. If I had a criticism it would be towards the crime scene photographs of the murder victims; I felt the coroner and autopsy charts were sufficient enough…I think showing the actual bodies of those killed was a bit too exploitative and rather desperate for shock value.How producer Evans is mentioned (he was supposed to keep a protective eye on Tate while Polanski was away in preparation for directing Day of the Dolphin in England), along with Jack Nicholson, the members of Mamas and the Papas, James Dean, and even MGM producer (and husband of Jean Harlow) Paul Bern (who was found dead from a gunshot wound, with a report confirming his death a suicide, considered perhaps staged) in correlation with events prior to and after the Tate murders add credence to the "six degrees" part of the documentary's title. This isn't just about the murders and Manson, as host Michaels himself get a rub by the documentary, showing his home, pimping his "Dearly Departed Tours" business, and allowing us to see his morbid memorabilia concerning Hollywood's dead. Two particular deaths at Charlie's urging that left me rather haunted was the murder of Shorty Shea (a Hollywood stuntman married to a black woman (which repulsed racist Charlies), who worked at the Spahn Ranch) and Steven Parent, a teenage kid with a fascination in electronics offering a radio to a potential buyer staying in a guest house nearby the eventual Mansion Family kill zone involving the Tate murders. I think "wrong place-wrong time" just kept returning to my mind as I watched this. You just sense that if "this or that" had occurred, some of these lives might could have been avoided a fate most unkind. The document of a couple who discover Tex and the girls "hosing off" the blood from the murders, the husband of the house going so far as attempting to remove the keys from their car and confronting them hostilely, and living to tell about it, really just further signifies how fate deals some a good hand, while others get the shaft. To hear that Manson and his bunch were looking to kill others, eventually caught at Barker Ranch, just cements how dangerous they really were, and that the need to remove them from society was of vital importance. Fascinating was the details, regarding Polanski and his search for Tate's murderer (even accusing John Phillips of the Mamas and the Papas!), and how the Manson family remained untied to the pool of suspects for a period of time afterward, only add to the pop culture curiosity to this whole documentary. The mentioning of the paranoia and fear gripping Hollywood (by Michelle Phillips of the Mamas and the Papas) encapsulates what human monsters can do to the psyche of even the most famous and rich.

Hollywood death tour guide Scott Michaels takes us on a lively, thorough, and illuminating exploration of the infamous Tate/LoBianco murders committed by the notorious Manson Family. Among the stuff covered in this incredibly comprehensive documentary are autopsy reports (the inevitable crime photos of the victims are quite graphic and upsetting), background information on all the victims, visits to primary locations (the journey to the desolate godforsaken desert town of Battarat where the Barker Ranch is located proves to be genuinely eerie; ditto a late night walk down the street the killers went down on the anniversary of the murders), Manson's abortive recording career (we get to heart Manson sing the creepy ditty "Cease to Exist"), and connections to everything from the movie "Grease" to the folk-rock group The Mamas and the Pappas. Moreover, Michaels goes out of his way to debunk certain popular urban legends about Manson (for example, Manson couldn't have auditioned for The Monkees because he was in jail at the time). Michaels makes for an extremely enthusiastic, passionate, and engaging host. Recommended viewing for true crime buffs.